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After an interminable minute, the red curtain rose.

      The understudy stood center stage in the footlights.

      “I’m dead, then. Good,” she said to him, and swiveled her hips.

      A slouching, heavy-lidded Julian sat up in his seat.

      The play may have been fine. It may have been terrible. Gwen spent the moments during applause and the intermission in a ceaseless harangue against the understudy, so it was hard for Julian to form a coherent opinion about the play.

      But he formed an opinion about the understudy.

      The accidental girl was in front of Julian for over two unsuppressed hours.

      She was remarkable. Though she was young and played an old man looking back on his life and finding it wanting, she brought melancholy and elegance to the stage, she brought wit and pain and outrage. She brought it all. Everything she had was left on the stage in front of Julian.

      She might not have been as tall as Nicole Kidman, but she was just as sinewy, all long limbs and whiteout skin and bleached-out features. Unlike Nicole, she had brown eyes and a whisper of a breathy voice. She sounded like a teenager but with an earthy grownup exhale at the end of each sentence. The juxtaposition of her feminine self, sauntering about, playing a gruff professor had a powerful effect on Julian. The sturdy Housman verse coming from her barely audible, husky throat seduced him. Her swiveling hips seduced him. Love is but ice in the hands of children, she murmured in her impeccable British accent, standing on the banks of the River Styx, stretching out her slender arms to him. He fought the urge to leap up in his seat. How many tomorrows would the gods give me? she kept asking. How much time do I have? she cried.

      And then, stepping out of Housman and into Chekhov, she said this from The Three Sisters:

       Oh, where is it, where has it all gone, my past, when I was young? When I dreamed and thought with grace, when my present and my future were lighted up with hope? Why is it that when we have barely begun to live, we grow dull, gray, uninteresting, lazy, indifferent, useless, unhappy. The adults relieve the monotony of their days with gossip and vodka. Where is the artist, the scholar, the saint, where is the one who is not like all the others, who inspires envy, or passionate desire? What do you want, Julian? WHAT DO YOU WANT?

      His mouth dropped open. Did he mishear? The Oracle Book was speaking to him out loud. Bewildered, he leaned forward. Ashton nudged him to sit back. Did the girl just call out to him by name?

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      “It was ghastly, wasn’t it?” Gwen said when it was over. “How pretentious was she? Oh, she thought she was all that. How in the world did she land such a complex role? Banging the producer, most likely, don’t you think?”

      “How would I know?” Julian said. “Why are you asking me? I know nothing about her.” Was she really British? Surely you couldn’t fake an accent like that.

      “Why are you getting defensive?” Gwen sighed, taking his limp hand. “I’m sorry, okay? You were right. We should’ve seen La Traviata. But honestly, what did you think? Ghastly, wasn’t it?”

      That wasn’t quite what Julian thought.

      Gwen wanted to stage door for Kyra Sedgwick’s autograph. “So the evening is not a total waste.” They squeezed in by the blue guardrail. “After this, we’re walking straight to Art Bar,” Gwen said. “First round’s on me. We will drink to forget.”

      “There isn’t enough alcohol in all of New York,” Riley chimed in. “I also didn’t care for her, Gwennie. She rubbed me the wrong way, though I can’t quite put my finger on why.”

      “What do you think, Jules?” Ashton said. “Is there enough alcohol in all of New York for you to forget her?”

      “I shouldn’t think so.”

      Ashton was teasing but not smiling. Julian turned his gaze to the backlit pink posterboard by the stage door.

      “She grated on me,” Gwen continued to say to Riley. “It’s fine to bring something new to a role. But it can’t be a total departure.”

      “She was a woman playing a man, how much more of a departure can there be?” Julian asked.

      “She wasn’t manly enough. Did you hear her voice?”

      “I heard her,” said Julian.

      “I could barely. Plus she wasn’t tall enough. It was so distracting.”

      “Were you distracted by her height, bro?” Ashton said, nudging Julian.

      “Nope.”

      “Well, pardon me for expressing my opinion,” Gwen said.

      Julian pointed out that he, too, was expressing his opinion.

      “Yes, but I’m making an intellectual argument against her lack of quality,” Gwen said. “What are you doing?”

      Julian let it go. He didn’t know what he was doing.

      It was a June summer night in New York, warm, overcast, windy, a crackle in the air of three million people alive in the street. People were pushy, the way people in New York sometimes are when they’ve spent a lot of scratch on tickets and feel it’s their due to get a signature on a playbill. They stand with demanding arms out, as if they’re doing the actors a favor and not the other way around.

      The petty things Gwen continued to say about the understudy irritated Julian. He stepped away, letting other men and their dates wedge between him and his date. An echo of the girl’s words continued to ring in his ears and thump in his chest. I’m dead then, good; love like ice in the hands of children …

      Kyra Sedgwick came out on the arm of Kevin Bacon, her skinny, youthful actor husband. A guy in the crowd loudly made a six degrees of Kevin Bacon joke. Kevin Bacon smiled as if he wanted to deck him. A few minutes later, the only man in the cast—the beefed-up, “explosive powder keg” who played Moses Jackson—strutted out. Julian didn’t catch his actual name and didn’t care to. A few steps behind Mr. Universe, the understudy followed. Julian’s breath caught in his throat.

      The barricades grunted under the heaving mob; there was shouting, Kyra, Kyra. Kevin, Kevin. Julian liked that Kevin Bacon wasn’t even in the play, yet was signing. A measure of true celebrity, Julian thought with amusement. This was some superstar shit.

      Even Mr. Universe signed a few playbills. Not Julian’s understudy. She stood to the side like the last unbought maiden at an Old West wench auction. No one recognized her with the blonde wig off and her wet hair pulled into a tight bun.

      It started to drizzle.

      Extending his hand with the playbill in it, Julian waved it around to get her attention. How do you act like a gentleman and not an asshole when you’re waving around a thing to be signed? But when she saw him making a fool of himself, she stepped forward, all breath and grateful smile. He held out the playbill for her in the palm of his slightly shaking hand, watching the top of her wet dark head as she signed her name, large, ornate, nearly illegible, Josephine Collins with a bold flourish.

      Before Julian could tell her how good she was, how astonishing, the steroid with a mouth summoned her from afar. The only thing missing was a finger snap. She fled.

      And that was that.

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      Back in L.A., Julian almost forgot her.

      Ashton’s store was as busy as ever, three of Julian’s brothers were having birthdays, Father’s Day was coming up, a baptism, his mother was hosting an end-of-school party and needed Julian’s help finding a florist and a caterer, and Gwen was hinting at a romantic getaway to Mexico for the Fourth of July, hoping perhaps for an engagement

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