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Trent’s Own Case. Martin Edwards
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isbn 9780008216337
Автор произведения Martin Edwards
Издательство HarperCollins
‘It is understood,’ he read, ‘that an arrest has already been made in connection with this abominable crime.’
ON A PLATE WITH PARSLEY ROUND IT
VERNEY had taken his leave, and Trent had noted that he was properly impressed—not to say astounded—by the fact, if fact it were, of the swift success of the official hunt for Randolph’s murderer. Trent had busied himself at once in procuring copies of all the latest editions and comparing their statements; then, after a meditative dinner, he had rung up a certain number in Bloomsbury, and proposed himself for a private and friendly call upon Chief Inspector Bligh, whom he was lucky enough to find at the other end of the wire.
The number of Trent’s friends among the metropolitan police, in its various grades, was small, but his relation with them was entirely one of mutual liking; and there was none with whom he was on easier terms than Mr Bligh, an officer of unusual parts, whose range of interests went considerably beyond his notable equipment of expert professional knowledge. In particular, he had made a hobby, and owned a considerable library, of the history of the Civil War in the United States.
It was nine o’clock when Trent found the inspector deeply engaged with book and pipe in his comfortable bachelor quarters.
‘Sorry to spoil your evening,’ Trent said as he placed his hat on a chair.
‘You won’t,’ Mr Bligh assured him. ‘If I’d thought you were likely to, I’d have told them downstairs to set the dog on you, instead of bringing up the drinks for you. Help yourself.’ And he waved a vast hand towards the tray with its convivial contents on the plush-covered table.
Trent took the armchair facing his host’s, and began the filling of a pipe. ‘Oh blessings on his kindly face and on his absent hair!’ he said. ‘I’ve interrupted your reading, anyhow. What is the book, I wonder? But need I ask? It is the Life, Campaigns, Letters, Opinions and Table-talk of General Joseph Eggleston Johnston, the Victor of Pumpkin Creek.’
‘There’s no such book,’ Mr Bligh retorted positively; ‘and,’ he added after a moment’s thought, ‘there wasn’t any such battle. What I was reading was Bernard Shaw—my favourite author.’
‘Another bond between us!’ Trent exclaimed. ‘And what draws you so especially to Shaw?’
The inspector patted affectionately the volume lying on his knee. ‘Shaw,’ he declared, ‘is the literature of escape. That isn’t,’ he added, in answer to Trent’s bewildered gaze, ‘my own expression.’
‘You relieve my feelings,’ Trent gasped, ‘more than I can say.’
‘No,’ the inspector said reminiscently. ‘That was the phrase used about Shaw by the man who first brought him to my notice. I had to interrogate a prisoner some years ago about a certain matter. A confirmed criminal, he was. They used to call him Pantomime Joe, on account of the cheek he used to give everybody from the dock. Why, if I’ve heard a judge say once that his court wasn’t a music hall, when Joe was on his trial, I’ve heard it half a dozen times. Joe was an educated man, and it was no surprise to me, when I visited him in his cell, to find him reading a book from the prison library. He showed it to me—Plays Pleasant, by G. B. Shaw. “What’s this?” I said. He grinned at me. “This is the literature of escape, Blighter,” he says, using a silly nickname he and his sort have always had for me. I thought that sounded a funny sort of reading to be put in the hands of a man who spent half his time in gaol, but he explained his meaning.’
‘And what can that have been?’ Trent wondered.
‘Why,’ the inspector said, ‘Joe meant, and I agree with him, that Shaw takes you right out of the beastly realities of life. I can tell you, after a hard day at our job, with all the spite, and greed, and cruelty, and filthy-mindedness that we get our noses rubbed in, it’s like coming out into the fresh country air to sit down to one of Shaw’s plays. Nobody half-witted, nobody brutal, nobody to make you sick. And if he ever does try to give you anybody who is a rotten bad lot, he doesn’t come within miles of the real thing. And there’s never a dull moment. Every dam’ character has something to say; even the stupidest ones. Everybody scores off everybody else. Who ever had the luck to listen to anything like it in real life? I tell you, it’s a different world.’
Trent nodded his appreciation of this. ‘But,’ he said, after a brief silence, ‘it was the world we live in that I wanted to consult you about.’
‘The Randolph murder,’ Mr Bligh said. ‘I know; you said so on the phone. And you have been painting his portrait, staying at Brinton to do it. And last week the man who runs the Randolph Institute said it would be a good idea to have a replica of it to hang up there. And Randolph was persuaded to agree, and wrote asking you to call at Newbury Place yesterday evening at six, which you did. And then he talked to you about doing the replica. And then you left, about six fifteen—so that you were one of the last persons to see the old man alive. Well! You’ve got something to tell me that I don’t know, I hope.’
Trent gazed at him as if in awe. ‘I don’t think,’ he said humbly, ‘there can be anything you don’t know. You have forgotten for the moment, perhaps, that he and I had a little disagreement, and I declined to do the job. Apart from that, I have nothing to add to your summary of the proceedings. How do you do it, Inspector? I may have an open countenance, but I hardly think you can have read all that in my face. Were you up the chimney listening to us, or what?’
Mr Bligh smiled grimly. ‘Information received—that’s what we usually call it,’ he said. ‘As for listening, Simon Raught, Randolph’s man, does all of that that’s required when he’s on the premises. Most of what I’ve mentioned he happened to hear, quite accidentally, last week at Brinton; and as for your visit, of course, he told me all about that.’
‘Of course,’ Trent agreed. ‘Be told, sweet Bligh, and let who will be clever; hear useful things, not deduce them, all day long. All the same, you will not persuade me that all that perfectly good information fell into your lap, as it were, when you were not noticing. I have seen Simon Raught only a few times—in fact, he never got as far as telling me his Christian name, as he evidently did with you—but he did not strike me as one who, when in trouble, would insist that all his secrets should be sung even into thine own soft-conchéd ear. I won’t inquire how you got all that out of him—there are various ways and means, I know. The thing I really wanted to ask you when I came here appears not to be in any doubt. The case is in your hands, as I hoped it might be.’
‘Good guess,’ the inspector remarked sardonically.
‘And you ask if I have anything to tell you—about Randolph as he was at our interview, I suppose you mean? No, I haven’t. He said nothing about anyone coming to see him after I had gone. He didn’t say anything about expecting to be shot, and he didn’t look as if he was. He seemed just as usual, in excellent health, and perfectly satisfied with himself.’
‘Hm! That doesn’t help much,’ Mr Bligh said. ‘Well, why did you want to see me about the case, then? We all understood you had gone out of the amateur sleuthing business long ago.’
‘Just because I happened to know Randolph, and to know some things about him that interested me—things I had heard before I made his acquaintance through painting his portrait, and things I have learnt since. And only this afternoon I was told a good deal by his secretary, Verney, whom I had met at Randolph’s house last January. He had already been giving you information, I gathered, earlier in the day.’
The inspector nodded. ‘But not a lot that I didn’t know. There was that about his having left no will, of course, which seems to be the case. But bless you! That’s not an unheard-of thing, even with the general run of wealthy people; and old James Randolph