How to Write Brilliant Psychology Essays - Paul Dickerson

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title: ‘Critically evaluate Kelley’s Covariation Model of Causal Attribution.’Constructive confusion: ‘I don’t understand Kelley’s distinction between distinctiveness and consistency.’Why it is helpful: Most people mix these up – identifying the uncertainty is the first step to identifying the subtle difference between these two aspects of Kelley’s model. This will guide some of your reading and thinking and will mean that your essay has a clarity and understanding that would not be there if you had not identified this confusion.

      2 Essay title: Evaluate the strengths and weaknesses of longitudinal methods of investigation in developmental psychology research.Constructive confusion: ‘How can I critique longitudinal research when I am only aware of its strengths?’Why it is helpful: This demonstrates an awareness of the need to consider the research from different perspectives. This constructive confusion will inform the reading and note-taking undertaken (see Chapter 2 for more on this) and lead to a richer, more complete and more genuinely evaluative essay.

      3 Essay title: Critically evaluate the Social Identity Theory perspective on why people engage in acts of aggression.Constructive confusion: ‘How can I write an essay on aggression when psychologists do not have one simple definition of what it actually is?’Why it is helpful: You have identified a really great critical point – that it is possible to question how we actually define our terms in psychology, not least how we define aggression (what do empirical studies treat as aggression), and what real-world scenarios (two men fighting, gang fights, drone warfare, riots) are we trying to explain. If this is confusion, try to get more of it. This sort of thinking can really supercharge your essays, informing some of your literature searches: ‘How has aggression been defined?’, ‘Critiquing definitions of aggression’, and providing a way of questioning fundamental assumptions in the specific material that you are evaluating in your essay.

      Understanding why you procrastinate

      It can be helpful to ask ourselves – as we might ask a friend – why we don’t start (or continue) with our essay right now. We should ask this in a sympathetic manner, as if we want to find out, rather than simply admonish ourselves – we probably do too much of that anyway. By identifying the different sorts of reasons why we allow ourselves to become distracted or otherwise procrastinate in our work, we can reach a better self-understanding. Instead of telling yourself off, you could first stop and ask: ‘What are the advantages of not writing my essay now?’

      Stop What are the advantages of NOT starting my essay now?

      If I delay, I can:

       Make sure that I get it right

       Avoid feeling anxious

       Work (more effectively) under pressure

       Do other things I have to do

       Have fun now

       Come back to it in a better frame of mind

      List other reasons you can think of:

      Make sure that I get it right

      This is a core reason for not starting essays. The thought that you want to get it right comes from a good place – it is your inner editor who is keen to ensure the quality of your work. Being keen to do really good work will certainly come in handy, especially when you are editing a draft of your essay, so acknowledge this feeling, but do not let it stop you from starting. It is usually much easier to edit a draft – even if it is far from perfect – than to try to produce high-quality writing from scratch. If this thought is leading you to delay your essay, then you need to start putting words on the page, knowing that later on you will look at it with this more critical, editorial eye.

      Exercise

      Your inner editor

      What does your inner editor say to you? What can you say to your inner editor?

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      How can I get started?

      Any start is a much better place than not starting at all. So rather than aiming for perfection, aim for some imperfect start – your inner editor can come into the picture later. Think of the essay that you feel you should be working on. Now, without checking notes and textbooks, journal papers or social media, just write for three minutes on that topic.

      Exercise

      The three-minute challenge

      It’s only 180 seconds – time yourself and write something imperfect but relevant for the essay you are (or should be) working on. You might write an idea that you have, identify a debate or disagreement, write some name or theory that you can remember, or write a question that you have about the title.

      Bullet points may help right now, as we tend to be less perfectionist when putting down thoughts in this format.

      My ideas about my essay:

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      Avoid feeling anxious

      You might feel that postponing your essay means that you avoid all the anxiety surrounding your essay. That makes sense, but it’s not a great solution; the anxiety doesn’t really go away. It’s like shoving a dragon under the carpet – it just gets a little more scary each day. Most importantly, we can change the frame for our essay – yes, there can be anxious elements, but let’s find a more encouraging way into it. What would you say to encourage a friend or relative who has anxieties about writing an essay? How might you encourage them? Try to encourage yourself in this way.

      How can I get started?

      Turn it from a chore to something playful. Just play with the ideas. Here are some ideas that might help you to find your own playful engagement in starting to write your essay:

       What are the relevant names or ideas? Do little speech bubbles for them, what might they say?

       What if they were all at a party together – what would they wind up saying?

       Find a supportive environment. Do you work best when others are around you, or perhaps with the background sounds of a café, or the focused concentration of quiet sections of a library?

       Perhaps some sort of background music or ambient sounds work for you, but be realistic about what is genuinely helpful, and don’t spend ages trying to find the perfect acoustic accompaniment.

       Think about the times of the day when you are most productive and try to make use of them – perhaps ‘chunking’ your time into manageable units with short breaks in between.

       When the situation is

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