LITMIR.BIZ

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painting and housekeeping, and never worked at either. At irregular intervals she went to a ‘school’ where she produced greyish still lifes under the guidance of a master whose technique was founded on dirty brushes; for the rest, she messed about miserably at home with teapots and frying-pans. The state of her studio was more than depressing to Elizabeth; it was evil, Satanic. It was a cold, dusty pigsty, with piles of books and papers littered all over the floor, generations of saucepans slumbering in their grease on the rusty gas-stove, the bed never made till afternoon, and everywhere—in every possible place where they could be stepped on or knocked over—tins of paint-fouled turpentine and pots half full of cold black tea. You would lift a cushion from a chair and find a plate holding the remains of a poached egg underneath it. As soon as Elizabeth entered the door she would burst out:

      ‘Oh, mother, mother dearest, how can you? Look at the state of this room! It is so terrible to live like this!’

      ‘The room, dearest? What’s the matter? Is it untidy?’

      ‘Untidy! Mother, need you leave that plate of porridge in the middle of your bed? And those saucepans! It does look so dreadful. Suppose anyone came in!’

      The rapt, other-worldly look which Mrs Lackersteen assumed when anything like work presented itself, would come into her eyes.

      ‘None of my friends would mind, dear. We are such Bohemians, we artists. You don’t understand how utterly wrapped up we all are in our painting. You haven’t the artistic temperament, you see, dear.’

      ‘I must try and clean some of those saucepans. I just can’t bear to think of you living like this. What have you done with the scrubbing-brush?’

      ‘The scrubbing-brush? Now let me think, I know I saw it somewhere. Ah yes! I used it yesterday to clean my palette. But it’ll be all right if you give it a good wash in turpentine.’

      Mrs Lackersteen would sit down and continue smudging a sheet of sketching paper with a Conté crayon while Elizabeth worked.

      ‘How wonderful you are, dear. So practical! I can’t think whom you inherit it from. Now with me, Art is simply everything. I seem to feel it like a great Sea surging up inside me. It swamps everything mean and petty out of existence. Yesterday I ate my lunch off Nash’s Magazine to save wasting time washing plates. Such a good idea! When you want a clean plate you just tear off a sheet,’ etc. etc. etc.

      Elizabeth had no friends in Paris. Her mother’s friends were women of the same stamp as herself, or elderly ineffectual bachelors living on small incomes and practising contemptible half-arts such as wood-engraving or painting on porcelain. For the rest, Elizabeth saw only foreigners, and she disliked all foreigners en bloc; or at least all foreign men, with their cheap-looking clothes and their revolting table manners. She had one great solace at this time. It was to go to the American library in the Rue de l’Elysée and look at the illustrated papers. Sometimes on a Sunday or her free afternoon she would sit there for hours at the big shiny table, dreaming, over the Sketch, the Tatler, the Graphic, the Sporting and Dramatic.

      Ah, what joys were pictured there! ‘Hounds meeting on the lawn of Charlton Hall, the lovely Warwickshire seat of Lord Burrowdean.’ ‘The Hon. Mrs Tyke-Bowlby in the Park with her splendid Alsatian, Kublai Khan, which took second prize at Cruft’s this summer.’ ‘Sunbathing at Cannes. Left to right: Miss Barbara Pilbrick, Sir Edward Tuke, Lady Pamela Westrope, Captain “Tuppy” Benacre.’

      Lovely, lovely, golden world! On two occasions the face of an old schoolfellow looked at Elizabeth from the page. It hurt her in her breast to see it. There they all were, her old schoolfellows, with their horses and their cars and their husbands in the cavalry; and here she, tied to that dreadful job, that dreadful pension, her dreadful mother! Was it possible that there was no escape? Could she be doomed for ever to this sordid meanness, with no hope of ever getting back to the decent world again?

      It was not unnatural, with the example of her mother before her eyes, that Elizabeth should have a healthy loathing of Art. In fact, any excess of intellect—‘braininess’ was her word for it—tended to belong, in her eyes, to the ‘beastly’. Real people, she felt, decent people—people who shot grouse, went to Ascot, yachted at Cowes—were not brainy. They didn’t go in for this nonsense of writing books and fooling with paint brushes; and all these highbrow ideas—Socialism and all that. ‘Highbrow’ was a bitter word in her vocabulary. And when it happened, as it did once or twice, that she met a veritable artist who was willing to work penniless all his life rather than sell himself to a bank or an insurance company, she despised him far more than she despised the dabblers of her mother’s circle. That a man should turn deliberately away from all that was good and decent, sacrifice himself for a futility that led nowhere, was shameful, degrading, evil. She dreaded spinsterhood, but she would have endured it a thousand lifetimes through rather than marry such a man.

      When Elizabeth had been nearly two years in Paris her mother died abruptly of ptomaine poisoning. The wonder was that she had not died of it sooner. Elizabeth was left with rather less than a hundred pounds in the world. Her uncle and aunt cabled at once from Burma, asking her to come out and stay with them, and saying that a letter would follow.

      Mrs Lackersteen had reflected for some time over the letter, her pen between her lips, looking down at the page with her delicate triangular face like a meditative snake.

      ‘I suppose we must have her out here, at any rate for a year. What a bore! However, they generally marry within a year if they’ve any looks at all. What am I to say to the girl, Tom?’

      ‘Say? Oh, just say she’ll pick up a husband out here a damn sight easier than at Home. Something of that sort, y’know.’

      ‘My dear Tom! What impossible things you say!’

      Mrs Lackersteen wrote:

      Of course, this is a very small station and we are in the jungle a great deal of the time. I’m afraid you will find it dreadfully dull after the delights of Paris. But really in some ways these small stations have their advantages for a young girl. She finds herself quite a queen in the local society. The unmarried men are so lonely that they appreciate a girl’s society in a quite wonderful way etc. etc.

      Elizabeth spent thirty pounds on summer frocks and set sail immediately. The ship, heralded by rolling porpoises, ploughed across the Mediterranean and down the Canal into a sea of staring, enamel-like blue, then out into the green wastes of the Indian Ocean, where flocks of flying fish skimmed in terror from the approaching hull. At night the waters were phosphorescent, and the wash of the bow was like a moving arrowhead of green fire. Elizabeth ‘loved’ the life on board ship. She loved the dancing on deck at nights, the cocktails which every man on board seemed anxious to buy for her, the deck games, of which, however, she grew tired at about the same time as the other members of the younger set. It was nothing to her that her mother’s death was only two months past. She had never cared greatly for her mother, and besides, the people here knew nothing of her affairs. It was so lovely after those two graceless years to breathe the air of wealth again. Not that most of the people here were rich; but on board ship everyone behaves as though he were rich. She was going to love India, she knew. She had formed quite a picture of India, from the other passengers’ conversation; she had even learned some of the more necessary Hindustani phrases, such as idher ao, jaldi, sahiblog, etc. In anticipation she tasted the agreeable atmosphere of Clubs, with punkahs flapping and barefooted white-turbaned boys reverently salaaming; and maidans where bronzed Englishmen with little clipped moustaches galloped to and fro, whacking polo balls. It was almost as nice as being really rich, the way people lived in India.

      They sailed into Colombo through green glassy waters, where turtles and black snakes floated basking. A fleet of sampans came racing out to meet the ship, propelled by coal-black men with lips stained redder than blood by betel juice. They yelled and struggled round the gangway while the passengers descended. As Elizabeth and her friends came down, two sampan-wallahs, their prows nosing against the gangway; besought them with yells.

      ‘Don’t you go with him, missie! Not with him! Bad wicked man he, not fit taking missie!’

      ‘Don’t you listen him lies,

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