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Duncan MacMillan
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Аннотация
‘Drugs and alcohol have never let me down. They have always loved me. There are substances I can put into my bloodstream that make the world perfect. That is the only absolute truth in the universe. I’m being difficult because you want to take it away from me.' Emma was having the time of her life. Now she’s in rehab. Her first step is to admit that she has a problem. But the problem isn’t with Emma, it’s with everything else. She needs to tell the truth. But she’s smart enough to know that there’s no such thing. When intoxication feels like the only way to survive the modern world, how can she ever sober up?
Аннотация
‘I could fly to New York and back every day for seven years and still not leave a carbon footprint as big as if I have a child. Ten thousand tonnes of CO2. That’s the weight of the Eiffel Tower. I’d be giving birth to the Eiffel Tower.’In a time of global anxiety, terrorism, erratic weather and political unrest, a young couple want a child but are running out of time. If they over think it, they’ll never do it. But if they rush, it could be a disaster. They want to have a child for the right reasons. Except, what exactly are the right reasons? And what will be the first to destruct – the planet or the relationship?
Аннотация
"You put it in the freezer, so when you transfer it to the boiling water it doesn't feel a thing. I suppose that this is how I've felt recently. I've been in some deep freeze and suddenly I can feel steam in my face, I'm falling headlong into scalding water."It's 2005, the sun is shining and Loretta is planning to make her daughter's favourite meal. But when Sophie stops talking to her, children start vanishing, and rooms begin to cry, Loretta can't help feeling that something is up and that she might have something to do with it.A play about one woman's journey back to her childhood, to stop her past flooding into the present.
Аннотация
Don Juan’s back from the War and he’s got some catching up to do. Berlin is crumbling, but after years of abstinence, the Don is ready for more of the debauchery that once made his name. Amidst political and economic upheaval, Don Juan finds himself increasingly at odds with the man he used to be. Is this notorious lothario about to experience a sudden change of heart?Ödön von Horváth’s startling tale of displacement and isolation in the aftermath of the Great War is presented in a bold new adaptation by award-winning playwright Duncan Macmillan.Five Stars WhatsOnTheFringe Four Stars, The Public Reviews Ödön von Horváth’s startling tale of displacement and isolation in the aftermath of the Great War is presented in a bold new adaptation by award-winning playwright Duncan Macmillan. Fringe Report In Duncan MacMillan's new version the writing is gritty, grimy, and powerful, while director Andrea Ferran's production has some mesmerising moments and beautifully acted memorable scenes that liberate a raw sensuality. Jo Sutherland, The Stage
Аннотация
You’re seven years old. Mum’s in hospital. Dad says she’s ‘done something stupid’. She finds it hard to be happy. You start a list of everything that’s brilliant about the world. Everything worth living for. You leave it on her pillow. You know she’s read it because she’s corrected your spelling.
Аннотация
England is a country frightened of its young, a country of ASBOs, hoodies and happy slapping. How has our youth got so out of control? In a classroom somewhere a teacher, Tom, is alone with Darryl, an excluded boy, in an effort to teach him where all else has failed. Can Tom save Darryl? Or does Tom need a little saving himself? Can anyone save anyone? Monster won second prize in the Bruntwood Playwriting Competition for the Royal Exchange, part of the Manchester International Festival. It opened at the Royal Exchange, Manchester in June 2007.
