LITMIR.BIZ

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and anxious air, was walking toward the water-tanks. When the train had halted, the porter alighted first and placed in position a little temporary step.

      "Come on, girl," said Potter, hoarsely.

      As he helped her down, they each laughed on a false note. He took the bag from the negro, and bade his wife cling to his arm. As they slunk rapidly away, his hang-dog glance perceived that they were unloading the two trunks, and also that the station-agent, far ahead, near the baggage-car, had turned, and was running toward him, making gestures. He laughed, and groaned as he laughed, when he noted the first effect of his marital bliss upon Yellow Sky. He gripped his wife's arm firmly to his side, and they fled. Behind them the porter stood chuckling fatuously.

      II

      The California Express on the Southron Railway was due at Yellow Sky in twenty-one minutes. There were six men at the bar of the Weary Gentleman saloon. One was a drummer, who talked a great deal and rapidly; three were Texans, who did not care to talk at that time; and two were Mexican sheep-herders, who did not talk as a general practice in the Weary Gentleman saloon. The bar-keeper's dog lay on the board-walk that crossed in front of the door. His head was on his paws, and he glanced drowsily here and there with the constant vigilance of a dog that is kicked on occasion. Across the sandy street were some vivid green grass plots, so wonderful in appearance amid the sands that burned near them in a blazing sun, that they caused a doubt in the mind. They exactly resembled the grass-mats used to represent lawns on the stage. At the cooler end of the railway-station a man without a coat sat in a tilted chair and smoked his pipe. The fresh-cut bank of the Rio Grande circled near the town, and there could be seen beyond it a great plum-coloured plain of mesquit.

      Save for the busy drummer and his companions in the saloon, Yellow Sky was dozing. The new-comer leaned gracefully upon the bar, and recited many tales with the confidence of a bard who has come upon a new field.

      "And at the moment that the old man fell down-stairs, with the bureau in his arms, the old woman was coming up with two scuttles of coal, and, of course——"

      The drummer's tale was interrupted by a young man who suddenly appeared in the open door. He cried—

      "Scratchy Wilson's drunk, and has turned loose with both hands."

      The two Mexicans at once set down their glasses, and faded out of the rear entrance of the saloon.

      The drummer, innocent and jocular, answered—

      "All right, old man. S'pose he has. Come and have a drink, anyhow."

      But the information had made such an obvious cleft in every skull in the room, that the drummer was obliged to see its importance. All had become instantly morose.

      "Say," said he, mystified, "what is this?"

      His three companions made the introductory gesture of eloquent speech, but the young man at the door forestalled them.

      "It means, my friend," he answered, as he came into the saloon, "that for the next two hours this town won't be a health resort."

      The bar-keeper went to the door, and locked and barred it. Reaching out of the window, he pulled in heavy wooden shutters and barred them. Immediately a solemn, chapel-like gloom was upon the place. The drummer was looking from one to another.

      "But say," he cried, "what is this, anyhow? You don't mean there is going to be a gun-fight?"

      "Don't know whether there'll be a fight or not," answered one man grimly. "But there'll be some shootin'—some good shootin'."

      The young man who had warned them waved his hand. "Oh, there'll be a fight, fast enough, if any one wants it. Anybody can get a fight out there in the street. There's a fight just waiting."

      The drummer seemed to be swayed between the interest of a foreigner, and a perception of personal danger.

      "What did you say his name was?" he asked.

      "Scratchy Wilson," they answered in chorus.

      "And will he kill anybody? What are you going to do? Does this happen often? Does he rampage round like this once a week or so? Can he break in that door?"

      "No, he can't break down that door," replied the bar-keeper. "He's tried it three times. But when he comes you'd better lay down on the floor, stranger. He's dead sure to shoot at it, and a bullet may come through."

      Thereafter the drummer kept a strict eye on the door. The time had not yet been called for him to hug the floor, but as a minor precaution he sidled near to the wall.

      "Will he kill anybody?" he said again.

      The men laughed low and scornfully at the question.

      "He's out to shoot, and he's out for trouble. Don't see any good in experimentin' with him."

      "But what do you do in a case like this? What do you do?"

      A man responded—"Why, he and Jack Potter——"

      But, in chorus, the other men interrupted—"Jack Potter's in San Anton'."

      "Well, who is he? What's he got to do with it?"

      "Oh, he's the town-marshal. He goes out and fights Scratchy when he gets on one of these tears."

      "Whow!" said the drummer, mopping his brow. "Nice job he's got."

      The voices had toned away to mere whisperings. The drummer wished to ask further questions, which were born of an increasing anxiety and bewilderment, but when he attempted them, the men merely looked at him in irritation, and motioned him to remain silent. A tense waiting hush was upon them. In the deep shadows of the room their eyes shone as they listened for sounds from the street. One man made three gestures at the bar-keeper, and the latter, moving like a ghost, handed him a glass and a bottle. The man poured a full glass of whisky, and set down the bottle noiselessly. He gulped the whisky in a swallow, and turned again toward the door in immovable silence. The drummer saw that the bar-keeper, without a sound, had taken a Winchester from beneath the bar. Later, he saw this individual beckoning to him, so he tip-toed across the room.

      "You better come with me back of the bar."

      "No, thanks," said the drummer, perspiring. "I'd rather be where I can make a break for the back-door."

      Whereupon the man of bottles made a kindly but peremptory gesture. The drummer obeyed it, and finding himself seated on a box, with his head below the level of the bar, balm was laid upon his soul at sight of various zinc and copper fittings that bore a resemblance to plate armour. The bar-keeper took a seat comfortably upon an adjacent box.

      "You see," he whispered, "this here Scratchy Wilson is a wonder with a gun—a perfect wonder—and when he goes on the war-trail, we hunt our holes—naturally. He's about the last one of the old gang that used to hang out along the river here. He's a terror when he's drunk. When he's sober he's all right—kind of simple—wouldn't hurt a fly—nicest fellow in town. But when he's drunk—whoo!"

      There were periods of stillness.

      "I wish Jack Potter was back from San Anton'," said the bar-keeper. "He shot Wilson up once—in the leg—and he would sail in and pull out the kinks in this thing."

      Presently they heard from a distance the sound of a shot, followed by three wild yells. It instantly removed a bond from the men in the darkened saloon. There was a shuffling of feet. They looked at each other.

      "Here he comes," they said.

      III

      A man in a maroon-coloured flannel shirt, which had been purchased for purposes of decoration, and made, principally, by some Jewish women on the east side of New York, rounded a corner and walked into the middle of the main street of Yellow Sky. In either hand the man held a long, heavy blue-black revolver. Often he yelled, and these cries rang through a semblance of a deserted village, shrilly flying over the roofs in a volume that seemed to have no relation

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