Mischief in Regency Society - Amanda McCabe Mills & Boon M&B

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he was not Westwood tonight. He was Hermes. She was Athena. And this was not an ordinary London ball, but an Olympian revel. For the length of one dance, anyway.

      “Thank you, Lord Westwood,” she said. “I would be happy to dance with you.”

      Clio glanced back over her shoulder as she tiptoed along the narrow corridor. Empty. No one followed her. Probably they did not even notice her absence from the ballroom, not in such a crush.

      Perfect.

      It was silent here, unlike the roar of music and shallow conversation. So quiet it was almost like a cave, lit only by a few lamps built to resemble flickering torches. The shifting light touched the dark, linenfold panelled walls, the low, carved ceiling and the gilt-framed paintings, making them glitter and waver as if alive.

      Clio paused to slip off her heeled shoes, peering closer at one of those paintings. It was a modern creation, an oil of the Minotaur in his labyrinth. A great, hulking, hairy beast with red, fiery eyes, lurking in a dark space much like this corridor. All around him were smoking torches, stone walls painted with strange, glowing symbols.

      The duke must feel some affinity for this particular myth, Clio thought as she studied the scene. She had seen several depictions of it tonight, in stone as well as paint, and in that one odd costume in the ballroom. Well, she knew that everyone had within them a dark heart—a Minotaur. And that sometimes a person had to venture into the labyrinth to confront that side of themselves. To confront the truth.

      Was that not what she was doing now?

      Clio turned her back on the Minotaur and hurried on stocking feet to the end of the corridor where there was a small, winding staircase, a miniature of the grand one soaring up from the foyer. The duke was being very cagey about the Alabaster Goddess’s whereabouts tonight. But his servants were not all so secretive. Clio was able to persuade a footman to tell her where Artemis waited.

      At the top of the stairs ran a long gallery, almost the entire length of the front of the house. Its bank of windows, uncovered, looked out at the front garden and the street beyond, the open gates that still admitted latecomers to the ball.

      The gallery was dotted with tall, heavy iron branches of candles, half of them unlit. No doubt waiting for the “grand reveal” after supper, when they would spring to life as if by magic. Right now the light was dim, falling only in shimmering bars on some of the treasures displayed there, leaving others in darkness.

      Clio found herself holding her breath as she crept along the gallery, peering right and left at all the wonders jumbled together. Her father’s friends were all great collectors and loved to show off their prizes, so she had grown up surrounded by beautiful antiquities. But this—this was something else entirely. A cabinet of curiosities such as she had never seen before.

      The gallery almost resembled a warehouse, it was so thick with objects. Ancient stone kouros, stiff and precise, their empty eyes staring back at her. An Egyptian sarcophagus, with traces of bright paint still clinging to its surface. Bronze warriors; marble gods finer than any she had ever seen; cases full of gold Etruscan jewellery, lapis scarabs, tiny cat mummies in gold coffins, jewelled perfume bottles. Steles propped against the walls. Shelves of vases, kraters, and amphorae. All jumbled together, just to serve one man’s vanity.

      Clio frowned as she remembered the duke at the British Museum, pressing so close to her she was overcome by his spicy cologne. That strange light in his green eyes…

      She shook her head, her satin snakes trembling. She couldn’t think about him now. She didn’t want to think about him ever.

      At the end of the gallery, alone in a pool of candlelight, was an object covered in a drape of black satin. Only a bit of the separate coral-coloured marble stand was visible. Clio approached it carefully, half-expecting some sort of trap, some alarm. All was silent, except for the whining hum of the wind past the windows. She reached out and carefully lifted an edge of the drape, peering beneath.

      “Oh,” she sighed. It was really her. The Alabaster Goddess. Artemis in her solitary glory.

      The statue was not large. It was easily dwarfed by many of the more elaborate creations in the gallery. But she was so perfectly beautiful, so graceful and elegant, that Clio could understand why she had become such a sensation.

      Carved of an alabaster so white it seemed to glisten, almost silver, like a first snowfall, she stood poised with her bow raised, an arrow set to fly. Her pleated tunic flowed over the curves of her slender body as if caught in a breeze, ending at mid-thigh to reveal strong legs, tensed to run. Her sandals, the little, ribbon-laced shoes every lady had copied this Season, still bore bits of gold leaf, as did the bandeau that held back her curled hair. A crescent moon was attached to the band, proclaiming her to truly be the Goddess of the Moon. Her gaze was focused intently on her prey, not heeding mortal adulation.

      Clio stared up at her, enthralled, as she imagined the Delian temple where this goddess once resided, where she once received her worship from true acolytes of the moon. Not just ton ladies with their “Artemis” coiffures.

      “How beautiful you are,” she whispered. “And how sad.”

      Clio reached out to gently touch Artemis’ foot in a gesture of silent sympathy. As she did, she noticed that the goddess stood on a modern wooden base, a thick block of mahogany. A thin crack ran along its centre. She leaned closer, trying to see if that crack was a fault or deliberate. It seemed such a strange perch for a beautiful goddess.

      “Ah, Miss Chase. Clio. I see you have discovered the whereabouts of my treasure,” a voice said, quiet, gloating.

      Clio ducked away from Artemis, spinning around to find the duke standing halfway along the gallery, watching her intently.

      Even in the dim light, his eyes gleamed like the snakes in her headdress. He smiled at her gently, shrugging his leopard pelt back from his shoulders. Clio thought of that scene from the Bacchae, where Agave, under the evil influence of Dionysus, tore her son Pentheus to death, thinking him a lion. Then she carried his severed head back home, still delusional.

      He moved closer, light and silent, as if he was a leopard himself. “She is beautiful, is she not?” he said, still so quiet. So soft. “I knew you would be drawn to her, as I was. She is quite—irresistible, in her mystery.”

      Clio edged back against the goddess. She had indeed found Artemis irresistible. So much so that she let her guard down, and that was not like her. As the duke came closer, she reached behind her, her fingers just touching Artemis’ cold sandal. She slid her touch down, finding that strange crack in the wooden base…

      Calliope took her place in the set with Lord Westwood just as the music began, a quick, lively tune that made her toes tap in her sandals. She was not Terpsichore, the Muse of Dance, but she did love the movement, the rhythm of the music, the swirl of other dancers around her as they formed the patterns and picture of the dance. Usually, it could lift her out of herself for a few moments, send her into a world where there was only the music.

      Tonight, though, the beat was not soothing, not transporting. There was so much in her mind—Clio’s disappearance, the plan to protect the Alabaster Goddess. And, not least, the fact that her partner for this dance was Cameron de Vere.

      Never would she have imagined they would be dancing together at a ball, quite as if they were—well, as if they were friends! No one was shouting or scowling or throwing things. He stood across from her in the line, smiling at her. Calliope smiled back, and all at once she felt the old magic of the dance come upon her once more. A new energy surged through her veins, lifting her up on to her toes as she stepped forward to meet him. Their hands touched, and they turned to move down the line, swirling among the other dancers in a quick, intricate rhythm.

      He was a good dancer, light and graceful, but then she did not expect anything less after seeing him drive his phaeton. No jerky, ham-handed movements for him. He moved

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