A Crystal Age - W. H. Hudson

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suffer for the loss of individual trees; is it not the same with the house and the family inhabiting it, which is one with the house, and endures forever, albeit the members composing it must all in time return to the dust?"

      "Is there no decay, then, of the materials composing a house?"

      "Assuredly there is! Even the hardest stone is worn in time by the elements, or by the footsteps of many generations of men; but the stone that decays is removed, and the house does not suffer."

      "I have never looked at it quite in this light before," said I. "But surely we can build a house whenever we wish!"

      "Build a house whenever we wish!" he repeated, with that astonished look which threatened to become the permanent expression of his face—so long as he had me to talk with, at any rate.

      "Yes, or pull one down if we find it unsuitable—" But his look of horror here made me pause, and to finish the sentence I added: "Of course, you must admit that a house had a beginning?"

      "Yes; and so had the forest, the mountain, the human race, the world itself. But the origin of all these things is covered with the mists of time."

      "Does it never happen, then, that a house, however substantially built—"

      "However what! But never mind; you continue to speak in riddles. Pray, finish what you were saying."

      "Does it never happen that a house is overthrown by some natural force—by floods, or subsidence of the earth, or is destroyed by lightning or fire?"

      "No!" he answered, with such tremendous emphasis that he almost made me jump from my seat. "Are you alone so ignorant of these things that you speak of building and of pulling down a house?"

      "Well, I fancied I knew a lot of things once," I answered, with a sigh. "But perhaps I was mistaken—people often are. I should like to hear you say something more about all these things—I mean about the house and the family, and the rest of it."

      "Are you not, then, able to read—have you been taught absolutely nothing?"

      "Oh yes, certainly I can read," I answered, joyfully seizing at once on the suggestion, which seemed to open a simple, pleasant way of escape from the difficulty. "I am by no means a studious person; perhaps I am never so happy as when I have nothing to read. Nevertheless, I do occasionally look into books, and greatly appreciate their gentle, kindly ways. They never shut themselves up with a sound like a slap, or throw themselves at your head for a duffer, but seem silently grateful for being read, even by a stupid person, and teach you very patiently, like a pretty, meek-spirited young girl."

      "I am very pleased to hear it," said he. "You shall read and learn all these things for yourself, which is the best method. Or perhaps I ought rather to say, you shall by reading recall them to your mind, for it is impossible to believe that it has always been in its present pitiable condition. I can only attribute such a mental state, with its disordered fancies about cities, or immense hives of human beings, and other things equally frightful to contemplate, and its absolute vacancy concerning ordinary matters of knowledge, to the grave accident you met with in the hills. Doubtless in falling your head was struck and injured by a stone. Let us hope that you will soon recover possession of your memory and other faculties. And now let us repair to the eating-room, for it is best to refresh the body first, and the mind afterwards."

       Table of Contents

      We ascended the steps, and passing through the portico went into the hall by what seemed to me a doorless way. It was not really so, as I discovered later; the doors, of which there were several, some of colored glass, others of some other material, were simply thrust back into receptacles within the wall itself, which was five or six feet thick. The hall was the noblest I had ever seen; it had a stone and bronze fireplace some twenty or thirty feet long on one side, and several tall arched doorways on the other. The spaces between the doors were covered with sculpture, its material being a blue-gray stone combined or inlaid with a yellow metal, the effect being indescribably rich. The floor was mosaic of many dark colors, but with no definite pattern, and the concave roof was deep red in color. Though beautiful, it was somewhat somber, as the light was not strong. At all events, that is how it struck me at first on coming in from the bright sunlight. Nor, it appeared, was I alone in experiencing such a feeling. As soon as we were inside, the old gentleman, removing his cap and passing his thin fingers through his white hair, looked around him, and addressing some of the others, who were bringing in small round tables and placing them about the hall, said: "No, no; let us sup this evening where we can look at the sky."

      The tables were immediately taken away.

      Now some of those who were in the hall or who came in with the tables had not attended the funeral, and these were all astonished on seeing me. They did not stare at me, but I, of course, saw the expression on their faces, and noticed that the others who had made my acquaintance at the grave-side whispered in their ears to explain my presence. This made me extremely uncomfortable, and it was a relief when they began to go out again.

      One of the men was seated near me; he was of those who had assisted in carrying the corpse, and he now turned to me and remarked: "You have been a long time in the open air, and probably feel the change as much as we do."

      I assented, and he rose and walked away to the far end of the hall, where a great door stood facing the one by which we had entered. From the spot where I was—a distance of forty or fifty feet, perhaps—this door appeared to be of polished slate of a very dark gray, its surface ornamented with very large horse-chestnut leaves of brass or copper, or both, for they varied in shade from bright yellow to deepest copper-red. It was a double door with agate handles, and, first pressing on one handle, then on the other, he thrust it back into the walls on either side, revealing a new thing of beauty to my eyes, for behind the vanished door was a window, the sight of which came suddenly before me like a celestial vision. Sunshine, wind, cloud and rain had evidently inspired the artist who designed it, but I did not at the time understand the meaning of the symbolic figures appearing in the picture. Below, with loosened dark golden-red hair and amber-colored garments fluttering in the wind, stood a graceful female figure on the summit of a gray rock; over the rock, and as high as her knees, slanted the thin branches of some mountain shrub, the strong wind even now stripping them of their remaining yellow and russet leaves, whirling them aloft and away. Round the woman's head was a garland of ivy leaves, and she was gazing aloft with expectant face, stretching up her arms, as if to implore or receive some precious gift from the sky. Above, against the slaty-gray cloud-wrack, four exquisite slender girl-forms appeared, with loose hair, silver-gray drapery and gauzy wings as of ephemerae, flying in pursuit of the cloud. Each carried a quantity of flowers, shaped like lilies, in her dress, held up with the left hand; one carried red lilies, another yellow, the third violet, and the last blue; and the gauzy wings and drapery of each was also touched in places with the same hue as the flowers she carried. Looking back in their flight they were all with the disengaged hand throwing down lilies to the standing figure.

      This lovely window gave a fresh charm to the whole apartment, while the sunlight falling through it served also to reveal other beauties which I had not observed. One that quickly drew and absorbed my attention was a piece of statuary on the floor at some distance from me, and going to it I stood for some time gazing on it in the greatest delight. It was a statue about one-third the size of life, of a young woman seated on a white bull with golden horns. She had a graceful figure and beautiful countenance; the face, arms and feet were alabaster, the flesh tinted, but with colors more delicate than in nature. On her arms were broad golden armlets, and the drapery, a long flowing robe, was blue, embroidered with yellow flowers. A stringed instrument rested on her knee, and she was represented playing and singing. The bull, with lowered horns, appeared walking; about his chest hung a garland of flowers mingled with ears of yellow corn, oak, ivy, and various other leaves, green and russet, and acorns and crimson berries. The garland and blue dress were made of malachite, lapis lazuli, and various precious stones.

      "Aha,

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