LITMIR.BIZ

Across the UK thousands of people are involved in protests and debates, sparked into action by the largest cuts to public spending since WWII – cuts which are the turning point of a generation, undermining the welfare state, higher education and the arts in one fell swoop. Theatre Uncut is a national theatre event in response to these cuts, bringing together some of the UK’s leading dramatists. Theatre Uncut ’s flagship event took place in London from 16- 19 March 2011. Drama groups, universities, youth clubs and theatre companies nationwide joined the event, staging their own versions of the shorts in a national theatrical uprising. Now published in this new collection, Theatre Uncut containsthese short plays, addressing audiences who want to think about what the budget cuts really mean, and who they are really hitting. A debate is underway. Protest might begin, minds might be changed, views challenged, ideas formed. Theatre Uncut is a response to a situation that we cannot control, and over whichwe had no say.

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Helen and Danny keep themselves to themselves. But the outside world comes crashing into their lives one day when Helen's brother turns up. Covered in blood.Dennis Kelly's new play is a thrilling contemporary suspense story which takes its audience on a chilling journey into a world just outside the front door. This disturbing urban drama has it's world premiere at the Traverse Theatre on 31st July 2009, reuniting the team that brought Kelly's play After The End to the Traverse Theatre in 2005. After a month's run at the Traverse, it transfers to Birmingham Rep and the Soho Theatre (London).

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Heroic commander of the Prussian cavalry, the Prince of Homburg dreams of victory, glory and fame. But reckless disobedience during a crucial military operation leads the Prince into his greatest battle yet. The creative team behind the Donmar’s critically acclaimed production of Life Is A Dream present Von Kleist’s poetic masterpiece, which is considered to be one of the most haunting and beautiful plays of the nineteenth century, exploring honour, courage, ambition and love. Adapted for stage by acclaimed British writer Dennis Kelly, this is an exciting new adaptation of a classic of European literature.

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The Gods Weep focuses on the life of a CEO whose global business fragments around him as he loses his grip on reality. Colm has taken a lifetime to build his empire. With brutal rigor he has shaped the world around him in his own image. As time moves on his decision-making abilities increasingly fail him and the world he has created begins to fracture. The power struggle that ensues reveals the corruption and unstoppable forces at work in a world where corporate greed and national security frighteningly overlap.

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Features the plays Debris, Osama the Hero, After the End and Love and Money. These four plays are linked by their characters' desperate need to believe that there is more to life than the often brutal worlds in which they find themselves. Kelly's remarkable debut Debris finds humour and pathos in a spectacularly dysfunctional family unit. The harrowing Osama the Hero shows a group of neighbours taking ill-defined revenge on an odd-ball teenager in a climate of fear. In After the End a woman discovers she has been rescued from Armageddon by a paranoid ex-colleague with a nuclear bunker in his garden. And in a fractured narrative Love and Money portrays a marriage driven to brutal destruction by financial pressures.

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An odyssey of pain, blood, love and loss.An unreal journey through two disturbed minds, and the unfolding events leading up to the self crucifixtion of their father in the front room. Enter the insane world of siblings Michael and Michelle. Debris is a depraved vision of an alien world seen through their eyes.Debris was developed whilst Kelly was on attachment at the National Theatre Studio. A production by the Latchmere Theatre opened at Battersea Arts Centre in March 2004.

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A group of teenagers do something bad, really bad, then panic and cover the whole thing up. But when they find that the cover-up unites them and brings harmony to their otherwise fractious lives, where’s the incentive to put things right? DNA is a poignant and, sometimes, hilarious tale with a very dark heart.A contemporary play for younger people, DNA opened at the National Theatre in February 2008

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They were all in the pub when the explosion happened. Louise wakes up to find herself trapped with Mark, who has saved her life. Mark is always prepared for the worst and has everything he thinks they will need to survive; tinned chilli, Dungeons and Dragons and a knife – now all they need to do is to wait until it's safe to go outside. Can they survive the attack? Can they survive each other? After The End received its world premiere at The Traverse Theatre in August 2005.

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David conducts an office romance by e-mail. He has love at his fingertips. But a shocking admission unravels his relationship piece by chilling piece. Jess loves David. She believes happiness can be bought – but it doesn’t come cheap in a world of easy credit. Jess and David’s ideal blend of love and money is killing them. Funny but heart wrenching, this ingenious drama dares us to enter a dislocated world of bad debts and even worse desires.Love and Money opened at the Manchester Royal Exchange in October 2006 with a transfer to the Young Vic, London.

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Gary's not stupid. He just dares to see the world differently. In the class room and on the estate, he provokes without intent. When another act of violence unsettles those around him, Gary must shoulder the blame. A visceral rollercoaster of a play by one of Britain's hottest writers. Raw, angry and urgent, this is an explosive piece of work.

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