LITMIR.BIZ

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diversified of late. The six weeks that finished last year and began this, your very humble servant spent very agreeably in a madhouse at Hoxton. I am got somewhat rational now, and don't bite any one. But mad I was and many a vagary my imagination played with me—enough to make a volume, if all were told. My sonnets I have extended to the number of nine since I saw you, and will some day communicate to you. I am beginning a poem in blank verse, which, if I finish, I publish. White [2] is on the eve of publishing (he took the hint from Vortigern) "Original Letters of Falstaff, Shallow," etc.; a copy you shall have when it comes out. They are without exception the best imitations I ever saw. Coleridge, it may convince you of my regards for you when I tell you my head ran on you in my madness as much almost as on another person, who I am inclined to think was the more immediate cause of my temporary frenzy.

      The sonnet I send you has small merit as poetry; but you will be curious to read it when I tell you it was written in my prison-house in one of my lucid intervals.

      TO MY SISTER.

      If from my lips some angry accents fell,

       Peevish complaint, or harsh reproof unkind,

       'T was but the error of a sickly mind

       And troubled thoughts, clouding the purer well

       And waters clear of Reason; and for me

       Let this my verse the poor atonement be—

       My verse, which thou to praise wert e'er inclined

       Too highly, and with partial eye to see

       No blemish. Thou to me didst ever show

       Kindest affection; and wouldst oft-times lend

       An ear to the desponding love-sick lay,

       Weeping my sorrows with me, who repay

       But ill the mighty debt of love I owe,

       Mary, to thee, my sister and my friend.

      With these lines, and with that sister's kindest remembrances to Cottle,

       I conclude.

      Yours sincerely,

      LAMB.

      [1] Southey had just published his "Joan of Arc," in quarto. He and Lovell had published jointly, two years before, "Poems by Bion and Moschus."

      [2] A Christ's Hospital schoolfellow, the "Jem" White of the Elia essay, "The Praise of Chimney-Sweepers."

II.

       Table of Contents

      TO COLERIDGE.

      (No month) 1796.

      Tuesday night.—Of your "Watchman," the review of Burke was the best prose. I augured great things from the first number. There is some exquisite poetry interspersed. I have re-read the extract from the "Religious Musings," and retract whatever invidious there was in my censure of it as elaborate. There are times when one is not in a disposition thoroughly to relish good writing. I have re-read it in a more favorable moment, and hesitate not to pronounce it sublime. If there be anything in it approaching to tumidity (which I meant not to infer; by "elaborate" I meant simply "labored"), it is the gigantic hyperbole by which you describe the evils of existing society: "snakes, lions, hyenas, and behemoths," is carrying your resentment beyond bounds. The pictures of "The Simoom," of "Frenzy and Ruin," of "The Whore of Babylon," and "The Cry of Foul Spirits disinherited of Earth," and "The Strange Beatitude" which the good man shall recognize in heaven, as well as the particularizing of the children of wretchedness (I have unconsciously included every part of it), form a variety of uniform excellence. I hunger and thirst to read the poem complete. That is a capital line in your sixth number—

      "This dark, frieze-coated, hoarse, teeth-chattering month."

      They are exactly such epithets as Burns would have stumbled on, whose poem on the ploughed-up daisy you seem to have had in mind. Your complaint that of your readers some thought there was too much, some too little, original matter in your numbers, reminds me of poor dead Parsons in the "Critic." "Too little incident! Give me leave to tell you, sir, there is too much incident." I had like to have forgot thanking you for that exquisite little morsel, the first Sclavonian Song. The expression in the second, "more happy to be unhappy in hell," is it not very quaint? Accept my thanks, in common with those of all who love good poetry, for "The Braes of Yarrow." I congratulate you on the enemies you must have made by your splendid invective against the barterers in human flesh and sinews. Coleridge, you will rejoice to hear that Cowper is recovered from his lunacy, and is employed on his translation of the Italian, etc., poems of Milton for an edition where Fuseli presides as designer. Coleridge, to an idler like myself, to write and receive letters are both very pleasant; but I wish not to break in upon your valuable time by expecting to hear very frequently from you. Reserve that obligation for your moments of lassitude, when you have nothing else to do; for your loco-restive and all your idle propensities, of course, have given way to the duties of providing for a family. The mail is come in, but no parcel; yet this is Tuesday. Farewell, then, till to-morrow; for a niche and a nook I must leave for criticisms. By the way, I hope you do not send your own only copy of "Joan of Arc;" I will in that case return it immediately.

      Your parcel is come; you have been lavish of your presents.

      Wordsworth's poem I have hurried through, not without delight. Poor Lovell! my heart almost accuses me for the light manner I lately spoke of him, not dreaming of his death. My heart bleeds for your accumulated troubles; God send you through 'em with patience. I conjure you dream not that I will ever think of being repaid; the very word is galling to the ears. I have read all your "Religious Musings" with uninterrupted feelings of profound admiration. You may safely rest your fame on it. The best remaining things are what I have before read, and they lose nothing by my recollection of your manner of reciting 'em, for I too bear in mind "the voice, the look," of absent friends, and can occasionally mimic their manner for the amusement of those who have seen 'em. Your impassioned manner of recitation I can recall at any time to mine own heart and to the ears of the bystanders. I rather wish you had left the monody on Chatterton concluding, as, it did, abruptly. It had more of unity. The conclusion of your "Religious Musicgs," I fear, will entitle you to the reproof of your beloved woman, who wisely will not suffer your fancy to run riot, but bids you walk humbly with your God. The very last words, "I exercise my young novitiate thought in ministeries of heart-stirring song," though not now new to me, cannot be enough admired. To speak politely, they are a well-turned compliment to poetry. I hasten to read "Joan of Arc," etc. I have read your lines at the beginning of second book; [1] they are worthy of Milton, but in my mind yield to your "Religious Musings." I shall read the whole carefully, and in some future letter take the liberty to particularize my opinions of it. Of what is new to me among your poems next to the "Musings," that beginning "My Pensive Sara" gave me most pleasure. The lines in it I just alluded to are most exquisite; they made my sister and self smile, as conveying a pleasing picture of Mrs. C. checking your wild wanderings, which we were so fond of hearing you indulge when among us. It has endeared us more than anything to your good lady, and your own self-reproof that follows delighted us. 'T is a charming poem throughout (you have well remarked that charming, admirable, exquisite are the words expressive of feelings more than conveying of ideas, else I might plead very well want of room in my paper as excuse for generalizing). I want room to tell you how we are charmed with your verses in the manner of Spenser, etc. I am glad you resume the "Watchman." Change the name; leave out all articles of news, and whatever things are peculiar to newspapers, and confine yourself to ethics, verse, criticism; or, rather, do not confine yourself. Let your plan be as diffuse as the "Spectator," and I 'll answer for it the work prospers. If I am vain enough to think I can be a contributor, rely on my inclinations. Coleridge, in reading your "Religious Musings," I felt a transient superiority over you. I have seen Priestley. I love to see his name repeated in your writings. I love and honor him almost profanely. You would be charmed with his Sermons, if

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