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       The Jazz Age

      There can be few novels as divisive as F. Scott Fitzgerald’s The Great Gatsby in terms of people’s opinion of its literary worth. It registered disappointing sales upon its publication in 1925, which led to Fitzgerald slipping into obscurity despite his having established a reasonable reputation with earlier books. Following his death, in 1940, the book was included on a list of titles to be provided free to U.S. service men and women fighting in World War II. This meant that 150,000 copies began circulating through the armed forces until the book became familiar to overseas Americans. As a result, it had inadvertently worked its way into the American psyche and won favor where otherwise it would have been forgotten.

      The story itself is essentially about the moral decay that ensued in America during the 1920s. Although other countries had class divisions, the U.S. had the equivalent of an upper class in the form of patricians, or members of long-established wealthy families. These New World aristocrats lorded themselves over other people and spent much of their lives partying their way through the “Jazz Age.” In addition, 1920 had seen the prohibition of alcohol, with the result that organized criminals found a way to make good money by bootlegging, or illegally selling liquor. When both of these groups came together, they formed a social order of dilettantism—people who assumed and cultivated pretensions of sophistication. The story of The Great Gatsby spirals into tragedy as the book progresses with a succession of events—manslaughter, murder, and then suicide; tragedy that seems all the more horrific in contrast to the spirited and frothy excesses that have come before.

      There is more to the popularity of the novel than its installation into the favor of the U.S. literati by proxy—it’s a book that is representative of an era. In truth, most people had little or no direct involvement with the kinds of people described in the book, but it was a subculture that was perceived as glamorous so it caught the public imagination. In the same way that the 1960s only really happened in the heart of Western cities, so the 1920s only really happened in affluent mansions and areas of the U.S. In fact, it was this collision of subcultures, the wealthy and excessive nature of the elite set against the “average Joe,” that gave the book its potency. In Fitzgerald’s book, Myrtle, the wife of a lowly garage owner, gets seduced by the dilettante lifestyle and starts an affair with the monied Tom Buchanan, leading to tragedy for both her and her husband.

      The Great Gatsby appeals because the reader enjoys voyeuristically peering in to view the lives of those who are ridiculed as being exotic, foolish, and beguiled and is grateful not to be a part of it. There is a moral judgment involved in the process of reading such a story, and Fitzgerald’s work can be compared to that of the British author Thomas Hardy, who takes the same view that people tend to get what they deserve in life and that the real victims are those who get caught up, either by accident or by attraction. In effect, The Great Gatsby is a Hardy-esque novel set in 1920s America as opposed to 19th-century England. There is a definite register of contempt penned by both of these authors, as if to suggest that they have chosen to point the spotlight at those for whom they have little time in real life.

      From a historical perspective, the book tells of a bygone age that is part of U.S. history. Prohibition ended in 1933 when the U.S. government realized the irony of the situation. Christian values had led to prohibition in an attempt to sober up society and generate a more virtuous American nation. In reality, people simply made their own moonshine or else bought their illegal alcohol from speakeasies, thereby making felons wealthy enough to control the police. Bribery and corruption were rife, so the conservatives had to concede that prohibition had countered their intuition. Six years later and World War II began, reshuffling priorities and making the United States a wealthy superpower. In the post-war era, America flourished and prospered. It had been unscathed by the war, and many nations had to borrow its money to rebuild their infrastructures.

      The Great Gatsby became a curious window into a world that had been and gone—a world where elements of U.S. society had drowned themselves in a moral and ethical sump. It was a warning about what can happen when people become decadent and dishonorable. The novel served as an antithesis to the values and image that clean-cut Americans wanted to promote in the 1950s, as a new generation became the custodians of their proud nation. Iniquity was brushed under the carpet and only allowed to exist in the land of fiction.

      Earlier Works

      Fitzgerald wrote a number of short stories, which were packed in a single volume entitled Tales of the Jazz Age (1922). The best-known of these shorts is The Curious Case of Benjamin Button, in which the eponymous central character ages in reverse. He is born old and decrepit and then goes through all of the other stages of life until he eventually dies as a newborn baby. What makes the tale most interesting is the juxtaposition between Benjamin and the people with whom he has relationships, because his life is being carried out in the opposite direction to theirs.

      A similar device is used in Martin Amis’ Time’s Arrow (1991), except that the whole world is played backward, so that curious concepts are explored, such as doctors causing injuries, instead of healing them. Also, the reader eventually realizes that

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