LITMIR.BIZ

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In some of its allusions to him Colville detected the point of a fine irony, of which he had himself introduced the practice in the Democrat-Republican; and he experienced, with a sense of personal impoverishment, the curious fact that a journalist of strong characteristics leaves the tradition of himself in such degree with the journal he has created that he seems to bring very little away. He was obliged to confess in his own heart that the paper was as good as ever. The assistants, who had trained themselves to write like him, seemed to be writing quite as well, and his honesty would not permit him to receive the consolation offered him by the friends who told him that there was a great falling off in the Post-Democrat-Republican. Except that it was rather more Stalwart in its Republicanism, and had turned quite round on the question of the tariff, it was very much what it had always been. It kept the old decency of tone which he had given it, and it maintained the literary character which he was proud of. The new management must have divined that its popularity, with the women at least, was largely due to its careful selections of verse and fiction, its literary news, and its full and piquant criticisms, with their long extracts from new books. It was some time since he had personally looked after this department, and the young fellow in charge of it under him had remained with the paper. Its continued excellence, which he could not have denied if he had wished, seemed to leave him drained and feeble, and it was partly from the sense of this that he declined the overtures, well backed up with money, to establish an independent paper in Des Vaches. He felt that there was not fight enough in him for the work, even if he had not taken that strong disgust for public life which included the place and its people. He wanted to get away, to get far away, and with the abrupt and total change in his humour he reverted to a period in his life when journalism and politics and the ambition of Congress were things undreamed of.

      At that period he was a very young architect, with an inclination toward the literary side of his profession, which made it seem profitable to linger, with his Ruskin in his hand, among the masterpieces of Italian Gothic, when perhaps he might have been better employed in designing red-roofed many-verandaed, consciously mullioned seaside cottages on the New England coast. He wrote a magazine paper on the zoology of the Lombardic pillars in Verona, very Ruskinian, very scornful of modern motive. He visited every part of the peninsula, but he gave the greater part of his time to North Italy, and in Venice he met the young girl whom he followed to Florence. His love did not prosper; when she went away she left him in possession of that treasure to a man of his temperament, a broken heart. From that time his vague dreams began to lift, and to let him live in the clear light of common day; but he was still lingering at Florence, ignorant of the good which had befallen him, and cowering within himself under the sting of wounded vanity, when he received a letter from his elder brother suggesting that he should come and see how he liked the architecture of Des Vaches. His brother had been seven years at Des Vaches, where he had lands, and a lead-mine, and a scheme for a railroad, and had lately added a daily newspaper to his other enterprises. He had, in fact, added two newspapers; for having unexpectedly and almost involuntarily become the owner of the Des Vaches Republican, the fancy of building up a great local journal seized him, and he bought the Wabash Valley Democrat, uniting them under the name of the Democrat-Republican. But he had trouble almost from the first with his editors, and he naturally thought of the brother with a turn for writing who had been running to waste for the last year or two in Europe. His real purpose was to work Colville into the management of his paper when he invited him to come out and look at the architecture of Des Vaches.

      Colville went, because he was at that moment in the humour to go anywhere, and because his money was running low, and he must begin work somehow. He was still romantic enough to like the notion of the place a little, because it bore the name given to it by the old French voyageurs from a herd of buffalo cows which they had seen grazing on the site of their camp there; but when he came to the place itself he did not like it. He hated it; but he stayed, and as an architect was the last thing any one wanted in Des Vaches since the jail and court-house had been built, he became, half without his willing it, a newspaper man. He learned in time to relish the humorous intimacy of the life about him; and when it was decided that he was no fool—there were doubts, growing out of his Eastern accent and the work of his New York tailor, at first—he found himself the object of a pleasing popularity. In due time he bought his brother out; he became very fond of newspaper life, its constant excitements and its endless variety; and six weeks before he sold his paper he would have scoffed at a prophecy of his return to Europe for the resumption of any artistic purpose whatever. But here he was, lounging on the Ponte Vecchio at Florence, whither he had come with the intention of rubbing up his former studies, and of perhaps getting back to put them in practice at New York ultimately. He had said to himself before coming abroad that he was in no hurry; that he should take it very easily—he had money enough for that; yet he would keep architecture before him as an object, for he had lived long in a community where every one was intensely occupied, and he unconsciously paid to Des Vaches the tribute of feeling that an objectless life was disgraceful to a man.

      In the meantime he suffered keenly and at every moment the loss of the occupation of which he had bereaved himself; in thinking of quite other things, in talk of totally different matters, from the dreams of night, he woke with a start to the realisation of the fact that he had no longer a newspaper. He perceived now, as never before, that for fifteen years almost every breath of his life had been drawn with reference to his paper, and that without it he was in some sort lost, and, as it were, extinct. A tide of ridiculous home-sickness, which was an expression of this passionate regret for the life he had put behind him, rather than any longing for Des Vaches, swept over him, and the first passages of a letter to the Post-Democrat-Republican began to shape themselves in his mind. He had always, when he left home for New York or Washington, or for his few weeks of summer vacation on the Canadian rivers or the New England coast, written back to his readers, in whom he knew he could count upon quick sympathy in all he saw and felt, and he now found himself addressing them with that frank familiarity which comes to the journalist, in minor communities, from the habit of print. He began by confessing to them the defeat of certain expectations with which he had returned to Florence, and told them that they must not look for anything like the ordinary letters of travel from him. But he was not so singular in his attitude toward the place as he supposed; for any tourist who comes to Florence with the old-fashioned expectation of impressions will probably suffer a disappointment, unless he arrives very young and for the first time. It is a city superficially so well known that it affects one somewhat like a collection of views of itself; they are from the most striking points, of course, but one has examined them before, and is disposed to be critical of them. Certain emotions, certain sensations failed to repeat themselves to Colville at sight of the familiar monuments, which seemed to wear a hardy and indifferent air, as if being stared at so many years by so many thousands of travellers had extinguished in them that sensibility which one likes to fancy in objects of interest everywhere.

      The life which was as vivid all about him as if caught by the latest instantaneous process made the same comparatively ineffective appeal. The operatic spectacle was still there. The people, with their cloaks statuesquely draped over their left shoulders, moved down the street, or posed in vehement dialogue on the sidewalks; the drama of bargaining, with the customer's scorn, the shopman's pathos, came through the open shop door; the handsome, heavy-eyed ladies, the bare-headed girls, thronged the ways; the caffès were full of the well-remembered figures over their newspapers and little cups; the officers were as splendid as of old, with their long cigars in their mouths, their swords kicking against their beautiful legs, and their spurs jingling; the dandies, with their little dogs and their flower-like smiles, were still in front of the confectioners' for the inspection of the ladies who passed; the old beggar still crouched over her scaldino at the church door, and the young man with one leg, whom he thought to escape by walking fast, had timed him to a second from the other side of the street. There was the wonted warmth in the sunny squares, and the old familiar damp and stench in the deep narrow streets. But some charm had gone out of all this. The artisans coming to the doors of their shallow booths for the light on some bit of carpentering, or cobbling, or tinkering; the crowds swarming through the middle of the streets on perfect terms with the wine-carts and cab horses; the ineffective grandiosity of the palaces huddled upon the crooked thoroughfares; the slight but insinuating cold of the southern winter, gathering in the shade and dispersing in the sun, and denied everywhere by the profusion of fruit and flowers, and by the

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