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Feroza Ginwalla, a pampered, protected 16-year-old Pakistani girl, is sent to America by her parents, who are alarmed by the fundamentalism overtaking Pakistan — and their daughter. Hoping that a few months with her uncle, an MIT grad student, will soften the girl’s rigid thinking, they get more than they bargained for: Feroza, enthralled by American culture and her new freedom, insists on staying. A bargain is struck, allowing Feroza to attend college with the understanding that she will return home and marry well. As a student in a small western town, Feroza’s perceptions of America, her homeland, and herself begin to alter. When she falls in love with and wants to marry a Jewish American, her family is aghast. Feroza realizes just how far she has come — and wonders how much further she can go. This delightful coming-of-age novel is both remarkably a remarkably funny and acute portrayal of America as seen through the eyes of a perceptive young immigrant.

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The 1947 Partition of India is the backdrop for this powerful novel, narrated by a precocious child who describes the brutal transition with chilling veracity. Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

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The renowned author Bapsi Sidhwa and the equally renowned filmmaker Deepa Mehta share a unique artistic relationship: Mehta adapted Sidhwa’s novel Cracking India for her brilliant film Earth, and here, Sidhwa adapts Mehta’s controversial film Water to the printed page.Set in 1938, against the backdrop of Gandhi’s rise to power, Water follows the life of eight-year-old Chuyia, abandoned at a widow’s ashram after the death of her elderly husband. There, she must live in penitence until her death. Unwilling to accept her fate, she becomes a catalyst for change in the widows’s lives. When her friend Kalyani, a beautiful widow-prostitute, falls in love with a young, upper-class Gandhian idealist, the forbidden affair boldly defies Hindu tradition and threatens to undermine the ashram’s delicate balance of power. This riveting look at the lives of widows in colonial India is ultimately a haunting and lyrical story of love, faith, and redemption.

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As a youth, Qasim leaves his tribal village in the remote Himalayas for the plains. Caught up in the strife surrounding the creation of Pakistan, he takes an orphaned girl for his daughter and brings her to the bustling, decadent city of Lahore. Amid the pungent bazaars and crowded streets, Qasim makes his fortune and a home for the two of them. As the years pass, Qasim grows nostalgic about his life in the mountains while his hopelessly romantic teenage daughter, Zaitoon, imagines Qasim's homeland as a region of tall, kindly men who roam the Himalayas like gods. Impulsively, Qasim promises his daughter in marriage to a tribesman, but Zaitoon's fantasy soon becomes a grim reality of unquestioning obedience and unending labor. Bapsi Sidhwa’s acclaimed first novel is a robust, richly plotted story of colliding worlds straddled by a spirited girl for whom escape may not be an option.

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