Unwed and Unrepentant - Marguerite Kaye Mills & Boon Historical

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       His fingers were stroking the skin at the nape of her neck.

      His mouth was curved into a smile that was blatantly sensual. It was there again in his eyes, that heat, and she was pretty certain it was there in hers too.

      ‘Iain, we are just pretending to be engaged.’

      ‘Aye, but there are other things we’ve no need to pretend about. You know I still want you, Cordelia.’

      ‘Did you have this in mind when you suggested our engagement?’

      ‘No, and I won’t change my mind if you’re not interested. I think you are, though.’ Iain laughed softly. ‘Knowing that you want me as much as I want you—have you any idea what that does to me?’ His expression darkened momentarily. ‘I don’t want you subservient to my desires, Cordelia, I want my desires to be yours. Yours to be mine.’

      His words were a low, stomach-clenching growl. ‘My desires to be yours?’ she repeated, mesmerised.

      ‘And yours to be mine. Admit it, we have unfinished business.’

      Born and educated in Scotland, MARGUERITE KAYE originally qualified as a lawyer but chose not to practise. Instead, she carved out a career in IT and studied history part-time, gaining a first-class honours and a master’s degree. A few decades after winning a children’s national poetry competition she decided to pursue her lifelong ambition to write, and submitted her first historical romance to Mills & Boon®. They accepted it, and she’s been writing ever since.

      You can contact Marguerite through her website at: www.margueritekaye.com.

       Previous novels by the same author:

      THE WICKED LORD RASENBY

      THE RAKE AND THE HEIRESS

       and in Mills & Boon® Historical Undone! eBooks:

      THE CAPTAIN’S WICKED WAGER

      THE HIGHLANDER AND THE SEA SIREN

      BITTEN BY DESIRE

      TEMPTATION IS THE NIGHT

      In the Mills & Boon Castonbury Park Regency mini-series:

      THE LADY WHO BROKE THE RULES

      and in M&B eBooks: TITANIC: A DATE WITH DESTINY

       Did you know that some of these novels are also available as eBooks? Visit www.millsandboon.co.uk

      Unwed and

      Unrepentant

      Marguerite Kaye

       www.millsandboon.co.uk

       AUTHOR NOTE

      I live on the west coast of Scotland and work in a room that faces right out onto the River Clyde. While I write I see the ferries traipsing back and forth across the river, I see warships and nuclear submarines making their way to and from the naval base at Faslane, and I see huge cruise ships, tankers, trawlers and tiny creelers. In the summer months I also see the Waverley, the only surviving sea-going paddle steamer in the world, and it was the Waverley which provided me with the inspiration for my ship-building hero Iain.

      Mind you, I suppose you could say that ship-building is in my blood. My paternal grandfather worked in some of the biggest yards on the Clyde during the Second World War, and in the 1960s was part of the team that built the Queen Elizabeth II. My maternal grandfather was a captain in the Merchant navy, and twice sunk during the same war (he survived both). When I first started to write I remember reading the mantra ‘write what you know’ over and over in various ‘how to write’ books. Since I’ve never found my previous life in IT particularly romantic, I guess this story is as good as ‘writing what you know’ as I’m going to get!

      As ever with my books, the plot has gone through a whole series of changes as the characters developed. My dogged perusal of a learned tome called Money, Mania and Markets by R. C. Michie resulted in one fleeting reference to Cordelia’s investment portfolio. The majority of the scenes that I had planned to set in Glasgow ended up on my virtual cutting-room floor, though I’ve used some of their ambience in the scene where Cordelia and Iain visit the Isle of Dogs. While I’d set Cordelia up with some passing references in both THE BEAUTY WITHIN and RUMOURS THAT RUINED A LADY, to be honest, I had no more idea than her sisters of why she ran away and what her fate was. I started out putting her in a convent in Italy, then I set her up in business in Glasgow building hotels for young ladies, and at one point I gave her a child, which I killed off and then abandoned altogether.

      What I did realise very early on was that she needed a very strong hero—a self-made man to match her self-made woman. Setting the story in the year of Queen Victoria’s ascendancy followed—not only because I needed Cordelia to have packed a bit of experience under her belt, but because it was with Victoria that the meritocracy started to nudge the aristocracy out of power, and I was very keen that her blackguard of a father, Lord Armstrong, was dealt if not a mortal blow then a fairly serious wound to his power base.

      This is the last of the Armstrong sisters’ stories—a series which didn’t start out as a series at all, but as a one-off Regency sheikh story. I didn’t plan to come full circle back to where it started, but as I wrote Iain and Cordelia’s story, it felt right to do so.

      Thanks to my Facebook friends for all their help and support, assistance with points of detail and ideas—you are stars. And once again thank you to Flo, who deserves some sort of medal for being so patient with me on this one, which had more false starts than the Grand National!

      MILLS & BOON

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