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Daniel Deronda. Джордж Элиот
Читать онлайн.Название Daniel Deronda
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isbn 4057664173362
Автор произведения Джордж Элиот
Жанр Языкознание
Издательство Bookwire
There were many subjects in the world—perhaps the majority—in which she felt no interest, because they were stupid; for subjects are apt to appear stupid to the young as light seems dull to the old; but she would not have felt at all helpless in relation to them if they had turned up in conversation. It must be remembered that no one had disputed her power or her general superiority. As on the arrival at Offendene, so always, the first thought of those about her had been, what will Gwendolen think?—if the footman trod heavily in creaking boots, or if the laundress’s work was unsatisfactory, the maid said, “This will never do for Miss Harleth”; if the wood smoked in the bedroom fireplace, Mrs. Davilow, whose own weak eyes suffered much from this inconvenience, spoke apologetically of it to Gwendolen. If, when they were under the stress of traveling, she did not appear at the breakfast table till every one else had finished, the only question was, how Gwendolen’s coffee and toast should still be of the hottest and crispest; and when she appeared with her freshly-brushed light-brown hair streaming backward and awaiting her mamma’s hand to coil it up, her large brown eyes glancing bright as a wave-washed onyx from under their long lashes, it was always she herself who had to be tolerant—to beg that Alice who sat waiting on her would not stick up her shoulders in that frightful manner, and that Isabel, instead of pushing up to her and asking questions, would go away to Miss Merry.
Always she was the princess in exile, who in time of famine was to have her breakfast-roll made of the finest-bolted flour from the seven thin ears of wheat, and in a general decampment was to have her silver fork kept out of the baggage. How was this to be accounted for? The answer may seem to lie quite on the surface:—in her beauty, a certain unusualness about her, a decision of will which made itself felt in her graceful movements and clear unhesitating tones, so that if she came into the room on a rainy day when everybody else was flaccid and the use of things in general was not apparent to them, there seemed to be a sudden, sufficient reason for keeping up the forms of life; and even the waiters at hotels showed the more alacrity in doing away with crumbs and creases and dregs with struggling flies in them. This potent charm, added to the fact that she was the eldest daughter, toward whom her mamma had always been in an apologetic state of mind for the evils brought on her by a step-father, may seem so full a reason for Gwendolen’s domestic empire, that to look for any other would be to ask the reason of daylight when the sun is shining. But beware of arriving at conclusions without comparison. I remember having seen the same assiduous, apologetic attention awarded to persons who were not at all beautiful or unusual, whose firmness showed itself in no very graceful or euphonious way, and who were not eldest daughters with a tender, timid mother, compunctious at having subjected them to inconveniences. Some of them were a very common sort of men. And the only point of resemblance among them all was a strong determination to have what was pleasant, with a total fearlessness in making themselves disagreeable or dangerous when they did not get it. Who is so much cajoled and served with trembling by the weak females of a household as the unscrupulous male—capable, if he has not free way at home, of going and doing worse elsewhere? Hence I am forced to doubt whether even without her potent charm and peculiar filial position Gwendolen might not still have played the queen in exile, if only she had kept her inborn energy of egoistic desire, and her power of inspiring fear as to what she might say or do. However, she had the charm, and those who feared her were also fond of her; the fear and the fondness being perhaps both heightened by what may be called the iridescence of her character—the play of various, nay, contrary tendencies. For Macbeth’s rhetoric about the impossibility of being many opposite things in the same moment, referred to the clumsy necessities of action and not to the subtler possibilities of feeling. We cannot speak a loyal word and be meanly silent; we cannot kill and not kill in the same moment; but a moment is wide enough for the loyal and mean desire, for the outlash of a murderous thought and the sharp backward stroke of repentance.
CHAPTER V.
“Her wit
Values itself so highly, that to her
All matter else seems weak.”
—Much Ado About Nothing.
Gwendolen’s reception in the neighborhood fulfilled her uncle’s expectations. From Brackenshaw Castle to the Firs at Wanchester, where Mr. Quallon the banker kept a generous house, she was welcomed with manifest admiration, and even those ladies who did not quite like her, felt a comfort in having a new, striking girl to invite; for hostesses who entertain much must make up their parties as ministers make up their cabinets, on grounds other than personal liking. Then, in order to have Gwendolen as a guest, it was not necessary to ask any one who was disagreeable, for Mrs. Davilow always made a quiet, picturesque figure as a chaperon, and Mr. Gascoigne was everywhere in request for his own sake.
Among the houses where Gwendolen was not quite liked, and yet invited, was Quetcham Hall. One of her first invitations was to a large dinner-party there, which made a sort of general introduction for her to the society of the neighborhood; for in a select party of thirty and of well-composed proportions as to age, few visitable families could be entirely left out. No youthful figure there was comparable to Gwendolen’s as she passed through the long suite of rooms adorned with light and flowers, and, visible at first as a slim figure floating along in white drapery, approached through one wide doorway after another into fuller illumination and definiteness. She had never had that sort of promenade before, and she felt exultingly that it befitted her: any one looking at her for the first time might have supposed that long galleries and lackeys had always been a matter of course in her life; while her cousin Anna, who was really more familiar with these things, felt almost as much embarrassed as a rabbit suddenly deposited in that well-lit-space.
“Who is that with Gascoigne?” said the archdeacon, neglecting a discussion of military manoeuvres on which, as a clergyman, he was naturally appealed to. And his son, on the other side of the room—a hopeful young scholar, who had already suggested some “not less elegant than ingenious,” emendations of Greek texts—said nearly at the same time, “By George! who is that girl with the awfully well-set head and jolly figure?”
But to a mind of general benevolence, wishing everybody to look well, it was rather exasperating to see how Gwendolen eclipsed others: how even the handsome Miss Lawe, explained to be the daughter of Lady Lawe, looked suddenly broad, heavy and inanimate; and how Miss Arrowpoint, unfortunately also dressed in white, immediately resembled a carte-de-visite in which one would fancy the skirt alone to have been charged for. Since Miss Arrowpoint was generally liked for the amiable unpretending way in which she wore her fortunes, and made a softening screen