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From the author of NOCTURNES and FLIGHT FROM EIN SOF. Blending history, art and fiction, THE INVENTOR is an ode to secular humanism and a searing condemnation of religious and political sophistry. Multi-layered, this story-within-a-story revisits crimes committed in the name of God. It also resurrects a largely unknown, sadly neglected medieval painter who, reaching beyond the grave, can now show his face, belie his critics and put an end to speculations about the insights, passions and ordeals that inspired his art. Capturing the horrors his eyes have seen and foreshadowing the upheavals that would rock the world, filled with blistering commentaries on life, free thought, human bestiality and the death of reason, his allegories, now five centuries old, denounce the despotism of absurd beliefs and satirize the pointless circularity of the human condition. “Painting is another way of keeping a diary,” Pablo Picasso once said. THE INVENTOR agitates against false prophets who, to ensnare men’s souls, fill their heads with mind-boggling lies and often resort to violence to achieve their objectives. In so doing, it also offers another way of prying into a diary’s most scandalous secrets. About the Author: Born in Paris, educated in France, Romania and Israel, W. E. Gutman is a widely published veteran journalist. Between 1991 and 2006, he covered politics, the military, human rights and other socio-economic issues in Central America. Formerly the international editor of the futurist New York-based magazine, OMNI, and U.S. editor of the Moscow-based magazine, Science in the USSR, he continues to write for a number of mainstream and special-interest publications. A self-described iconoclast, devout atheist and Freemason, he lives with his wife in Southern California’s “high desert.”

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An epic work of remarkable scope, vigor and passion, W. E. Gutman’s latest book is acerbic, iconoclastic and disquieting. In this memoir, he chronicles his life with eloquent, engaging prose that will resonate with readers long after they turn the last page. The palpable sense of wonder and discovery peppered with dark humor and great humanity, is reminiscent of Nabokov’s Speak Memory and Proust’s Remembrance of Things Past. This honest, often self-critical account of the author’s ups and downs as a wanderer and journalist makes A Paler Shade of Red great literature. About the Author: Born in Paris, W. E. Gutman is a veteran journalist and author. A former writer at OMNI magazine and U.S. editor of Science in the USSR, he covered politics and human rights in Central America from 1994 to 2006. He lives with his wife in southern California.

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Satirical, politically incorrect, irreverent, Flight from Ein Sof is the fictional first-person account of a brief journey to and from a realm of nightmares and insanity. Filled with blistering commentaries on life, free thought, human bestiality and death, this scathing allegory exposes the absurdities and horrors of ideological tyranny, the irrationality of blind faith, the despotism of senseless beliefs and the pointless circularity of the human condition. Revisiting a theme first explored by the author in NOCTURNES – Tales From The Dreamtime, this disquieting and profane opus warns against the ignominy of forced ideas and the false prophets who, to ensnare men’s souls, fill their heads with mind-boggling lies. About the Author: Born in Paris, W. E. Gutman is a widely published veteran journalist and author. From 1991 to 2004 he was on assignment in Central America where he covered politics, human rights and other socio-economic themes. He lives with his wife in southern California’s “high desert.”

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From the author of A PALER SHADE OF RED – Memoirs of a Radical; FLIGHT FROM EIN SOF and THE INVENTOR comes this collection of gritty, satirical, chilling, iconoclastic, always ferocious and unrepentant dystopias. Death and virgin birth, immortality and cannibalism, paradise and hell, the cosmos, bigotry and vigilantism, close encounters, wars to end all wars, hallucinations, disquieting prophecies and insanity – mainly insanity – are the forces that drive ONE NIGHT IN COPÁN. Oscillating between parody and polemic, allegory and unalloyed horror, paradox and hyperbole, the apocalyptic canvases W. E. Gutman paints can be read as one man’s antidote for the despotism of inflexible creeds and the paralyzing effects of groupthink. A work of hyper-realism, this collection of thirteen tales uses bizarre, fantastic, sometimes ghoulish, always disquieting devices to capture and expose truths that people ensconced in ideological cocoons ignore, shirk or refute. About the Author: Born in Paris, W. E. Gutman is a veteran journalist. A former writer at the late-great futurist magazine, OMNI, and former U.S. editor of the Moscow-based SCIENCE IN THE USSR, he worked in Central America from 1994 to 2006. He lives with his wife in southern California.

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