LITMIR.BIZ

      Published by Good Press, 2019

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      EAN 4057664641922

Table of Contents

       REFERENCES

       A CONDENSATION OF THE TRILOGY

       BEING THE ONLY GREEK TRILOGY, OR THREE-PLAY DRAMA, WHICH HAS COME DOWN. TO US COMPLETE

       CONSISTING OF

       COMPOSED BY AESCHYLUS, AND BROUGHT ON THE STAGE AT ATHENS AT THE. FESTIVAL OF THE 'GREATER DIONYSIA,' IN MARCH OF 458 B. C., DURING THE. POLITICAL EXCITEMENT OCCASIONED BY THE POPULAR ATTACK ON THE. ARISTOCRATIC COURT OF MARS' HILL, OR AREOPAGUS

       MEMORANDUM

       TRILOGY OF THE ORESTEIA

       SECOND PLAY: MIDDAY

       THIRD PLAY: AFTERNOON

       THE ELECTRA OF SOPHOCLES[1]

       THE ELECTRA OF EURIPIDES[1]

       THE ALCESTIS OF EURIPIDES[1]

       THE CYCLOPS OF EURIPIDES

       THE BACCHANALS OF EURIPIDES[1]

       PASSAGES

      MISCELLANEOUS PASSAGES

      REFERENCES

       Table of Contents

       In the case of Aeschylus and Sophocles the numbering of lines agrees with that in the translations of Plumptre and in the original. In the plays from Euripides the numbering is that of the lines in the cheap translation (Routledge's Universal Library).

A CONDENSATION OF THE TRILOGY

       Table of Contents

      STORY OF ORESTES

      [ORESTEIA]

      BEING THE ONLY GREEK TRILOGY, OR THREE-PLAY DRAMA, WHICH HAS COME DOWN TO US COMPLETE

       Table of Contents

CONSISTING OF

       Table of Contents

      MORNING PLAY:

      AGAMEMNON

      MIDDAY PLAY:

      THE SEPULCHRAL RITES

      [CHOEPHORI]

      AFTERNOON PLAY:

      THE GENTLE GODDESSES

      [EUMENIDES]

      COMPOSED BY AESCHYLUS, AND BROUGHT ON THE STAGE AT ATHENS AT THE FESTIVAL OF THE 'GREATER DIONYSIA,' IN MARCH OF 458 BC, DURING THE POLITICAL EXCITEMENT OCCASIONED BY THE POPULAR ATTACK ON THE ARISTOCRATIC COURT OF MARS' HILL, OR AREOPAGUS

       Table of Contents

      The passages quoted are from Plumptre's Translation

MEMORANDUM

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      The Sacred Legends touched by this Trilogy would be familiar, in outline, to the Auditors: e.g.:

      The woes of the House of Atreus: the foundation of them laid by Atreus when, to take vengeance on his brother Thyestes, he served up to him at a banquet the flesh of his own sons;

      His grandsons were Agamemnon and Menelaus: Menelaus' wife, Helen, was stolen by a guest, Paris of Troy, which caused the great Trojan war.

      Agamemnon, who commanded the Greek nations in that war, fretting at the contrary winds which delayed the setting out of the fleet, was persuaded by the Seers to slay his own daughter Iphigenia, to appease the Deities;

      Her mother Clytaemnestra treasured up this wrong all through the ten years' war, and slew Agamemnon on his return, in the moment of victory, slew him while in his bath by casting a net over him and smiting him to death with her own arm;

      Then she reigned in triumph with Aegisthus her paramour (himself one of the fatal house), till Orestes her son, who had escaped as an infant when his father was slaughtered, returned at last, and slew the guilty pair;

      For this act of matricide, though done by the command of Apollo, Orestes was given up to the Furies, and driven over the earth, a madman, till in Athens, on Mars' Hill they say, he was cleansed and healed.

      Cassandra too was involved in the fall of Agamemnon: the Trojan maiden beloved of Apollo, who bestowed upon her the gift of prophecy; when she slighted the God's love, Apollo—for no gift of a god can be recalled—left her a prophetess, with the doom that her true forebodings should ever be disbelieved. She, having thus vainly sought to save Troy, with its fall fell into captivity, and to the lot of Agamemnon, with whom she died.

TRILOGY OF THE ORESTEIA

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      FIRST PLAY: IN THE MORNING:

       AGAMEMNON

      PROLOGUE

       The Permanent Scene is decorated to represent the facade of the Palace of Agamemnon, at Argos; the platform over the Central door appearing as a Watch-tower. At intervals along the front of the Palace, and especially by the three doors, are statues of Gods, amongst them Apollo, Zeus, and Hermes. The time is supposed to be night, verging on morning. Both Orchestra and Stage are vacant: only a Watchman is discovered on the Tower, leaning

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