LITMIR.BIZ

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above the distant sea was visible, through a gap in the old elm trees that stood below the pool. In that gap was visible the war-schooner, lying as near shore as possible. George De Witt stood looking at it. The sea was glittering like silver, and the hull of the vessel was dark against the shining belt. A boat with a sail was approaching her.

      'That is curious,' observed George. 'I could swear to yon boat. I know her red sail. She belongs to my cousin Elijah Rebow. But he can have nought to do with the schooner.'

      Phoebe was impatient with anything save herself attracting the attention of the young fisherman. She drew him from the mound, and made him explain to her the use of the rush-platted screens, the arched and funnel-shaped net, and the manner in which the decoy ducks were trained to lead the wild birds to their destruction.

      'They are very silly birds to be led like that,' said she.

      'They little dream whither and to what they are being drawn,' said De Witt.

      'I suppose some little ducks are dreadfully enticing,' said Phoebe, with a saucy look and a twinkle of the blue eyes. 'Look here, George, my bonnet-strings are untied, and my hands are quite unable to manage a bow, unless I am before a glass. Do you think you could tie them for me?'

      'Put up your chin, then,' said De Witt with a sigh. He knew he was a victim; he was going against his conscience. He tried to think of Mehalah, but could not with those blue eyes looking so confidingly into his. He put his finger under her chin and raised it. He was looking full into that sweet saucy face.

      'What sort of a knot? I can tie only sailor's knots.'

      'Oh George! something like a true lover's knot.'

      Was it possible to resist, with those damask cheeks, those red lips, and those pleading eyes so close, so completely in his power? George did not resist. He stooped and kissed the wicked lips, and cheeks, and eyes.

      Phoebe drew away her face at once, and hid it. He took her arm and led her away. She turned her head from him, and did not speak.

      He felt that the little figure at his side was shaken with some hysterical movement, and felt frightened.

      'I have offended you, I am very sorry. I could not help it. Your lips did tempt me so; and you looked up at me just as if you were saying, "Kiss me!" I could not help it. You are crying. I have offended you.'

      'No, I am laughing. Oh, George! Oh, George!'

      They walked back to the farm without speaking. De Witt was ashamed of himself, yet felt he was under a spell which he could not break. A rough fisher lad flattered by a girl he had looked on as his superior, and beyond his approach, now found himself the object of her advances; the situation was more than his rude virtue could withstand. He knew that this was a short dream of delight, which would pass, and leave no substance, but whilst under the charm of the dream, he could not cry out nor move a finger to arouse himself to real life.

      Neither spoke for a few minutes. But, at last, George De Witt turned, and looking with a puzzled face at Phoebe Musset said, 'You asked me on our way to Waldegraves what I was thinking about, and offered me a penny for my thoughts. Now I wonder what you are lost in a brown study about, and I will give you four farthings for what is passing in your little golden head.'

      'You must not ask me, George—dear George.'

      'Oh mate, you must tell me.'

      'I dare not. I shall be so ashamed.'

      'Then look aside when you speak.'

      'No, I can't do that. I must look you full in the face; and do you look me in the face too. George, I was thinking—Why did you not come and talk to me, before you went courting that gipsy girl, Mehalah. Are you not sorry now that you are tied to her?'

      His eyes fell. He could not speak.

      CHAPTER VI.

      BLACK OR GOLD.

      When De Witt drove up to the 'City' with Phoebe Musset, the first person he saw on the beach was the last person that, under present circumstances, he wished to see—Mehalah Sharland. Phoebe perceived her at once, and rejoiced at the opportunity that offered to profit by it.

      For a long time Phoebe had been envious of the reputation as a beauty possessed by Mehalah. Her energy, determination and courage made her highly esteemed among the fishermen, and the expressions of admiration lavished on her handsome face and generous character had roused all the venom in Phoebe's nature. She desired to reign as queen paramount of beauty, and, like Elizabeth, could endure no rival. George De Witt was the best built and most pleasant faced of all the Mersea youths, and he had hitherto held aloof from her and paid his homage to the rival queen. This had awakened Phoebe's jealousy. She had no real regard, no warm affection for the young fisherman; she thought him handsome, and was glad to flirt with him, but he had made no serious impression on her heart, for Phoebe had not a heart on which any deep impression could be made. She had laid herself out to attract and entangle him from love of power, and desire to humble Mehalah. She did not know whether any actual engagement existed between George and Glory, probably she did not care. If there were, so much the better, it would render her victory more piquant and complete.

      She would trifle with the young man for a few weeks or a month, till he had broken with her rival, and then she would keep him or cast him off as suited her caprice. By taking him up, she would sting other admirers into more fiery pursuit, blow the smouldering embers into flaming jealousy, and thus flatter her vanity and assure her supremacy. The social laws of rural life are the same as those in higher walks, but unglossed and undisguised. In the realm of nature it is the female who pursues and captures, not captivates, the male. As in Eden, so in this degenerate paradise, it is Eve who walks Adam, at first in wide, then in gradually contracting circles, about the forbidden tree, till she has brought him to take the unwholesome morsel. The male bird blazes in gorgeous plumage and swims alone on the glassy pool, but the sky is speckled with sombre feathered females who disturb his repose, drive him into a corner and force him to divide his worms, and drudge for them in collecting twigs and dabbing mud about their nest. The male glow-worm browses on the dewy blades by his moony lamp; it is the lack-light female that buzzes about him, coming out of obscurity, obscure herself, flattering and fettering him and extinguishing his lamp.

      Where culture prevails, the sexes change their habits with ostentation, but remain the same in proclivities behind disguise. The male is supposed to pursue the female he seeks as his mate, to hover round her; and she is supposed to coyly retire, and start from his advances. But her modesty is as unreal as the nolo episcopari of a simoniacal bishop-elect. Bashfulness is a product of education, a mask made by art. The cultured damsel hunts not openly, but like a poacher, in the dark. Eve put off modesty when she put on fig-leaves; in the simplicity of the country, her daughters walk without either. The female gives chase to the male as a matter of course, as systematically and unblushingly in rustic life, as in the other grades of brute existence. The mother adorns her daughter for the war-path with paint and feathers, and sends her forth with a blessing and a smile to fulfil the first duty of woman, and the meed of praise is hers when she returns with a masculine heart, yet hot and mangled, at her belt.

      The Early Church set apart one day in seven for rest; the Christian pagans set it apart for the exercise of the man hunt. The Stuart bishops published a book on Sunday amusements, and allowed of Sabbath hunting. They followed, and did not lead opinion. It is the coursing day of days when marriage-wanting maids are in full cry and scent of all marriageable men.

      A village girl who does not walk about her boy is an outlaw to the commonwealth, a renegade to her sex. A lover is held to be of as much necessity as an umbrella, a maiden must not go out without either. If she cannot attract one by her charms, she must retain him with a fee. Rural morality moreover allows her to change the beau on her arm as often as the riband in her cap, but not to be seen about, at least on Sunday, devoid of either.

      Phoebe Musset intended some day to marry, but had not made up her mind whom to choose, and when to alter her condition. She would have liked a well-to-do young farmer, but there happened to be no man of this kind available. There were, indeed, at Peldon four bachelor brothers of the name of Marriage,

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