LITMIR.BIZ

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was the legend of the Blood Countess.

      The idea of standing on the same stones where the notorious serial killer had once lived held a kind of eerie fascination for many people. The fact that it all happened back in the 1600s didn’t make any difference; as with Vlad Dracul, the Wallachian prince who was generally recognized as the inspiration for Bram Stoker’s Dracula, the legend of Elizabeth Báthory had grown over the ages.

      However, Annja wanted to expose the history behind it all. No doubt Doug would prefer her to ignore the high road and feature reenactments of the beautiful Báthory climbing naked out of a pool of blood. But that simply wasn’t Annja’s style.

      If she was going to do a show about Báthory, she was going to tell the truth.

      Or at least as much of the truth as anyone knew.

      Annja stepped to the edge of the escarpment and looked out across the forested hills and rocky crags. The late-afternoon sun lit everything with a patina of gold as it sank toward the horizon. She imagined the countess had done the same thing many times, though with her own deeply tanned skin, long auburn hair and amber-green eyes, there was little chance of anyone mistaking Annja for the pale, dark-haired woman who had terrorized this land for nearly two decades.

      Never mind my baseball cap, Annja thought with a laugh as she reached up and adjusted the brim to keep the sun out of her eyes. It was a nice day, warm and clear, and she could see for miles. It would get colder later that night, but for now she was perfectly comfortable in her long-sleeved shirt, shorts and hiking boots. It was her usual dig attire, and fans of the show expected to see her outfitted in the same. She didn’t mind; it was what she would have worn anyway, show or not.

      As she turned away from the overlook, she reviewed what she knew about the countess.

      Báthory had been born in Hungary in 1560. Both an uncle on her father’s side and her maternal grandfather had been princes of Transylvania. She was also cousin to Stefan Báthory, the king of Poland and duke of Transylvania. Elizabeth was raised on the family estate in Nyírbátor and taught to speak multiple languages, including Hungarian, Latin and Greek.

      By all evidence an extremely intelligent woman.

      Engaged to Ferenc Nádasdy, a Hungarian nobleman, at age twelve, Elizabeth became pregnant after an affair with one of the palace servants the following year. She gave birth in secret, but not before Nádasdy had the servant castrated and thrown to the dogs. The child, a daughter, was quickly disowned, and Ferenc and Elizabeth were married in May of 1575 when she was fourteen and a half years old. His wedding gift to his young bride was Csejte Castle and the territory surrounding it.

      Fourteen and a half? Annja couldn’t imagine getting married now, in her midtwenties, never mind a decade or so ago. She knew it was the custom of the time, but that didn’t make it any easier to swallow. Especially given what happened next.

      In 1578 Báthory’s husband was appointed head of the Hungarian troops and led them to war against the Ottomans. In his absence, Elizabeth was responsible for the care and upkeep of the castle and its environs, including the country house of the same name and the seventeen villages nearby.

      Fertile hunting grounds for appetites that grew harsher as the years went by.

      Annja knew the countess had gotten bored with castle life. She and her husband wrote letters back and forth, as any married couple might do, but Elizabeth and Ferenc talked about methods of torture to be used on the Turkish prisoners. She would suggest new techniques and her husband would report the results back to her; some of those letters were still stored among the Nádasdy family documents in the National Archives of Hungary.

      Soon the countess was trying out techniques of her own on her staff, all peasants—and therefore of no consequence in her view—from the surrounding villages. Severe whippings and beatings were frequent, often for the slightest infractions.

      As time went on, more girls were lured to the castle under pretense of working for the countess, and then those girls started to disappear. Unfortunately, there wasn’t much the people could do about it. Báthory not only controlled the land they lived on but was related to the very authorities the villagers would’ve brought their concerns to.

      What a terrible situation. Parents forced to watch as their daughters were taken from them with impunity. One of history’s monsters, indeed.

      Báthory had finally paid for her crimes. The countess was imprisoned inside this very castle. She’d lived alone for four long years before dying from some unknown illness. Even the date of her death was conjecture; several plates of food had sat untouched just inside her chambers, so there was no way of knowing if she’d been dead for a few minutes or a few days when she’d been found.

      That’s it! she thought. That’s the opening!

      Annja rushed over to the camera, snatched up the remote and got into position. She took a few deep breaths and then stared directly at the lens as she pressed Record.

      “Four hundred years ago, a woman was walled up inside the castle that now stands behind me. Her crimes were so terrible she would earn a reputation as the world’s foremost serial killer. Her name? Countess Elizabeth Báthory. Her rumored victims, six hundred and fifty in number, were all young women, and the savage way in which they were killed earned Báthory the nickname by which she is more commonly known—the Blood Countess. But was Elizabeth Báthory a monster? Or was she also a victim, caught between two sides of a titanic struggle for power that reverberates through this region today?

      “Join me as we examine the reality and the myth surrounding the Blood Countess, Elizabeth Báthory, here on Chasing History’s Monsters.”

       3

      Annja spent another hour shooting video of the castle ruins, footage she could splice in during the editing phase, and then packed up her gear. By the time she’d loaded the rented four-wheel-drive vehicle, the sun was just about down.

      She drove through the small village of Čachtice, home to some three thousand residents, and headed for her hotel in nearby Nové Mesto nad Váhom, a town about five miles northeast of Čachtice.

      Annja had been driving for less than five minutes when her headlights picked up a figure standing by the side of the road, frantically waving his or her arms. As she drew closer she could see it was a young woman of about twenty-five, dressed in hiker’s boots and jeans and wearing a canvas jacket against the chilly evening. Behind her, Annja could see a backpack sitting on the ground.

      Her first thought was hitchhiker, but then she caught sight of the young woman’s face and realized something was terribly wrong. She pulled to the side of the road about ten yards away, turned off the engine and got out.

      “Are you all right?” she called from her position by the driver’s door.

      The woman shouted something back at her. Annja recognized the language as Hungarian, or Magyar as it was known here, but it wasn’t related to any of the half dozen languages she did speak, so there was no chance of her getting the gist of what was being said. The woman’s frantic hand motions spoke a language of their own, however.

       Come here! Quickly!

      Most people would’ve been concerned at this point. A dark road with no one around made the perfect place for an ambush, and a woman driving alone in a foreign country would no doubt be an attractive target. Not only that, but she had just made it easier for any would-be bandits by getting out of her vehicle.

      Annja wasn’t concerned. If this was a setup, she’d deal with it. She’d been in tougher situations before and had managed to extricate herself just fine. It helped that she was the bearer of Joan of Arc’s weapon, a broadsword she could pull out of where it waited for her—the otherwhere, she called it—with just a thought.

      The sword had been shattered by the English commander who’d overseen Joan’s execution, the

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