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From the Collins Crime Club archive, the third standalone novel by Freeman Wills Crofts, dubbed ‘The King of Detective Story Writers’.Seymour Merriman’s holiday in France comes to an abrupt halt when his motorcycle starts leaking petrol. Following a lorry to find fuel, he discovers that it belongs to an English company making timber pit-props for coal mines back home. His suspicions of illegal activity are aroused when he sees the exact same lorry with a different number plate – and confirmed later with the shocking discovery of a body. What began as amateur detective work ends up as a job for Inspector Willis of Scotland Yard, a job requiring tenacity, ingenuity and guile . . .Freeman Wills Crofts’ transition from civil engineer on the Irish railways to world-renowned master of the detective mystery began with The Cask when he was fully 40 years old; but it was his third novel, the baffling The Pit-Prop Syndicate, that was singled out by his editors in 1930 as the first for inclusion in Collins’ prestigious new series of reprints ‘for crime connoisseurs’.This Detective Club classic is introduced by John Curran, author of The Hooded Gunman, and includes the bonus of an exclusive short story by Crofts, ‘Danger in Shroude Valley’.

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One of the defining novels of the entire crime genre, Gaston Leroux’s The Mystery of the Yellow Room has inspired readers and writers including Agatha Christie and John Dickson Carr, and is now republished in hardback in the Detective Club series with a brand new introduction.Breaking down her door in response to the sounds of a violent attack and a gunshot, Mademoiselle Stangerson’s rescuers are appalled to find her dying on the floor, clubbed down by a large mutton bone. But in a room with a barred window and locked door, how could her assailant have entered and escaped undetected? While bewildered police officials from the Sûreté begin an exhaustive investigation, so too does a young newspaperman, Joseph Rouletabille, who will encounter more impossibilities before this case can be closed.The Mystery of the Yellow Room by Gaston Leroux, best remembered today as the author of The Phantom of the Opera, has been deservedly praised for more than a century as a defining book in the ‘impossible crime’ genre, as readable now as when it first appeared in French in 1907.This Detective Club classic includes an introduction by John Curran, who discusses how the book impressed and influenced a young Agatha Christie, was lauded by genre giants including John Dickson Carr, Ellery Queen and Julian Symons, and remains to this day one of the most effective and enjoyable locked room mysteries ever written.

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THIS DETECTIVE STORY CLUB CLASSIC is introduced by Dr John Curran, who looks at how Anna Katherine Green was a pioneer who inspired a new generation of crime writers, in particular a young woman named Agatha Christie.When the retired merchant Horatio Leavenworth is found shot dead in his mansion library, suspicion falls on his nieces, Mary and Eleanore, who stand to inherit his vast fortune. Their lawyer, Everett Raymond, infatuated with one of the sisters, is determined that the official investigator, detective Ebenezer Gryce, widens the inquiry to less obvious suspects.The Leavenworth Case, the first detective novel written by a woman, immortalised its author Anna Katharine Green as ‘The Mother of Detective Fiction’. Admired for her careful plotting and legal accuracy, the book enjoyed enormous success both in England and America, and was widely translated. It was republished by The Detective Story Club after Prime Minister Stanley Baldwin, speaking at the 1928 Thanksgiving Day dinner of the American Society in London, remarked: ‘An American woman, a successor of Poe, Anna K. Green, gave us The Leavenworth Case, which I still think one of the best detective stories ever written.’

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Written in reaction to what Bentley perceived as the sterility and artificiality of the detective fiction of his day, Trent's Last Case features Philip Trent, an all-too-human detective who not only falls in love with the chief suspect but reaches a brilliant conclusion that is totally wrong.Trent’s Last Case begins when millionaire American financier Sigsbee Manderson is murdered while on holiday in England. A London newspaper sends Trent to investigate, and he is soon matching wits with Scotland Yard's Inspector Murth as they probe ever deeper in search of a solution to a mystery filled with odd, mysterious twists and turns.Called by Agatha Christie «one of the best detective stories ever written,» Trent's Last Case delights with its flesh-and-blood characters, its naturalness and easy humor, and its style, which, as Dorothy Sayers has noted, «ranges from a vividly coloured rhetoric to a delicate and ironical literary fancy.»

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A fascinating exploration of the contents of Agatha Christie’s 73 recently discovered notebooks, including illustrations, deleted extracts, and two unpublished Poirot stories.When Agatha Christie died in 1976, aged 85, she had become the world's most popular author. With sales of more than two billion copies worldwide in more than 100 countries, she had achieved the impossible – more than one book every year since the 1920s, every one a bestseller.So prolific was Agatha Christie's output – 66 crime novels, 20 plays, 6 romance books under a pseudonym and over 150 short stories – it was often claimed that she had a photographic memory. Was this true? Or did she resort over those 55 years to more mundane methods of working out her ingenious crimes?Following the death of Agatha's daughter, Rosalind, at the end of 2004, a remarkable secret was revealed. Unearthed among her affairs at the family home of Greenway were Agatha Christie's private notebooks, 73 handwritten volumes of notes, lists and drafts outlining all her plans for her many books, plays and stories. Buried in this treasure trove, all in her unmistakable handwriting, are revelations about her famous books that will fascinate anyone who has ever read or watched an Agatha Christie story.What is the 'deleted scene' in her first book, The Mysterious Affair at Styles? How did the infamous twist in The Murder of Roger Ackroyd, really come about? Which very famous Poirot novel started life as an adventure for Miss Marple? Which books were designed to have completely different endings, and what were they?Full of details she was too modest to reveal in her own Autobiography, this remarkable new book includes a wealth of extracts and pages reproduced directly from the notebooks and her letters, plus for the first time two newly discovered complete Hercule Poirot short stories never before published.

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Agatha Christie’s life and career told through the decades, from the never-before-published original ending to her first book to the unused ideas for her last, complete with two unpublished Agatha Christie stories – including a lost Miss Marple.In this follow-up volume to the acclaimed Agatha Christie's Secret Notebooks, Christie archivist and expert John Curran leads the reader through the six decades of Agatha Christie's writing career, unearthing some remarkable clues to her success and a number of never-before-published excerpts and stories from her archives.Starting his investigation in the 1920s, John Curran examines the conventions of detective novels as they existed then and how Agatha Christie's publisher talked her into changing the ending of her very first book, The Mysterious Affair at Styles, a move that almost certainly changed the fortunes of not only her career but the future of the whole crime writing genre. For the very first time, this book prints Agatha's original ending, painstakingly transcribed from her notebooks.Every decade saw Agatha Christie's success grow to new heights. The emergence of the world-famous Collins Crime Club in 1930 brought with it the very first Miss Marple mystery, the austerity of the 1940s had Agatha Christie preparing to kill off Hercule Poirot, and the 1950s saw her experiment increasingly with formats influenced by more modern thrillers. Focusing on the detail of more than 20 Christie novels to illustrate this, John Curran shows the evolution of Agatha's writing through the decades, including the influence of the swinging sixties and seventies, concluding the book with a look at Agatha's last notebook, using his Christie knowledge to speculate about what she had in mind based on her brief notes for an unwritten final book.Also includes a number of short stories from the archives reproduced in full, including the unpublished The Man Who Knew, How I Created Hercule Poirot, and an early draft for a Miss Marple story, The Case of the Caretaker's Wife.

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