Summer and the City - Candace Bushnell

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up to maximum wattage. The music blares. Bodies writhe, a couple is making out on the couch. A woman crawls through the room with a saddle on her back. Two bartenders are being sprayed with champagne by a gigantic woman wearing a corset. I grab a bottle of vodka and dance my way through the crowd.

      Like I always go to parties like this. Like I belong.

      When I get back to the table, a young woman dressed entirely in Chanel has taken my place. The man in the seersucker jacket is pantomiming an elephant attack, and Kenton James has pulled his hat down over his ears. He greets my appearance with delight. “Make way for alcohol,” he cries, clearing a tiny space next to him. And addressing the table, declares, “Someday, this child will rule the city!”

      I squeeze in next to him.

      “No fair,” Bernard shouts. “Keep your hands off my date!”

      “I’m not anyone’s date,” I say.

      “But you will be, my dear,” Kenton says, blinking one bleary eye in warning. “And then you’ll see.” He pats my hand with his own small, soft paw.

      Chapter Two

      Help!

      I’m suffocating, drowning in taffeta. I’m trapped in a coffin. I’m . . . dead?

      I sit up and wrench free, staring at the pile of black silk in my lap.

      It’s my dress. I must have taken it off sometime during the night and put it over my head. Or did someone take it off for me? I look around the half darkness of Samantha’s living room, crisscrossed by eerie yellow beams of light that highlight the ordinary objects of her existence: a grouping of photographs on the side table, a pile of magazines on the floor, a row of candles on the sill.

      My head throbs as I vaguely recall a taxi ride packed with people. Peeling blue vinyl and a sticky mat. I was hiding on the floor of the taxi against the protests of the driver, who kept saying, “No more than four.” We were actually six but Samantha kept insisting we weren’t. There was hysterical laughter. Then a crawl up the five flights of steps and more music and phone calls and a guy wearing Samantha’s makeup, and sometime after that I must have collapsed on the futon couch and fallen asleep.

      I tiptoe to Samantha’s room, avoiding the open boxes. Samantha is moving out, and the apartment is a mess. The door to the tiny bedroom is open, the bed unmade but empty, the floor littered with shoes and articles of clothing as if someone tried on everything in her closet and cast each piece away in a rush. I make my way to the bathroom, and weaving through a forest of bras and panties, step over the edge of the ancient tub and turn on the shower.

      Plan for the day: find out where I’m supposed to live, without calling my father.

      My father. The rancid aftertaste of guilt fills my throat.

      I didn’t call him yesterday. I didn’t have a chance. He’s probably worried to death by now. What if he called George? What if he called my landlady? Maybe the police are looking for me, another girl who mysteriously disappears into the maw of New York City.

      I shampoo my hair. I can’t do anything about it now.

      Or maybe I don’t want to.

      I get out of the tub and lean across the sink, staring at my reflection as the mist from the shower slowly evaporates and my face is revealed.

      I don’t look any different. But I sure as hell feel different.

      It’s my first morning in New York!

      I rush to the open window, taking in the cool, damp breeze. The sound of traffic is like the whoosh of waves gently lapping the shore. I kneel on the sill, looking down at the street with my palms on the glass—a child peering into an enormous snow globe.

      I crouch there forever, watching the day come to life. First come the trucks, lumbering down the avenue like dinosaurs, creaky and hollow, raising their flaps to receive garbage or sweeping the street with their whiskery bristles. Then the traffic begins: a lone taxi, followed by a silvery Cadillac, and then the smaller trucks, bearing the logos of fish and bread and flowers, and the rusty vans, and a parade of pushcarts. A boy in a white coat pumps the pedals of a bicycle with two crates of oranges attached to the fender. The sky turns from gray to a lazy white. A jogger trips by, then another; a man wearing blue scrubs frantically hails a taxi. Three small dogs attached to a single leash drag an elderly lady down the sidewalk, while merchants heave open the groaning metal gates on the storefronts. The streaky sunlight illuminates the corners of buildings, and then a mass of humanity swarms from the steps beneath the sidewalk. The streets swell with the noise of people, cars, music, drilling; dogs bark, sirens scream; it’s eight a.m.

      Time to get moving.

      I search the area around the futon for my belongings. Tucked behind the cushion is a heavy piece of drafting paper, the edge slightly greasy and crumpled, as if I’d lain clutching it to my chest. I study Bernard’s phone number, the numerals neat and workmanlike. At the party, he made a great show of writing out his number and handing it to me with the statement, “Just in case.” He pointedly didn’t ask for my number, as if we both knew that seeing each other again would have to be my decision.

      I carefully place the paper in my suitcase, and that’s when I find the note, anchored under an empty bottle of champagne. It reads:

       Dear Carrie,

       Your friend George called. Tried to wake you but couldn’t. Left you a twenty. Pay me back when you can. Samantha

      And underneath that, an address. For the apartment I was supposed to go to yesterday but didn’t. Apparently I called George last night after all.

      I hold up the note, looking for clues. Samantha’s writing is strangely girlish, as if the penmanship part of her brain never progressed beyond seventh grade. I reluctantly put on my gabardine suit, pick up the phone, and call George.

      Ten minutes later, I’m bumping my suitcase down the stairs. I push open the door and step outside.

      My stomach growls as if ravenously hungry. Not just for food, but for everything: the noise, the excitement, the crazy buzz of energy that throbs beneath my feet.

      I hail a taxi, yank open the door and heave my suitcase onto the backseat.

      “Where to?” the driver asks.

      “East Forty-seventh Street,” I shout.

      “You got it!” the driver says, steering his taxi into the melee of traffic.

      We hit a pothole and I’m momentarily launched from my seat.

      “It’s those damn New Jersey drivers.” The cabbie shakes his fist out the window while I follow suit. And that’s when it hits me: It’s like I’ve always been here. Sprung from the head of Zeus—a person with no family, no background, no history.

      A person who is completely new.

      As the taxi weaves dangerously through traffic, I study the faces of the passersby. Here is humanity in every size, shape, and hue, and yet I’m convinced that on each face I divine a kinship that transcends all boundaries, as if linked by the secret knowledge that this is the center of the universe.

      Then I clutch my suitcase in fear.

      What I said to Samantha was true: I don’t ever want to leave. And now I have only sixty days to figure out how to stay.

      The sight of George Carter brings me back to earth with a thump. He’s sitting dutifully at the counter of the coffee shop on Forty-seventh Street and Second Avenue, where we agreed to meet before he trots off to his summer job at The New York Times. I can tell by the set of his mouth that he’s exasperated—I’ve been in New York for less than twenty-four hours and already I’m off course. I haven’t even managed to make it to the apartment where I’m supposed to be staying. I tap him on the shoulder, and he turns around, his expression both relieved and irritated.

      “What happened to you?”

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