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“Forgiveness only exists if there is something to forgive, not otherwise.” Indeed the Bodhi·sattva of the story (a buffalo) interprets the insults inflicted on him by a mischievous monkey as a benefit, since they provide him with an opportunity to practice forbearance:

      There is never a wrong time for forbearance.

      But the occasion is rare as it depends on others.

      So if another person produces an opportunity,

      why would one resort to anger? (33.22 [14])

      Other stories move beyond a merely instrumental form of agency to focus extensively on characters other than the Bodhi·sattva. A startling example is provided by ‘The Birth-Story of the Goose’ (22), in which the main protagonist of the story is in fact not the Bodhi·sattva (a king of geese) but the Bodhi·sattva’s general Sumukha. Sumukha’s prominent role is highlighted by the fact that not only does the prose introduction give a longer description to Sumukha than to the Bodhi·sattva, but also the story breaks the convention of identifying solely the Buddha’s former rebirth by identifying Sumukha as the former rebirth of the monk Ananda. Moreover, the main focus of the story is on Sumukha’s devotion to his king. In fact it is this quality that resolves the conflict in the tale between the geese and their hunters ________

      The virtue you have displayed here

      in giving your life for your master

      would be miraculous even

      among humans or gods!

      Out of reverence

      I will release your king.

      For who could wrong him

      who is dearer to you than life? (22.95 [52]—96 [53])

      In a similar manner to the love shown between the Bodhi·sattva and his wife in ‘The Birth-Story of Vishvan·tara’ (9), the inseparable companionship between the Bodhi·sattva and his general is again stressed:

      The two worked as one in upholding

      the body of bliss for the flock of geese,

      just as two wings work as one in upholding

      the body of a bird flying in the sky. (22.6 [1])

      However, while Sumukha receives prominent attention for his own individual morality, it is significant that the virtue for which he is praised is devotion, an attitude that necessarily involves a strong bond of attachment to an object of loyalty, in this case the Bodhi·sattva. The value of Sumukha’s moral conduct is therefore never entirely autonomous, however virtuous it is shown to be, but is always dependent on his relationship with the Bodhi·sattva. This is ________

      equally true of ‘The Birth-Story of Vishvan·tara,’ in which the significance of Madri’s virtue is based primarily on her devotion to her husband (the Bodhi·sattva). While other characters play an important role in the Bodhi·sattva’s lives, the Bodhi·sattva’s paramount status is thus always maintained.

      You come to us as Comfort incarnate

      as we sink into this mouth of death! (30.22 [10])

      Instead, if I possess any merit from desiring

      to rescue these people floundering in the desert,

      may I use it to become savior of the world

      as it roams the wilderness of samsara. (30.44 [22])

      In this intensely devotional context, the intimacy of friendship takes on a heightened role. “A special friend and kinsman” (30.17 [7]), the Bodhi·sattva is portrayed as companion to all, even to strangers or to those who have wronged him:

      Be a relative to us bereft of kinsmen!

      Be our resort and refuge!

      Please save us, illustrious lord,

      in whatever way you know best. (30.35 [18])

      Though our acquaintance is new,

      you have acted towards us

      as one would toward a best friend,

      following your magnanimous nature. (22.146 [89])

      With its emphasis on self-sacrifice, compassion and forbearance, the Bodhi·sattva’s practice of virtue thus leads to his depiction as an ultimate “good friend.” Offering moral guidance to the world, he saves both friends and foes through a devotional relationship that is both intimate and at the same time based on a hierarchy of savior and saved.

      Animals, Ascetics and Kings

      unique to the “Garland of the Buddha’s Past Lives.” However, the fact that they are grouped together in the present volume is noticeable and points to important thematic continuities running through the tales.

      The earth with its forests, fine peaks and seas

      may through water, fire and wind

      perish a hundred times at an eon’s end,

      but not the great compassion of the Bodhi·sattva.

      (24.5 [1])

      Numerous references are made to the abnormal quality of the virtue displayed by the Bodhi·sattva as an animal. ________

      Shock is expressed at his ability to speak in an articulate human voice (26.48) and the conceit is often raised that the

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