LITMIR.BIZ

      I lay on the rug on the floor of my studio apartment and tried to imitate the pictures in the book. I had to move the little coffee table in front of my love seat in order to have enough room to do all these new exercises. I had the gas turned on in the oven as usual and the oven door wide open to warm up the apartment. It was noisy in the apartment upstairs as people came and went and the German shepherd barked.

      It was hard to lift my butt 250 times, as Jane recommended, but the harder it was, the stronger was my feeling of rebirth. I would move through this pain, to something new and better. I wanted to be like Jane Fonda on the book’s cover.

      At around the same time, a good friend of mine was also dumped by her boyfriend. The two of us formed a self-help group for dumped women and spent several weeks dissecting our breakups and who had actually said what to whom. But our conversations always came to the same conclusion, a unanimous condemnation of two completely oblivious young men in Stockholm. Our judgment was broad, covering personality, morals and looks.

      After a while, my wise friend thought we should get off the couch, widen our repertoire and maybe get a little exercise. And as I mentioned, by that time Jane Fonda had arrived in Sweden. It was a big event in what was then a calmer and more peaceful Sweden than the Sweden of today. The newspapers Expressen and Aftonbladet reported on the worldwide fad that had landed in Stockholm, via a woman named Yvonne Lin.

      Yvonne Lin was then world master in the martial art of Wushu, which I had never heard of. She had gone to Hollywood to learn from Jane Fonda and to absorb her training methods. In an underground training centre on Markvardsgatan, a little side street off Sveavägen, Yvonne Lin started Sweden’s first workout centre.

      Now we were going to try Jane Fonda for real.

      We stepped into the studio as if into a temple, reverent and quiet – and immediately felt bewildered. A group of grown men were running around in the space, directed by someone who looked a lot like Bruce Lee, the martial arts master from Hong Kong. Instead of legwarmers, they had wooden pistols and were pretending to shoot at each other. One of them was yelling ‘bang!’ as he hit a brick with a series of karate chops. I recognised two very well-known men who were often featured in gossip magazines. But where was Jane?

      It turned out that the space was also used by Yvonne Lin’s husband, who was a martial arts master, and that this was some kind of self-defence training.

      We cautiously entered the training studio. When Yvonne Lin stepped in, wearing a tight outfit with perfectly rolled legwarmers, and put on Human League singing ‘Don’t You Want Me’ with the bass pumped up, I was swept away.

      This was completely new.

      The workouts had the rhythms and choreographic awareness of dance routines. They focused on exactly those body parts that I wanted to reshape; they had glamour, elegance and humour and alternated between precision and free expression. There was an upbeat feeling to the workouts, and they boosted our self-confidence, since we all worked in front of a large mirror, looking at ourselves for forty-five minutes. It was like being on Broadway, or participating in a lineup of dancers in Fame, where we would collectively dance our way to success and the perfect body.

      Now, more than thirty years later, I can see the narcissism in this. The fixation on the body, disguised as neo-feminism, partnered with a business mindset masquerading as health movement. I also remember Jane Fonda’s almost desperately clenched jaw when I got to interview her on TV a few years later. She was a slim woman who seemed slightly fearful to me then – a far cry from the liberated workout rebel we had all believed in.

      But she was a child of her time. The United States and Europe had left the hippies, unisex styles and political demonstrations of the 1960s and 1970s behind, in favour of white wine and prawns, Wall Street, padded shoulders, yuppies and a new interpretation of what it meant to be a man or a woman. And yes, it was largely about the body and material things. Or as Melanie Griffith famously told Harrison Ford in the movie Working Girl: ‘I have a head for business and a body for sin. Is there anything wrong with that?’

      The ideal probably lay somewhere in between. But we should look at our past with compassion and realise that maybe we needed a daily dose of Jane Fonda in order to grow up and become ‘whole’ human beings. In any case, our little self-help group, ‘The Exes’, needed a daily fix. And little by little, the feeling of being dumped faded away.

      Gradually, the swinging food pendulum calmed down as well. I had a breakthrough one morning. I was sitting at the dining table at home in my apartment. The table faced out over a courtyard where two little children were playing. The night before, I had eaten sandwiches, ice cream and sweets. I felt anxious and guilty and was now considering whether I had the right to eat breakfast.

      I drew a diagram, looked at it, and tried to think about what my relationship to food looked like and what feelings it triggered. Out of these thoughts an image emerged, a circle or spiral where crash dieting was followed by hunger, which was followed by overeating, which in turn was followed by feeling bad, which in turn made me feel that I had to start dieting again. It kept turning, around and around and around. Dieting – hunger – overeating – bad feelings – dieting – hunger . . .

      I couldn’t control the hunger that appeared when I had

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