LITMIR.BIZ

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and hard. Both had their saddles beside them, and both wore belts and guns. By now Cecile was accustomed to the weapons. More men wore them than didn't. She was thinking of the scratched scar on the face of the younger one when Nan broke a prolonged silence:

      "You really don't know how glad I am to have you along. No, you don't, Cecile. It has kept me from remembering things I don't want to remember. But when I get off, you'll go on and I shan't ever see you again. After you reach the coast, take another route home. If you want to write, address the letter in care of the lawyer. Save for yourself, he is the only person who has the name of the town I'm going to. He will never tell." Then Nan bent forward and said soberly: "And you must never tell. I don't want the past to follow me. It is too hard to get rid of."

      The conductor came along the aisle and paused. "We reach Trail in twenty minutes. I'll see about your luggage. Kind of sorry you have to put up with this smoke, but you can't do much with these fellows."

      Nan's answer was limpidly cool: "I have observed that men like to make their own rules."

      The conductor, appearing a little puzzled, went on.

      Cecile spoke: "You never used to be bitter, Nan. It isn't like you to be unkind."

      "That, too," said Nan gently, "is part of the past. I shall not again trust a man, make allowances for him, ask favors of him."

      "You'll soon forget that notion," said Cecile, very positive. She could not let such heresy go unchallenged; for if she was not reflective, she had the wisdom of her own desires.

      "No," contradicted Nan. "Now remember what I told you. Don't ever give anyone my address."

      Cecile flushed. "I shan't."

      But Nan, looking sharply at her friend, thought she had touched an otherwise frame of mind. So she said: "If you do, I'll of course have to move on. Beyond even your letters."

      "Oh, Lord, Nan, I won't!"

      "The break is complete," Nan observed, more to herself than to Cecile. "I am glad I had just enough courage to make it."

      "But what will you do?" demanded Cecile forlornly.

      "Does that matter?"

      "I hate to leave you like this," worried Cecile.

      Cold air poured into the car, and the lights dimmed again. A man hurried forward, stopped beside the pair across the aisle—a young and bulky man with a wide, loose mouth and a flattened nose. It was not possible to avoid hearing him speak.

      "Get on at Green Springs, boys?"

      "Howdy, Hugo. Yeah."

      Hugo's glance swept the coach and fell on the women with a focused brightness. Cecile felt that she was being weighed, considered unimportant, and dismissed from thought. The man's voice dropped to a lower pitch: "Dan Bellew is on this train."

      That name had its instant effect. The younger of the pair stood up and looked to either end of the car. The other said: "When did he come aboard, Hugo?"

      "At Big Mound."

      "He's seen you?"

      "Think so," answered Hugo.

      The older one was obviously irritated. "He's always showin' up where he shouldn't be. I don't want him to see us."

      "Get in the washroom," said Hugo.

      The other rose. The older man murmured something Cecile, now frankly listening, didn't catch; then the two went along the aisle and disappeared into the washroom. Hugo sat down in the vacated section and hoisted his feet to the red plush seat. Nan was speaking again:

      "When you get back home, Cecile, you'll probably meet Jamie Scarborough. There's no doubt he'll ask you about me. Tell him nothing. Absolutely nothing."

      "You're sure?" asked Cecile.

      "Well," amended Nan, "tell him this—tell him I don't want to see him or hear from him. And that there is absolutely no use trying to find me."

      "That will hurt Jamie," observed Cecile.

      "How about me?" answered Nan curtly.

      Cecile started to speak and stopped. The inquisitive half of her mind was engaged in the affair across the aisle; and now she saw the rear vestibule door swing open before a high-built man. He stood in the opening for a while, visually searching the car. Then he came on and halted before the apparently indifferent Hugo, one hand idly resting on the arm of Cecile's seat. Over a long interval he said nothing—only looked down with a faint amusement that had no friendliness in it. He was, Cecile thought, cut in much the same pattern as the others; with a slimness of waist that strengthened his shoulders and a sense of solidity and deep-seated health about him. The flare of his hat accentuated all the angles of a rather broad face, sharpened the sweep of jawbones. His skin was ruddy and quite smooth, save for those finely etched weather wrinkles about the temples which seemed so universally stamped on these riding men. And that sense of inner amusement turned a broad, compressed mouth into a slightly skeptical curve. There was, Cecile said to herself, something just a little formidable about him. His continued silence disturbed her.

      Quite apparently it also disturbed the reclining Hugo. His attitude of unawareness failed him. Turning his head, he looked up through half-closed eyes and casually spoke:

      "Hello, Dan."

      Dan Bellew's "Hello, Hugo," was equally casual. He pushed back the brim of his hat. "Traveling for your health?"

      "A little business," muttered Hugo.

      "Going to Trail?"

      "Yeah."

      "That's strange."

      "What's strange about it?" demanded Hugo, on the defensive.

      "Shouldn't think you'd find much business in a town you got run out of," mused Bellew. He had never taken his attention from the other, and that attitude of being sardonically entertained grew more obvious. It seemed to Cecile he was playing with this Hugo. Turning, she found Nan watching the scene, and she said to herself, "Nan's not too depressed to see a good-looking man."

      "My business is my business," grunted Hugo.

      "Would be if it was a legitimate business," observed Dan Bellew. "You wouldn't really try to fool me, would you, Hugo?"

      "What do you want?" rapped out Hugo.

      The lurking grin broke through Bellew's face, hard and sharp. "Just came in to tell you that you're not going to Trail."

      "I think I am," contradicted Hugo flatly.

      "You've been wrong before," drawled Bellew. "You're wrong again."

      Hugo said nothing, but he was staring back at Bellew with a winkless attention. His body had gone still on the seat; his hands were idle beside him. The softness, the suavity of this quarrel astonished Cecile, who glanced at Nan in mute astonishment. Nan—and this was surprising, too—looked on with little signals of anger staining her cheeks. The conductor came down the aisle, stopped in front of Bellew and recognized him with a friendly nod.

      Bellew said: "This man has made a slight mistake, Sam. He thought he was going to Trail, but he finds he isn't. He'd be pleased if you'd stop the train just long enough for him to get off."

      It was, of course, rank insolence, and Cecile waited breathlessly for the conductor's explosion. Oddly, the latter's answer was mild to the point of being conciliatory:

      "Maybe he's got a different idea, Bellew."

      "Hugo," stated Bellew gently, "seldom has ideas of much importance. Sorry to bother you, Sam. Please pull down on that bell cord."

      The conductor was handling the situation gingerly. He looked now to the seated Hugo, Hugo abruptly rose. "You're puttin' me afoot on the prairie, Bellew?"

      "My apologies."

      Cecile could see no weakening of the deadlock. But the conductor apparently did, for he reached up and seized the bell cord. There was a swift reply from the

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