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Ed Pavlic
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Аннотация
Ndiya Grayson returns to her childhood home of Chicago as a young professional, but even her high-end job in a law office can’t protect her from half-repressed memories of childhood trauma. One evening, vulnerable and emotionally disarrayed, she goes out and meets her equal and opposite:<br><br>
Shame Luther, a no-nonsense construction worker by day and a self-taught piano player by night. The love story that ensues propels them on an unforgettable journey from Chicago’s South Side to the coast of Kenya as they navigate the turbulence of long-buried pasts and an uncertain future.<br><br>
A stirring novel tuned to the clash between soul music’s vision of our essential responsibility to each other and a world that breaks us down and tears us apart, <i>Another Kind of Madness</i> is an indelible tale of human connection.
Shame Luther, a no-nonsense construction worker by day and a self-taught piano player by night. The love story that ensues propels them on an unforgettable journey from Chicago’s South Side to the coast of Kenya as they navigate the turbulence of long-buried pasts and an uncertain future.<br><br>
A stirring novel tuned to the clash between soul music’s vision of our essential responsibility to each other and a world that breaks us down and tears us apart, <i>Another Kind of Madness</i> is an indelible tale of human connection.
Аннотация
Often the most recognized, even brutal, events in American history are assigned a bifurcated public narrative. We divide historical and cultural life into two camps, often segregated by a politicized, racially divided «Color Line.» But how do we privately experience the most troubling features of American civilization? Where is the Color Line in the mind, in the body, between bodies, between human beings? Ed Pavlic's Visiting Hours at the Color Line, a 2012 National Poetry Series winner, attempts to complicate this black-and-white, straight-line feature of our collective imagination, and to map its nonlinear, deeply colored timbres and hues. From the daring prose poem to the powerful free verse, Pavlic's lines are musically infused, bearing tones of soul, R&B, and jazz. Meanwhile, joining the influence of James Baldwin with a postmodern consciousness the likes of Samuel Beckett, Pavlic tracks the experiences of American characters through situations both mundane and momentous, and exposes the many textures of this social, historical world as it seeps into the private dimensions of our lives. The resulting poems are intense—at times even violent—ambitious, and psychological, making Visiting Hours at the Color Line a poetic tour de force, by one of the century's most acclaimed American poets.