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       ‘Do you have to leave?’

      ‘Santo, please…I have to think about my career. Can we…’

      ‘I meant, do you have to leave the room?’

      ‘You didn’t mean that.’ Usually she rebuffed any flirting easily; it was just a little harder to do this morning and not just because they were on a bed in a very dark room, more because she felt as if she had glimpsed today the real Santo, the one behind the very expensive but very shallow façade.

      ‘Remember how you told me you would never get involved with someone you work with…’

      ‘I do.’

      Her second day at work, they had gone for dinner, had sat side by side and pored over his diary, Ella trying to be efficient but terribly aware of his beauty, trying to ignore it, trying to work when his hand had reached for her face.

      ‘If you try anything like that again, you’ll have my notice with immediate effect.’

      How she rued those words now.

      ‘We have a problem.’ Santo said and she looked at him and, though it was terribly hard to think of Santo and morals at the same time, Ella realised he did actually have some; for apart from a few stunning suggestions, apart from the odd gentle flirt, not once since that day had he put so much as a finger wrong.

      She just wanted him to put that finger wrong now.

      And he did. Just one finger dusted her forearm and Santo waited for her hand to halt his, gave her every opportunity to stand, to change her mind. She’d been very clear as to her boundaries, but his breath stilled as he felt them tumble down.

      About the Author

      CAROL MARINELLI finds writing a bio rather like writing her New Year’s Resolutions. Oh, she’d love to say that since she wrote the last one, she now goes to the gym regularly and doesn’t stop for coffee and cake and a gossip afterwards; that she’s incredibly organised and writes for a few productive hours a day after tidying her immaculate house and a brisk walk with the dog.

      The reality is, Carol spends an inordinate amount of time daydreaming about dark, brooding men and exotic places (research), which doesn’t leave too much time for the gym, housework or anything that comes in between. Her most productive writing hours happen to be in the middle of the night, which leaves her in a constant state of bewildered exhaustion.

      Originally from England, Carol now lives in Melbourne, Australia. She adores going back to the UK for a visit—actually, she adores going anywhere for a visit—and constantly (expensively) strives to overcome her fear of flying. She has three gorgeous children who are growing up so fast (too fast—they’ve just worked out that she lies about her age!) and keep her busy with a never-ending round of homework, sport and friends coming over.

      A nurse and a writer, Carol writes for the Mills & Boon^® Modern^™ and Medical Romance^™ lines and is passionate about both. She loves the fast-paced, busy setting of a modern hospital, but every now and then admits it’s bliss to escape to the glamorous, alluring world of her Modern heroes and heroines. A bit like her real life, actually!

      PROLOGUE

      ‘PLEASE.’

      Ella wasn’t sure how many times that word had been said to her in the past, but she knew that she would forever recall this time.

      ‘Please, Ella, don’t go.’

      She stood at the departure terminal of the busy Sydney International Airport, passport and boarding pass in hand, and looked into her mother’s pleading eyes—the same amber eyes as her own—and she almost relented. How could she possibly leave her to deal with her father alone?

      But, given all that had happened, how could she stay?

      ‘You have a beautiful home….’

      ‘No!’ Ella would not be swayed. ‘I have a flat that I bought in the hope that you would move in with me. I thought that you’d finally decide to leave him, and yet you won’t.’

      ‘I can’t.’

      ‘You can.’ Ella stood firm. ‘I have done everything to help you leave and yet you still refuse.’

      ‘He’s my husband.’

      ‘And I’m your daughter.’ Ella’s eyes flashed with suppressed anger. ‘He beat me, Mum!’

      ‘Because you upset him. Because you try to get me to leave…’ Her mother had been in Australia for more than thirty years, was married to an Australian, and yet her English was still poor. Ella knew that she could stand here and argue her point some more, but there wasn’t time for that. Instead she said the words she had planned to say and gave her mother one final chance to leave. ‘Come with me.’

      Then Ella handed her mother the ticket she had secretly purchased.

      ‘How?’

      ‘I’ve brought your passport with me.’ Ella pulled it out of her bag and handed it to her mother to show that she was serious and that she really had thought this through. ‘You can walk away now, Mum. You can go back to Sicily and be with your sisters. You can have a life….’ She saw her mother wrestle with the decision. She missed her country so much, spoke about her sisters all the time, and if she would just have the courage to walk away then Ella would help her in any way that she could.

      ‘I can’t.’

      There was simply no point, but Ella did her best to persuade her mum. Right up to check-in, right up to the departure gate, Ella tried to convince her mother to leave, but she had decided now that the subject was closed.

      ‘Have a nice trip, Ella.’

      ‘I’m not going for a holiday, Mum,’ Ella said. She wanted her mother to realise how serious this was, that she wasn’t just going

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