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the workmen he had just recognised Edward II, Isabella’s husband, a good-looking man of thirty, with curly hair, wide shoulders and strong thighs. His velvet clothes were dusty with plaster.³

      ‘They’ve been rebuilding Westminster for more than fifteen years!’ said Isabella angrily. (She pronounced it Vestmoustiers, in the French manner.) ‘For the whole six years I’ve been married I’ve lived among trowels and mortar. They’re always pulling down what they built the month before. It’s not masonry he likes, it’s his masons! Do you imagine they even bother to say “Sire” to him? They call him Edward, and laugh at him, and he loves it. Just look at him.’

      In the courtyard, Edward II was giving orders, leaning on a young workman, his arm round the boy’s neck. About him was an air of suspect familiarity. The lions of England had been lowered back to earth, doubtless because it was thought that their proposed site was unsuitable.

      ‘I thought,’ Isabella went on, ‘that I had known the worst with Sir Piers Gaveston. That insolent, boastful Béarnais ruled my husband so successfully that he ruled the country too. Edward gave him all the jewels in my marriage casket. In one way or another it seems to be a family custom for the women’s jewels to end up on men!’

      Having beside her a relation and a friend, Isabella at last allowed herself to express her sorrows and humiliations. The morals of Edward II were known throughout Europe.

      ‘A year or so ago the barons and I succeeded in bringing Gaveston down; his head was cut off, and now his body lies rotting in the ground at Oxford,’ the young Queen said with satisfaction.

      Robert of Artois did not appear surprised to hear these cruel words uttered by a beautiful woman. It must be admitted that such things were the common coin of the period. Kingdoms were often handed over to adolescents, whose absolute power fascinated them as might a game. Hardly grown out of the age in which it is fun to tear the wings from flies, they might now amuse themselves by tearing the heads from men. Too young to fear or even imagine death, they would not hesitate to distribute it around them.

      Isabella had ascended the throne at sixteen; she had come a long way in six years.

      ‘Well! I’ve reached the point, Cousin, when I regret Gaveston,’ she went on. ‘Since then, as if to avenge himself upon me, Edward brings the lowest and most infamous men to the palace. He visits the low dens of the Port of London, sits with tramps, wrestles with lightermen, races against grooms. Fine tournaments, these, for our delectation! He has no care who runs the kingdom, provided his pleasures are organised and shared. At the moment it’s the Barons Despenser; the father’s worth no more than the son, who serves my husband for a wife. As for myself, Edward no longer approaches me, and if by chance he does, I am so ashamed that I remain cold to his advances.’

      She lowered her head.

      ‘If her husband does not love her, a queen is the most miserable of the subjects of a kingdom. It is enough that she should have assured the succession; after that her life is of no account. What baron’s wife, what merchant’s or serf’s would tolerate what I have to bear … because I am Queen? The least washerwoman in the kingdom has greater rights than I: she can come and ask my protection.’

      Robert of Artois knew – as indeed who did not? – that Isabella’s marriage was unhappy; but he had had no idea of the seriousness of the situation, nor how profoundly she was affected by it.

      ‘Cousin, sweet Cousin, I will protect you!’ he said warmly.

      She sadly shrugged her shoulders as if to say: ‘What can you do for me?’ They were face to face. He put out his hands and took her by the elbows as gently as he could, murmuring at the same time, ‘Isabella …’

      She placed her hands on the giant’s arms and said, ‘Robert …’

      They gazed at each other with an emotional disturbance they had not foreseen. Artois had the impression that Isabella was making him some mute appeal. He suddenly found that he was curiously moved, oppressed, a prey to a force he feared to use ill.

      Seen close to, Isabella’s blue eyes, under the fair arches of her eyebrows, were more beautiful still, her cheeks of a yet softer bloom. Her mouth was half open and the tips of her white teeth showed between her lips.

      Artois suddenly longed to devote his days, his life, his body and soul to that mouth, to those eyes, to this delicate Queen who, at this moment, became once more the young girl which indeed she still was; quite simply, he desired her with a sort of robust immediacy he did not know how to express. In the ordinary way his tastes were not for women of rank and his nature was unsuited to the graces of gallantry.

      ‘Why have I confided all this to you?’ said Isabella.

      They were still looking into each other’s eyes.

      ‘What a king disdains, because he is unable to recognise its perfection,’ said Robert, ‘many other men would thank heaven for upon their bended knees. Can it be true that at your age, fresh and beautiful as you are, you are deprived of natural joys? Can it be true that your lips are never kissed? That your arms … your body … Oh! take a man, Isabella, and let that man be me.’

      Certainly he said what he wanted to say roughly enough. His eloquence bore little resemblance to the poems of Duke William of Aquitaine. But Isabella hardly heard him. He dominated her, crushed her with his mere size; he smelt of the forest, of leather, of horses and armour; he had neither the voice nor the appearance of a seducer, yet she was charmed. He was a man, a real man, a rugged and violent male, who breathed deep. Isabella felt her will-power dissolve, and had but one desire: to rest her head upon that leathern breast and abandon herself to him … slake her great thirst … She was trembling a little.

      Suddenly she broke away from him.

      ‘No, Robert,’ she cried, ‘I am not going to do that for which I so much blame my sisters-in-law. I cannot, I must not. But when I think of what I am denying myself, what I am giving up, then I know how lucky they are to have husbands who love them. Oh, no! They must be punished, properly punished!’

      In default of allowing herself to sin, her thoughts were obstinately bent upon the sinners. She sat down once more in the great oak chair. Robert came and stood by her.

      ‘No, Robert,’ she said again, spreading out her hands. ‘Don’t take advantage of my weakness; you will anger me.’

      Extreme beauty inspires as much respect as majesty, and the giant obeyed.

      But what had happened would never be effaced from their memories. For an instant the barriers between them had been lowered. They found it difficult not to gaze into each other’s eyes. ‘So I can be loved after all,’ thought Isabella, and she was almost grateful to the man who had given her this certainty.

      ‘Is that all you have to tell me, Cousin? Have you brought me no other news?’ she said, trying hard to regain control of herself.

      Robert of Artois, who was wondering whether he was right not to pursue his advantage, took some time to answer.

      He breathed deeply and his thoughts seemed to return from a long way off.

      ‘Yes, Madam,’ he said, ‘I have also a message from your uncle Valois.’

      There was now a new link between them, and each word that they uttered seemed to have strange reverberations.

      ‘The dignitaries of the Temple are soon to come up for judgment,’ went on Artois, ‘and there is a fear that your godfather, the Grand Master Jacques de Molay, will be condemned to death. Your uncle Valois asks you to write to the King to ask his clemency.’

      Isabella did not reply. Once more her chin was resting in the palm of her hand.

      ‘How like him you are, when you sit like that!’ said Artois.

      ‘Like whom?’

      ‘King Philip, your father.’

      ‘What the King, my father, decides, is rightly decided,’ Isabella replied slowly.

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