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For forty years, RM Vaughan has been fighting, and failing, to get his forty winks each night. He's not alone, not by any stretch.More and more studies highlight the health risks of undersleeping, yet we never been asked to do more, and for longer. And we can't stop thinking that a lack of sleep is heroic: snoozing is a kind of laziness, after all. But why, when we know more about the value of sleep, are we obsessed with twenty-four-hour workdays and deliberate sleep deprivation?Working outward from his own experience, Vaughan explores this insomnia culture we've created, predicting a cultural collision—will we soon have to legislate rest, as France has done?—and wondering about the cause-and-effect model of our shorter attention spans. Does the fact that we are almost universally underslept change how our world works? We know it's an issue with, say, pilots and truck drivers, but what about artists—does an insomnia culture change creativity? And what are the long-term cultural consequences of this increasing sacrifice for the ever-elusive goal of «total productivity»? RM Vaughan is the author of nine books and many short video works. He contributes essays on culture and society to numerous publications and his video works play in galleries and festivals around the world.

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Ogres, trolls, demons – monsters, like violence, are always represented as male. Not this time. Celebrated playwright RM Vaughan gives us, in three one-act monologues, three very monstrous women. In A Visitation by St Teresa of Avila upon Constable Margaret Chance, we meet a middle-aged police officer whose world view is determined by her obsession with race, bloodlines and genetic determinism. The Susan Smith Tapes (made into a film for CBC and Showcase by Jeremy Podeswa) shows the famous American who drowned her two young sons trying to recapture the public's attention by auditioning for talk shows. And Dead Teenagers introduces us to a frustrated reverend unhealthily addicted to the spectacle of large funerals for murdered children.

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'There are no lost women, only women who've forgotten their scripts.' RM Vaughan's play about Hollywood director Dorothy Arzner comes off the stage and onto the page in this handsome edition from Coach House Books. An insightful look at the gender politics behind the cameras and studios of the golden age of cinema.

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