LITMIR.BIZ

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off.’ His hand is on the boot of the car. ‘Bags?’

      ‘No bags,’ I say.

      Archie looks at me as if I’m insane. ‘No bags? Where are your things?’

      I take a deep breath. ‘I can’t stay tonight, unfortunately,’ I say.

      He stares at me. ‘Not staying? Does your mother know? That’s crazy, Natasha.’

      ‘I know,’ I say, trying to sound calm, collected. ‘I’m really sorry, but I’ve got a meeting tomorrow I can’t get out of.’ I wish I could tell them why. But I can’t. They mustn’t know, not yet.

      ‘I should have thought . . .’ Archie mutters, trailing off. Jay, who is watching me intently, jumps in.

      ‘The sleeper’s much better and if you have to get back for a meeting, there it is.’ His father frowns at him, opens his mouth to say something, but Jay presses on. ‘Come on, Nat,’ he says, slinging his rucksack into the boot. ‘We’re cutting it fine anyway, aren’t we? Let’s go.’

      Suddenly, I remember Octavia and Julius. ‘I saw Octavia and Julius on the train. I mean, think I saw them,’ I amend. ‘Should we—’

      ‘Oh,’ Archie says, ruffled, he hates any interruption to his plans, to being told what to do by anyone except my mother. And indeed, our cousins are emerging from the station and looking around. ‘I’m sure they’ll have made their own arrangements . . .’

      But they haven’t, it turns out. Octavia and Julius are the kind of ruthlessly efficient people who expect others to be at their beck and call. They’re like the answers to those survival guide questions: both of them could survive on a raft floating on the Indian Ocean with only a mirror and a comb for days, I’m sure. But they’d never think of getting round to booking a car or a taxi. They assume that someone else will have got the train down too and will furnish them with a lift. And they assume rightly, of course.

      ‘I must say, it’s extremely strange we didn’t bump into either of you on the train,’ Octavia says, as Archie drives off along the harbour. ‘I suppose you two were sitting together.’ She makes it sound as if we were planning a high-school shooting.

      ‘No,’ Jay says simply. ‘Meeting you all is a lovely surprise on this sad day.’

      ‘Jolly sad. So,’ Julius, already red in the face, looking more than ever like a fatter, less patrician version of Frank, his father, asks, ‘what’s the order of things today? Straight to the church? Or nosh first?’

      Squashed next to Octavia in the back of the car, Jay and I dare not exchange looks. It’s as though we’re children again.

      ‘Hrrr.’ Archie clears his throat, self-importantly. ‘The funeral is at two, so we’re going straight to the church,’ he says. ‘Don’t have time to stop off beforehand and we couldn’t have it any later, some people –’ he raises his eyebrows – ‘some

      people came down last night and are going back to London this evening.’ I nod politely.

      ‘We’ll meet the others there, then?’ Jay says. ‘Yes, yes,’ Archie says briskly, as though he’s got it all under control and supplementary questions are ridiculous. ‘Father’s going with Miranda – with your mother, Natasha – to the church. Then we’re all off back to Summercove afterwards, for some food.’

      ‘I know Mum’s done an awful lot of cooking,’ Octavia says slowly. ‘She’s been flat out all week, poor thing. It’s been pretty stressful for her.’ She sighs. ‘And clearing out the house, getting poor Great-Uncle Arvind settled somewhere new – I mean, we all know he’s a brilliant man, but he’s not exactly easy, is he!’ She laughs.

      Don’t let Octavia wind you up, I chant to myself. She signed up for an Oxbridge-graduates-only online dating service and she fancies George Osborne. That is the kind of person she is.

      I would still quite like to smack her though. I hope the feeling doesn’t stay with me all day. I wish I could. I wish I could get really drunk at the wake and start a fight, EastEnders style. Perhaps I should. Archie and Jay are silent. I make a non-committal sound.

      ‘Your mum’s been wonderful,’ I force myself to say instead because it’s the truth, despite being annoying to admit. Louisa is the one who gets things done, she always has been. She is the one who’d take me into Truro to buy me new socks and shoes for the autumn term at school, muttering all the while about how someone had to do it, mind you, but still. ‘Oh, Louisa, she is wonderful,’ is sort of her shoutline. That’s what you say about her, in the absence of anything else to say.

      We are climbing up and out of Penzance. Below us, the sea is frothing and churning. There are dark, restless clouds on the horizon. We drive in silence for a while, going further inland. Here on the south coast the country is wild, but lush, greener than the rest of the country, even though it’s February. We pass Celtic crosses, their intricate decorations long worn away by the wind from the sea, and soon we are driving past the Merry Maidens, the ten girls who were turned to stone for dancing on a Sunday. They’re all so familiar. It is so strange to be here when it’s not high summer, but it is so wonderful all the same, and then I remember why I’m here. Granny would have loved a day like today, walking through the winding lanes and over the high exposed fields, a silk head-scarf covering her hair, her eyes alight with the joy of it all.

      In the front, Archie turns to Julius. ‘So, Julius, how are the markets?’

      ‘Weulllll –’ Julius begins, in his low, blubbery voice. ‘Patchy, Archie. Patchy . . .’

      I am spared the rest of his answer by Octavia turning to me.

      ‘How’s your jewellery stuff going then?’ she asks, curiously. As ever I grit my teeth at this question, which makes it sound as though I’ve been to the Bead Shop and threaded a few plastic hearts onto a string for a friend’s birthday, rather than that it’s my job.

      ‘Fine, thanks,’ I say. ‘I’m just finishing a new collection.’

      ‘Wow, how great,’ Octavia says. ‘Where will you sell that, on a stall, or . . . ?’ She trails off, almost embarrassed.

      It has been about two years since I sold my jewellery on a stall, first in Spitalfields Market, then at the Truman Brewery nearby. I got lucky when one of my pieces, a gold chain made of tiny interconnected flowers, was featured in Vogue a couple of years ago, and a minor but quite trendy pop star wore it in a magazine, after which a boutique in Notting Hill and one just off Brick Lane started stocking my stuff. That’s how it works these days. Someone I’d never heard of wore a necklace of mine and I ended up hiring a PR to promote myself and paying someone to set up a website. Now I sell online through the website, and through a few retailers. But Octavia, a bit like Louisa, still likes to think that I’m standing behind a stall wearing a hat, gloves and change belt, shouting out, ‘Three pound a pair of earrings! Get your necklaces here, roll up roll up!’

      There’s an implied snobbery there too which is hilarious. I made as much on the stall as I do now. In fact, often I’d sell more there in a day than I do in a month online. Plus the stall was a great way of meeting customers and other designers, seeing what was selling, talking to people, finding out what they liked. Pedro, who used to have a veg stall in the old Spitalfields market and upgraded it to an upmarket deli stall in the new, updated, boring Spitalfields, has a house in Alicante, a timeshare in Chamonix and drives an Audi TT. Sara, the girl whose stall used to be next to mine, bought her mum a house in Londonderry last year and paid for the whole family to go on holiday to Barbados. I thought taking myself off the stall would move me to the next level, and I suppose it did.

      But increasingly I’ve come to wonder whether I was right. Things have been difficult, the last year or so. The recession means people don’t want jewellery. And even though Jay designed my site for free, bless him, other costs keep mounting up – hiring the studio, paying for materials and for the metals and stones, the PR who I hired, the trade fairs which

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