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      Brian Aris

      Jody Morlock

      HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published by HarperCollinsPublishers 2019

      FIRST EDITION

      © Debbie Harry 2019

       Cover layout design by Rob Roth

       Cover photograph © Chris Stein; illustration by Jody Morlock

      Creative Direction by Rob Roth

      A catalogue record of this book is available from the British Library

      Debbie Harry asserts the moral right to be identified as the author of this work

      HarperCollinsPublishers has made every effort to credit the copyright owners of all material used in this book. If your work has not been credited, please contact us so that we may correctly credit your work in future editions

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Find out about HarperCollins and the environment at www.harpercollins.co.uk/green

      Source ISBN: 9780008229429

       Ebook Edition © October 2019 ISBN: 9780008229450

       Version: 2019-09-27

      DEDICATED TO

      THE GIRLS OF THE

      UNDERWORLD

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      Bob Gruen

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      Courtesy of Debbie Harry’s personal collection

      Contents

       House Lights

       4. Singing to a Silhouette

       5. Born to Be Punk

       6. Close Calls

       Curtain Up

       7. Liftoff, Payoff

       8. Mother Cabrini and the Electric Firestorm

       9. Back Track

       10. Blame It on Vogue

       Peekaboo

       11. Wrestling and Parts Unknown

       12. The Perfect Taste

       13. Routines

       Evidence of Love

       14. Obsession/Compulsion

       15. Opposable Thumbs

       Photo and Art Credits

       Acknowledgments

       About the Author

       About the Publisher

      BY CHRIS STEIN

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      Courtesy of Debbie Harry’s personal collection

      I don’t know if I ever related this story to Debbie . . . or anyone for that matter. In 1969 after traveling around, driving twice cross-country, I was staying with my mom at her apartment in Brooklyn. This was a tumultuous year for me. Psychedelics—and my delayed reaction to my father’s death—caused breaks and disassociations in my already fractured psyche.

      In the midst of heightened states, I had a dream that stayed with me. The apartment was on Ocean Avenue, a very long urban boulevard. In the dream, in a scene that referenced The Graduate, I was chasing the Ocean Avenue bus as it pulled away from our big old building. I was pursuing the bus—yet inside it simultaneously. Standing in the bus was a blond girl who said, “I’ll see you in the city.” The bus pulled away and I was left alone on the street . . .

      By 1977, Debbie and I were traveling extensively with Blondie. Far and away our most exotic stop was Bangkok, Thailand. The city then wasn’t covered with cement and metal but was fairly bucolic, with parks all around and even dirt roads near our upscale hotel. Everything smelled of jasmine and decay.

      Debbie developed a touch of “la tourista” and stayed behind one night in the hotel while the guys from the band and I went to the house of some British expatriate whom we’d met in some bar or other. His old Thai maid prepared a banana cake for us into which she had chopped fifty Thai sticks—the seventies equivalent of modern super-strong “kush” or other intense strains of weed. We’d also just come from a long stretch in Australia, where pot was strictly policed and forbidden at the time. We all got well stoned and somehow led each other back to the hotel.

      Our room was also very exotic, with decorative rattan elements and two separate cotlike beds equipped with hard cylindrical pillows.

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