Dope - Sax Rohmer

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was walking close behind them.

      “Sorry, sir,” said the man, suppressing an exclamation of pain—for the fault had been Gray's.

      Gray muttered an ungenerous acknowledgment, all anxiety to regain the side of Mrs. Irvin; for she seemed to be speaking rapidly and excitedly to Sir Lucien.

      He recovered his place as the two turned in at a lighted doorway. Upon the wall was a bronze plate bearing the inscription:

      KAZMAH

       Second Floor

      Gray fully expected Mrs. Irvin to suggest that he should return later. But without a word she began to ascend the stairs. Gray followed, Sir Lucien standing aside to give him precedence. On the second floor was a door painted in Oriental fashion. It possessed neither bell nor knocker, but as one stepped upon the threshold this door opened noiselessly as if dumbly inviting the visitor to enter the square apartment discovered. This apartment was richly furnished in the Arab manner, and lighted by a fine brass lamp swung upon chains from the painted ceiling. The intricate perforations of the lamp were inset with colored glass, and the result was a subdued and warm illumination. Odd-looking oriental vessels, long-necked jars, jugs with tenuous spouts and squat bowls possessing engraved and figured covers emerged from the shadows of niches. A low divan with gaily colored mattresses extended from the door around one corner of the room where it terminated beside a kind of mushrabiyeh cabinet or cupboard. Beyond this cabinet was a long, low counter laden with statuettes of Nile gods, amulets, mummy-beads and little stoppered flasks of blue enamel ware. There were two glass cases filled with other strange-looking antiquities. A faint perfume was perceptible.

      Sir Lucien entering last of the party, the door closed behind him, and from the cabinet on the right of the divan a young Egyptian stepped out. He wore the customary white robe, red sash and red slippers, and a tarbush, the little scarlet cap commonly called a fez, was set upon his head. He walked to a door on the left of the counter, and slid it noiselessly open. Bowing gravely, “The Sheikh el Kazmah awaits,” he said, speaking with the soft intonation of a native of Upper Egypt.

      It now became evident, even to the infatuated Gray, that Mrs. Irvin was laboring under the influence of tremendous excitement. She turned to him quickly, and he thought that her face looked almost haggard, whilst her eyes seemed to have changed color—become lighter, although he could not be certain that this latter effect was not due to the peculiar illumination of the room. But when she spoke her voice was unsteady.

      “Will you see if you can find a cab,” she said. “It is so difficult at night, and my shoes will get frightfully muddy crossing Piccadilly. I shall not be more than a few minutes.” She walked through the doorway, the Egyptian standing aside as she passed. He followed her, but came out again almost immediately, reclosed the door, and retired into the cabinet, which was evidently his private cubicle.

      Silence claimed the apartment. Sir Lucien threw himself nonchalantly upon the divan, and took out his cigarette-case.

      “Will you have a cigarette, Gray?” he asked.

      “No thanks,” replied the other, in tones of smothered hostility. He was ill at ease, and paced the apartment nervously. Pyne lighted a cigarette, and tossed the extinguished match into a brass bowl.

      “I think,” said Gray jerkily, “I shall go for a cab. Are you remaining?”

      “I am dining at the club,” answered Pyne, “but I can wait until you return.”

      “As you wish,” jerked Gray. “I don't expect to be long.”

      He walked rapidly to the outer door, which opened at his approach and closed noiselessly behind him as he made his exit.

       Table of Contents

      Mrs. Monte Irvin entered the inner room. The air was heavy with the perfume of frankincense which smouldered in a brass vessel set upon a tray. This was the audience chamber of Kazmah. In marked contrast to the overcrowded appointments, divans and cupboards of the first room, it was sparsely furnished. The floor was thickly carpeted, but save for an ornate inlaid table upon which stood the tray and incense-burner, and a long, low-cushioned seat placed immediately beneath a hanging lamp burning dimly in a globular green shade, it was devoid of decoration. The walls were draped with green curtains, so that except for the presence of the painted door, the four sides of the apartment appeared to be uniform.

      Having conducted Mrs. Irvin to the seat, the Egyptian bowed and retired again through the doorway by which they had entered. The visitor found herself alone.

      She moved nervously, staring across at the blank wall before her. With her little satin shoe she tapped the carpet, biting her under lip and seeming to be listening. Nothing stirred. Not even an echo of busy Bond Street penetrated to the place. Mrs. Irvin unfastened her cloak and allowed it to fall back upon the settee. Her bare shoulders looked waxen and unnatural in the weird light which shone down upon them. She was breathing rapidly.

      The minutes passed by in unbroken silence. So still was the room that Mrs. Irvin could hear the faint crackling sound made by the burning charcoal in the brass vessel near her. Wisps of blue-grey smoke arose through the perforated lid and she began to watch them fascinatedly, so lithe they seemed, like wraiths of serpents creeping up the green draperies.

      So she was seated, her foot still restlessly tapping, but her gaze arrested by the hypnotic movements of the smoke, when at last a sound from the outer world, penetrated to the room. A church clock struck the hour of seven, its clangor intruding upon the silence only as a muffled boom. Almost coincident with the last stroke came the sweeter note of a silver gong from somewhere close at hand.

      Mrs. Irvin started, and her eyes turned instantly in the direction of the greenly draped wall before her. Her pupils had grown suddenly dilated, and she clenched her hands tightly.

      The light above her head went out.

      Now that the moment was come to which she had looked forward with mingled hope and terror, long pent-up emotion threatened to overcome her, and she trembled wildly.

      Out of the darkness dawned a vague light and in it a shape seemed to take form. As the light increased the effect was as though part of the wall had become transparent so as to reveal the interior of an inner room where a figure was seated in a massive ebony chair. The figure was that of an oriental, richly robed and wearing a white turban. His long slim hands, of the color of old ivory, rested upon the arms of the chair, and on the first finger of the right hand gleamed a big talismanic ring. The face of the seated man was lowered, but from under heavy brows his abnormally large eyes regarded her fixedly.

      So dim the light remained that it was impossible to discern the details with anything like clearness, but that the clean-shaven face of the man with those wonderful eyes was strikingly and intellectually handsome there could be no doubt.

      This was Kazmah, “the dream reader,” and although Mrs. Irvin had seen him before, his statuesque repose and the weirdness of his unfaltering gaze thrilled her uncannily.

      Kazmah slightly raised his hand in greeting: the big ring glittered in the subdued light.

      “Tell me your dream,” came a curious mocking voice; “and I will read its portent.”

      Such was the set formula with which Kazmah opened all interviews. He spoke with a slight and not unmusical accent. He lowered his hand again. The gaze of those brilliant eyes remained fixed upon the woman's face. Moistening her lips, Mrs. Irvin spoke.

      “Dreams! What I have to say does not belong to dreams, but to reality!” She laughed unmirthfully. “You know well enough why I am here.”

      She paused.

      “Why are you here?”

      “You know! You know!” Suddenly into her voice had come

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