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"Masande Ntshanga is a wildly talented writer. Get in on his brilliance now so you can claim you always knew he'd be great." —Victor LaValle, author of The Changeling Triangulum is an ambitious, often philosophical and genre-bending novel that covers a period of over 40 years in South Africa’s recent past and near future—starting from the collapse of the apartheid homeland system in the early 1990s, to the economic corrosion of the 2010s, and on to the looming, large-scale ecological disasters of the 2040s. In 2040, the South African National Space Agency receives a mysterious package containing a memoir and a set of digital recordings from an unnamed woman who claims the world will end in ten years. Assigned to the case, Dr. Naomi Buthelezi, a retired professor and science-fiction writer, is hired to investigate the veracity of the materials, and whether or not the woman's claim to have heard from a “force more powerful than humankind” is genuine. Thus begins TRIANGULUM, a found manuscript composed of the mysterious woman’s memoir and her recordings. Haunted by visions of a mysterious machine, the narrator is a seemingly adrift 17-year-old girl, whose sick father never recovered from the shock of losing his wife. She struggles to navigate school, sexual experimentation, and friendship across racial barriers in post-apartheid South Africa. When three girls go missing from their town, on her mother's birthday, the narrator is convinced that it has something to do with «the machine» and how her mother also went missing in the '90s. Along with her friends, Litha and Part, she discovers a puzzling book on UFOs at the library, the references and similarities in which lead the friends to believe that the text holds clues to the narrators’s mother's abduction. Drawing upon suggestions in the text, she and her friends set out on an epic journey that takes them from their small town to an underground lab, a criminal network, and finally, a mysterious, dense forest, in search of clues as to what happened to the narrator's mother. With extraordinary aplomb and breathtaking prose, Ntshanga has crafted an inventive and marvelous artistic accomplishment. "The violent and fascinating history of South Africa—from colonialism to apartheid, and the recent struggles to come to terms with this past—serves as a rich backdrop for this unsettling, enrapturing novel that brings to mind Roberto Bolano’s  2666 … a novel of incredible imagination that gradually unfurls into a wonderfully realized meditation on growing up, heritage, and the effects of technological progress on the world around us."—Alexander Moran,  Booklist

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*Winner of The Betty Trask Award (2018)* Sunday Times Barry Ronge Fiction Prize Finalist*Etisalat Prize for Literature Longlist *One of the Best Books of the Year 2016 — City Press , The Sunday Times , The Star , This is Africa , Africa's a Country , Sunday World Heralded in the author's native South Africa as «the hottest novel of the year,» The Reactive is a clear-eyed and compassionate depiction of a young HIV+ man grappling with the sudden death of his younger brother, for which he feels unduly responsible. Lindanathi and his friends—Cecelia and Ruan—make their living working low-paying jobs and selling anti-retroviral drugs (during the period in South Africa before ARVs became broadly distributed). In between, they huff glue, drift in and out of parties, and traverse the streets of Cape Town, where they observe the grave material disparities of their country. A mysterious masked man appears seeking to buy their surplus of ARVs, an offer that would present the three with the opportunity to escape their environs, while at the same time forcing Lindanathi to confront his path, and finally, his past. With brilliant, shimmering prose, Ntshanga has delivered a redemptive, ambitious, and unforgettable first novel. "[ The Reactive is] a searing, gorgeously written account of life, love, illness, and death in South Africa. With exquisite prose, formal innovation, and a masterful command of storytelling, Ntshanga illustrates how some young people navigated the dusk that followed the dawn of freedom in South Africa and humanizes the casualties of the Mbeki government's fatal policies on HIV & AIDS." —Naomi Jackson, Poets & Writers

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