LITMIR.BIZ

      The Accident of Time

i) Leaving the Ground

      You know that thing they say about comedy being tragedy plus time? The thinking is that any terrible misfortune can be made hilarious given a suitable period to recover and reassess the situation. The film director Mel Brooks (who found that the passage of time permitted him to make fun of Hitler in The Producers) had his own version: ‘Tragedy is when I cut my finger. Comedy is when you fall into an open sewer and die.’

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      We had been to a football match. After three minutes of extra time, my son Jake and I untied our bikes from the railings and cycled towards Hyde Park. Chelsea’s opening game of the season had been an easy thing, 2–0 over Leicester, goals from Costa and Hazard, and we’d enjoyed being back at the ground after the summer layoff. The cycle home was good too: late August sun, the park packed with tourists.

      The day was dominated by a fixture list that had appeared two months before, and the kick-off time was dictated about a month after that by the television companies. But when the day of the match finally came it was all about old rituals: when to meet up, when to have lunch, how long the pizzas take, how long until the bill arrives, the walk to the ground, the length of the turnstile queue, the songs on the PA before the game – always Blur’s ‘Parklife’ these days, coordinated with the big-screen video of past glories. And then the game itself: how slow it seems when you’re winning and waiting for the final whistle, and how quickly it goes when you’re behind.

      We left a minute early to avoid the crowds, also a temporal negotiation: how does one measure the possibility of missing a last-minute goal with the value one attaches to saving ten minutes of crowd congestion? Many in the crowd chose the early departure, which almost defeated the object, and we weaved our bikes through the throngs on the Fulham Road. My youngest son Jake was 24, full of energy, slightly ahead of me along Exhibition Road and past the Albert Hall. The nice thing about Hyde Park is the modern division of the pavement, half for cyclists, half for pedestrians, and you glide past the Serpentine Gallery, a show by an artist I’d never heard of, and then suddenly I had blood pouring from my face, a pulsing gash just above my eye, my sunglasses smashed, my bike in the road, a heavy numb pain around my right elbow, a lot of concerned people, the sort of frowns on their faces that suggested to me that my head wound must be serious. Someone was calling an ambulance and another was giving me paper towels to clutch to my head, and the towels were turning crimson.

      It was just as people had said: time did indeed seem to slow down. I can see the fall not exactly in slow motion but extended, each tiny event surrounding the accident elongated and logged as if it might be my last, my flight from bike to ground an elegant swoop through the air rather than an ungainly, panicky confusion, people saying ‘ambulance’ all the time. The ambulance arrived in six long minutes or so, probably finding it hard to work itself past all the supporters, and I can remember being worried about my bike, and who would tell my wife. One of the ambulance men cut open the sleeve of my jacket and flinched a little as he saw the state of my elbow. No bones exposed, but swelling like a dinner plate, and he said, ‘You’ll have that X-rayed, but I can tell you now that it’s broken!!’, and we sped on to the hospital on the Fulham Road we had passed not fifteen minutes earlier. I asked him if they were going to put the sirens on, and he asked me what had happened.