LITMIR.BIZ

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If, therefore, it can be shown that that which is pushing and that which is pushing and pulling are adjacent respectively to that which is being pushed and that which is being pulled, it will be evident that in all locomotion there is nothing intermediate between moved and movent. But the former fact is clear even from the definitions of pushing and pulling, for pushing is motion to something else from oneself or from something else, and pulling is motion from something else to oneself or to something else, when the motion of that which is pulling is quicker than the motion that would separate from one another the two things that are continuous: for it is this that causes one thing to be pulled on along with the other. (It might indeed be thought that there is a form of pulling that arises in another way: that wood, e.g. pulls fire in a manner different from that described above. But it makes no difference whether that which pulls is in motion or is stationary when it is pulling: in the latter case it pulls to the place where it is, while in the former it pulls to the place where it was.) Now it is impossible to move anything either from oneself to something else or something else to oneself without being in contact with it: it is evident, therefore, that in all locomotion there is nothing intermediate between moved and movent.

      Nor again is there anything intermediate between that which undergoes and that which causes alteration: this can be proved by induction: for in every case we find that the respective extremities of that which causes and that which undergoes alteration are adjacent. For our assumption is that things that are undergoing alteration are altered in virtue of their being affected in respect of their so-called affective qualities, since that which is of a certain quality is altered in so far as it is sensible, and the characteristics in which bodies differ from one another are sensible characteristics: for every body differs from another in possessing a greater or lesser number of sensible characteristics or in possessing the same sensible characteristics in a greater or lesser degree. But the alteration of that which undergoes alteration is also caused by the above-mentioned characteristics, which are affections of some particular underlying quality. Thus we say that a thing is altered by becoming hot or sweet or thick or dry or white: and we make these assertions alike of what is inanimate and of what is animate, and further, where animate things are in question, we make them both of the parts that have no power of sense-perception and of the senses themselves. For in a way even the senses undergo alteration, since the active sense is a motion through the body in the course of which the sense is affected in a certain way. We see, then, that the animate is capable of every kind of alteration of which the inanimate is capable: but the inanimate is not capable of every kind of alteration of which the animate is capable, since it is not capable of alteration in respect of the senses: moreover the inanimate is unconscious of being affected by alteration, whereas the animate is conscious of it, though there is nothing to prevent the animate also being unconscious of it when the process of the alteration does not concern the senses. Since, then, the alteration of that which undergoes alteration is caused by sensible things, in every case of such alteration it is evident that the respective extremities of that which causes and that which undergoes alteration are adjacent. Thus the air is continuous with that which causes the alteration, and the body that undergoes alteration is continuous with the air. Again, the colour is continuous with the light and the light with the sight. And the same is true of hearing and smelling: for the primary movent in respect to the moved is the air. Similarly, in the case of tasting, the flavour is adjacent to the sense of taste. And it is just the same in the case of things that are inanimate and incapable of sense-perception. Thus there can be nothing intermediate between that which undergoes and that which causes alteration.

      Nor, again, can there be anything intermediate between that which suffers and that which causes increase: for the part of the latter that starts the increase does so by becoming attached in such a way to the former that the whole becomes one. Again, the decrease of that which suffers decrease is caused by a part of the thing becoming detached. So that which causes increase and that which causes decrease must be continuous with that which suffers increase and that which suffers decrease respectively: and if two things are continuous with one another there can be nothing intermediate between them.

      It is evident, therefore, that between the extremities of the moved and the movent that are respectively first and last in reference to the moved there is nothing intermediate.

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3

      Everything, we say, that undergoes alteration is altered by sensible causes, and there is alteration only in things that are said to be essentially affected by sensible things. The truth of this is to be seen from the following considerations. Of all other things it would be most natural to suppose that there is alteration in figures and shapes, and in acquired states and in the processes of acquiring and losing these: but as a matter of fact in neither of these two classes of things is there alteration.

      In the first place, when a particular formation of a thing is completed, we do not call it by the name of its material: e.g. we do not call the statue ‘bronze’ or the pyramid ‘wax’ or the bed ‘wood’, but we use a derived expression and call them ‘of bronze’, ‘waxen’, and ‘wooden’ respectively. But when a thing has been affected and altered in any way we still call it by the original name: thus we speak of the bronze or the wax being dry or fluid or hard or hot.

      And not only so: we also speak of the particular fluid or hot substance as being bronze, giving the material the same name as that which we use to describe the affection.

      Since, therefore, having regard to the figure or shape of a thing we no longer call that which has become of a certain figure by the name of the material that exhibits the figure, whereas having regard to a thing’s affections or alterations we still call it by the name of its material, it is evident that becomings of the former kind cannot be alterations.

      Moreover it would seem absurd even to speak in this way, to speak, that is to say, of a man or house or anything else that has come into existence as having been altered. Though it may be true that every such becoming is necessarily the result of something’s being altered, the result, e.g. of the material’s being condensed or rarefied or heated or cooled, nevertheless it is not the things that are coming into existence that are altered, and their becoming is not an alteration.

      Again, acquired states, whether of the body or of the soul, are not alterations. For some are excellences and others are defects, and neither excellence nor defect is an alteration: excellence is a perfection (for when anything acquires its proper excellence we call it perfect, since it is then if ever that we have a thing in its natural state: e.g. we have a perfect circle when we have one as good as possible), while defect is a perishing of or departure from this condition. So as when speaking of a house we do not call its arrival at perfection an alteration (for it would be absurd to suppose that the coping or the tiling is an alteration or that in receiving its coping or its tiling a house is altered and not perfected), the same also holds good in the case of excellences and defects and of the persons or things that possess or acquire them: for excellences are perfections of a thing’s nature and defects are departures from it: consequently they are not alterations.

      Further, we say that all excellences depend upon particular relations. Thus bodily excellences such as health and a good state of body we regard as consisting in a blending of hot and cold elements within the body in due proportion, in relation either to one another or to the surrounding atmosphere: and in like manner we regard beauty, strength, and all the other bodily excellences and defects. Each of them exists in virtue of a particular relation and puts that which possesses it in a good or bad condition with regard to its proper affections, where by ‘proper’ affections I mean those influences that from the natural constitution of a thing tend to promote or destroy its existence. Since then, relatives are neither themselves alterations nor the subjects of alteration or of becoming or in fact of any change whatever, it is evident that neither states nor the processes of losing and acquiring states are alterations, though it may be true that their becoming or perishing is necessarily, like the becoming or perishing of a specific character or form, the result of the alteration of certain other things, e.g. hot and cold or dry and wet elements or the elements, whatever they may be, on which the states primarily depend. For each several bodily defect or excellence

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