LITMIR.BIZ

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win the soft American heart with such acquired slang as “Skiddoo to twenty-three”? One who had no postal-cards had English enough to say he would go away for a penny; it was his price, and I did not see how he could take less; when he was reproached by a citizen of uncommon austerity for his shameless annoyance of strangers, I could not see that he looked abashed—in fact, he went away singing. He did not take with him the divine beauty of the afternoon light on the sea and mountains; and, if he was satisfied, we were content with our bargain.

      In fact, it would be impossible to exaggerate in the praise of that incomparable environment. At every hour of the day, and, for all I know, the night, it had a varying beauty and a constant loveliness. Six days out of the week of our stay the sunshine was glorious, and five days of at least a May or September warmth; and though one day was shrill and stiff with the tramontana, it was of as glorious sunshine as the rest. The gale had blown my window open and chilled my room, but with that sun blazing outside I could not believe in the hurricane which seemed to blow our car up the funicular railway when we mounted to the height where the famous old Convent of San Martino stands, and then blew us all about the dust-clouded streets of that upland in our search for the right way to the monastery. It was worth more than we suffered in finding it; for the museum is a record of the most significant events of Neapolitan history from the time of the Spanish domination down to that of the Garibaldian invasion; and the church and corridors through which the wind hustled us abound in paintings and frescos such as one would be willing to give a whole week of quiet weather to. I do not know but I should like to walk always in the convent garden, or merely look into it from my window in the cloister wall, and gossip with my fellow-friars at their windows. We should all be ghosts, of course, but the more easily could the sun warm us through in spite of the tramontana.

      I do not know that Naples is very beautiful in certain phases in which Venice and Genoa are excellent. Those cities were adorned by their sons with palaces of an outlook worthy of their splendor. But in the other Italian cities the homes of her patricians were crowded into the narrow streets where their architecture fails of its due effect. It is so with them in Naples, and even along the Villa Nazionale, where many palatial villas are set, they seclude themselves in gardens where one fancies rather than sees them. These are, in fact, sometimes the houses of the richest bourgeoisie—bankers and financiers—and the houses which have names conspicuous in the mainly inglorious turmoil of Neapolitan history help unnoted to darken the narrow and winding ways of the old city. A glimpse of a deep court or of a towering facade is what you get in passing, but it is to be said of the sunless streets over which they gloom that they are kept in a modern neatness beside which the dirt of New York is mediaeval. It is so with most other streets in Naples, except those poorest ones where the out-door life insists upon the most intimate domestic expression. Even such streets are no worse than our worst streets, and the good streets are all better kept than our best.

      I am not sure that there are even more beggars in Naples than in New York, though I will own that I kept no count. In both cities beggary is common enough, and I am not noting it with disfavor in either, for it is one of my heresies that comfort should be constantly reminded of misery by the sight of it—comfort is so forgetful. Besides, in Italy charity costs so little; a cent of our money pays a man for the loss of a leg or an arm; two cents is the compensation for total blindness; a sick mother with a brood of starving children is richly rewarded for her pains with a nickel worth four cents. Organized charity is not absent in the midst of such volunteers of poverty; one day, when we thought we had passed the last outpost of want in our drive, two Sisters of Charity suddenly appeared with out-stretched tin cups. Our driver did not imagine our inexhaustible benovelence; he drove on, and before we could bring him to a halt the Sisters of Charity ran us down, their black robes flying abroad and their sweet faces flushed with the pursuit. Upon the whole it was very humiliating; we could have wished to offer our excuses and regrets; but our silver seemed enough, and the gentle sisters fell back when we had given it.

      That was while we were driving toward Posilipo for the beauty of the prospect along the sea and shore, and for a sense of which any colored postal-card will suffice better than the most hectic word-painting. The worst of Italy is the superabundance of the riches it offers ear and eye and nose—offers every sense—ending in a glut of pleasure. At the point where we descended from our carriage to look from the upland out over the vast hollow of land and sea toward Pozzuoli, which is so interesting as the scene of Jove's memorable struggle with the Titans, and just when we were really beginning to feel equal to it, a company of minstrels suddenly burst upon us with guitars and mandolins and comic songs much dramatized, while the immediate natives offered us violets and other distracting flowers. In the effect, art and nature combined to neutralize each other, as they do with us, for instance, in those restaurants where they have music during dinner, and where you do not know whether you are eating the chef-d'oeuvre of a cook or a composer.

      It was at the new hotel which is evolving itself through the repair of the never-finished and long-ruined Palace of Donn' Anna, wife of a Spanish viceroy in the seventeenth century, that our guide stopped with us for that cup of tea already mentioned. We had to climb four nights of stairs for it to the magnificent salon overlooking the finest postal-card prospect in all Naples. We lingered long upon it, in the balcony from which we could have dropped into the sunset sea any coin which we could have brought ourselves to part with; but we had none of the bad money which had been so easily passed off upon us. This sort rather abounds in Naples, and the traveller should watch not only for false francs, but for francs of an obsolete coinage which you can know by the king's head having a longer neck than in the current pieces. At the bookseller's they would not take a perfectly good five-franc piece because it was so old as 1815; and what becomes of all the bad money one innocently takes for good? One fraudulent franc I made a virtue of throwing away; but I do not know what I did with a copper refused by a trolley conductor as counterfeit. I could not take the affair seriously, and perhaps I gave that copper in charity.

      As we drove hotelward through the pink twilight we met many carriages of people who looked rich and noble, but whether they were so I do not know. I only know that old ladies who regard the world severely from their coaches behind the backs of their perfectly appointed coachmen and footmen ought to be both, and that old gentlemen who frown over their white mustaches have no right to their looks if they are neither. It was, at any rate, the hour of the fashionable drive, which included a pause midway of the Villa Nazionale for the music of the military band.

      The band plays near the Aquarium, which I hope the reader will visit at the earlier hours of the day. Then, if he has a passion for polyps, and wishes to imagine how they could ingulf good-sized ships in the ages of fable, he can see one of the hideous things float from its torpor in the bottom of its tank, and seize Avith its hungry tentacles the food lowered to it by a string. Still awfuller is it to see it rise and reach with those prehensile members, as with the tails of a multi-caudate ape, some rocky projection of its walls and lurk fearsomely into the hollow, and vanish there in a loathly quiescence. The carnivorous spray and bloom of the deep-sea flowers amid which drowned men's “bones are coral made” seem of one temperament with the polyps as they slowly, slowly wave their tendrils and petals; but there is amusement if not pleasure in store for the traveller who turns from them to the company of shad softly and continuously circling in their tank, and regarding the spectators with a surly dignity becoming to people in better society than others. One large shad, imaginably of very old family and independent property, sails at the head of several smaller shad, his flatterers and toadies, who try to look like him. Mostly his expression is very severe; but in milder moments he offers a perverse resemblance to some portraits of Washington.

      All our days in Naples died like dolphins to the music which I have tried to impart the sense of. The joyful noises which it was made up of culminated for us on that evening when a company of the street and boat musicians came into the hotel and danced and sang and played the tarantella. They were of all ages, sexes, and bulks, and of divers operatic costumes, but they were of one temperament only, which was glad and childlike. They went through their repertory, which included a great deal more than the tarantella, and which we applauded with an enthusiasm attested by our contributions when the tambourine went round. Then they repeated their selections, and at the second collection we guests of the hotel repeated our contributions, but in a more guarded spirit. After the second repetition the

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