LITMIR.BIZ

Dedication

      To my mother

      Contents

       Cover

       Title Page

Dedication

Introduction

1.‘Now There Is Freedom’: Why Egypt’s Revolution Is Not Over

2.Nobody Saw It Coming: How the World’s Collective Imagination Failed

3.‘Trust Is Explosive’: Britain’s Youth Rebel Against Austerity

4.So, Why Did It Kick Off? The Social Roots of the New Unrest

       5.Greece: The Anomic State? From Austerity to Social Breakdown

       6.‘Error de Sistema’: Economic Causes of the Present Unrest

       7.‘I Tweet in My Dreams’: The Rise of the Networked Individual

       8.In the Tracks of Tom Joad: A Journey through Jobless America

       9.1848 Redux: What We Can Learn from the Last Global Wave

       10.‘We Will Barricade’: Slum Dwellers versus the Super-rich

       11.Spain Redux: Dispatches from Utopia

       12.Developments in Greece: Love or Nothing

       13.Russia: ‘Putin Got Scared’—From the Football Riots to Pussy Riot

       14.The Twenty Reasons, Revisited

       Notes

       Acknowledgements

       Index

       Copyright

Introduction

      It was a cold Friday night in early 2011, sometime between the fall of Ben Ali in Tunisia and the fall of the Egyptian president Hosni Mubarak. I got a call: would I do a lecture on the history of the Paris Commune for something called ‘The Really Free School’ in Bloomsbury? I turned up to the venue to find it was a squat. They’d formed an ad hoc university, occupied an eighteenth-century townhouse in the heart of London and stuck a sign on the door saying ‘Journalists Fuck Off’.

      Here was the hard core of the student protest movement: dedicated eco-warriors, veterans of suicidal sit-downs in front of tanks in Gaza, the demobbed Clown Army and, as my host put it, ‘the Situationist Taliban’.

      Did they know this had all been done before? They had a vague idea. I watched their eyes widen—sixty of them, cross-legged on the Jane Austen–era floorboards—as I explained the debates between Proudhon, Blanqui, Marx and Garibaldi in the years before 1871, scarcely needing to draw out the parallels with Climate Camp, the Black Bloc, Naomi Klein and the Zapatistas.

      Afterwards, a few of us wedged ourselves into the nearby Museum Tavern, where Marx had been a regular. There was @spitzenprodukte and @benvickers_, both art activists; @dougald—the inventor of the term ‘collapsonomics’; @digitalmaverick, a schoolteacher and ‘moodle evangelist’; and Tim, who’d dedicated his life to fighting for human rights in the Niger Delta.

      The discussion buzzed: is it the technology, the economics, the mass psychology or just the zeitgeist that’s caused this global explosion of revolt? I inclined to a technological-determinist explanation: ‘Look how your eyes shine when we talk about the network. It’s the network!’ Glancing at my iPhone, I realized why they seemed occasionally distracted: they were tweeting the entire conversation, live, to their friends.

      The next morning I wrote a blog post based on the conversation: ‘Twenty Reasons Why It’s Kicking Off Everywhere’ (see page 63). It went viral.

      Within a month I met a hacker from Boston, Massachusetts, who told me that ‘there are discussion groups in the USA studying your blog’. Later, I found out that a global collective of protesters were working on a book critiquing the blog¹; later still I met some of them, as they tried to avoid having their heads bashed in by Greek riot police. This has created a degree of circularity between the reporter, the reported-on and the events which I am still struggling to get my own head around.

      In this book I explore the reasons why numerous protest movements, revolutions, civil wars and internet-based revolts ‘kicked off’ in 2009–11. I’ve travelled from Cairo to Manila to Athens and beyond to write it. It’s not a comprehensive history, and of course the events are not over.

      The book makes no claim to be a ‘theory of everything’, linking LulzSec to global warming and key dates in the Mayan calendar. And don’t file it under ‘social science’: it’s journalism.

      Some ideas in the original blog have been expanded, others ditched. Some theatres of the conflict have been ignored, simply because I couldn’t get there. The original post—written on 5 February 2011 when Mubarak was still in power and Greece was still scheduled to pay its debts (and with my head throbbing thanks to the Museum Tavern)—was just a snapshot and so is this, albeit with more pixels and depth of field. Though events have moved on fast, the essence of my argument remains unchanged. We’re in the middle of a revolution caused by the near collapse of free-market capitalism combined with an upswing in technical innovation, a surge in desire for individual freedom and a change in human consciousness about what freedom means. An economic crisis is making the powerful look powerless, while the powerless are forced to adopt tactics that were once the preserve of niche protest groups.

      If you’re skilled at chaining yourself to fighter planes, or know how to launch a ‘denial of service attack’, there will be parts of this book that make you think, ‘Yeah, right, of course, I knew all that.’ The aim, as with the original blog, is to capture the moments of crisis and revolution, to give them context and to explain what links these apparently disparate, worldwide upheavals.

      Many of the activists I’ve interviewed are hostile to the very idea of a unifying theory, a set of bullet-point demands, a guru or a teleology. I’m not trying to provide any of these. For the youth, increasingly, knowledge is drawn, on demand and free, from online articles and commentaries and—often breathless—tweets. And for many, politics has become gestural: it is about refusing to engage with power on power’s own terms; about action, not ideas; about the symbolic control of territory to create islands of utopia.

      The format of the book reflects the zeitgeist: it brings together reportage, essay, tweet, anecdote and cyber-psychology; plus some economic insights gathered amid clouds of tear gas.

      And the role of ‘the book’ itself is changing. Writers of my generation stood in awe of the New Journalism of the 1960s, when the sudden swing to truthful reportage could

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