LITMIR.BIZ

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where she's lyin' now. They told me he was weighted with a fathom an' a half o' chain-cable."

      "Wonder what he did with the knife—up on the French coast?"

      "Something bad. 'Guess he's bound to take it with him to the Judgment, an' so—What are you doin' with the fish?"

      "Heaving 'em overboard," said Harvey.

      "What for? We sha'n't eat 'em."

      "I don't care. I had to look at his face while I was takin' the belt off. You can keep your catch if you like. I've no use for mine."

      Dan said nothing, but threw his fish over again.

      "'Guess it's best to be on the safe side," he murmured at last. "I'd give a month's pay if this fog 'u'd lift. Things go abaout in a fog that ye don't see in clear weather—yo-hoes an' hollerers and such like. I'm sorter relieved he come the way he did instid o' walkin'. He might ha' walked."

      "Do-on't, Dan! We're right on top of him now. 'Wish I was safe aboard, bein' pounded by Uncle Salters."

      "They'll be lookin' fer us in a little. Gimme the tooter." Dan took the tin dinner-horn, but paused before he blew.

      "Go on," said Harvey. "I don't want to stay here all night."

      "Question is, haow he'd take it. There was a man frum down the coast told me once he was in a schooner where they darsen't ever blow a horn to the dories, becaze the skipper—not the man he was with, but a captain that had run her five years before—he'd drownded a boy alongside in a drunk fit; an' ever after, that boy he'd row alongside too and shout, 'Dory! dory!' with the rest."

      "Dory! dory!" a muffled voice cried through the fog. They cowered again, and the horn dropped from Dan's hand.

      "Hold on!" cried Harvey; "it's the cook."

      "Dunno what made me think o' thet fool tale, either," said Dan. "It's the doctor, sure enough."

      "Dan! Danny! Oooh, Dan! Harve! Harvey! Oooh, Haarveee!"

      "We're here," sung both boys together. They heard oars, but could see nothing till the cook, shining and dripping, rowed into them.

      "What iss happened?" said he. "You will be beaten at home."

      "Thet's what we want. Thet's what we're sufferin' for," said Dan. "Anything homey's good enough fer us. We've had kinder depressin' company." As the cook passed them a line, Dan told him the tale.

      "Yess! He come for hiss knife," was all he said at the end.

      Never had the little rocking "We're Here" looked so deliciously home—like as when the cook, born and bred in fogs, rowed them back to her. There was a warm glow of light from the cabin and a satisfying smell of food forward, and it was heavenly to hear Disko and the others, all quite alive and solid, leaning over the rail and promising them a first-class pounding. But the cook was a black master of strategy. He did not get the dories aboard till he had given the more striking points of the tale, explaining as he backed and bumped round the counter how Harvey was the mascot to destroy any possible bad luck. So the boys came overside as rather uncanny heroes, and every one asked them questions instead of pounding them for making trouble. Little Penn delivered quite a speech on the folly of superstitions; but public opinion was against him and in favour of Long Jack, who told the most excruciating ghost-stories to nearly midnight. Under that influence no one except Salters and Penn said anything about "idolatry" when the cook put a lighted candle, a cake of flour and water, and a pinch of salt on a shingle, and floated them out astern to keep the Frenchman quiet in case he was still restless. Dan lit the candle because he had bought the belt, and the cook grunted and muttered charms as long as he could see the ducking point of flame.

      Said Harvey to Dan, as they turned in after watch: "How about progress and Catholic superstitions?"

      "Huh! I guess I'm as enlightened and progressive as the next man, but when it comes to a dead St. Malo deck-hand scarin' a couple o' pore boys stiff fer the sake of a thirty-cent knife, why, then, the cook can take hold fer all o' me. I mistrust furriners, livin' or dead."

      Next morning all, except the cook, were rather ashamed of the ceremonies, and went to work double tides, speaking gruffly to one another.

      The "We're Here" was racing neck and neck for her last few loads against the "Parry Norman"; and so close was the struggle that the Fleet took sides and betted tobacco. All hands worked at the lines or dressing-down till they fell asleep where they stood—beginning before dawn and ending when it was too dark to see. They even used the cook as pitcher, and turned Harvey into the hold to pass salt, while Dan helped to dress down. Luckily a "Parry Norman" man sprained his ankle falling down the fo'c'sle, and the "We're Heres" gained. Harvey could not see how one more fish could be crammed into her, but Disko and Tom Platt stowed and stowed, and planked the mass down with big stones from the ballast, and there was always "jest another day's work." Disko did not tell them when all the salt was wetted. He rolled to the lazarette aft the cabin and began hauling out the big mainsail. This was at ten in the morning. The riding-sail was down and the main- and top-sail were up by noon, and dories came alongside with letters for home, envying their good fortune. At last she cleared decks, hoisted her flag,—as is the right of the first boat off the Banks,—up-anchored, and began to move. Disko pretended that he wished to accommodate folk who had not sent in their mail, and so worked her gracefully in and out among the schooners. In reality, that was his little triumphant procession, and for the fifth year running it showed what kind of mariner he was. Dan's accordion and Tom Platt's fiddle supplied the music of the magic verse you must not sing till all the salt is wet:

      "Hih! Yih! Yoho!

       Send your letters raound!

       All our salt is wetted, an' the anchor's off the graound!

       Bend, oh, bend your mains'l!, we're back to Yankeeland—

       With fifteen hunder' quintal,

       An' fifteen hunder' quintal,

       'Teen hunder' toppin' quintal,

       'Twix' old 'Queereau an' Grand."

      The last letters pitched on deck wrapped round pieces of coal, and the Gloucester men shouted messages to their wives and womenfolk and owners, while the "We're Here" finished the musical ride through the Fleet, her head-sails quivering like a man's hand when he raises it to say good-bye.

      Harvey very soon discovered that the "We're Here", with her riding-sail, strolling from berth to berth, and the "We're Here" headed west by south under home canvas, were two very different boats. There was a bite and kick to the wheel even in "boy's" weather; he could feel the dead weight in the hold flung forward mightily across the surges, and the streaming line of bubbles overside made his eyes dizzy.

      Disko kept them busy fiddling with the sails; and when those were flattened like a racing yacht's, Dan had to wait on the big topsail, which was put over by hand every time she went about. In spare moments they pumped, for the packed fish dripped brine, which does not improve a cargo. But since there was no fishing, Harvey had time to look at the sea from another point of view. The low-sided schooner was naturally on most intimate terms with her surroundings. They saw little of the horizon save when she topped a swell; and usually she was elbowing, fidgeting, and coaxing her steadfast way through grey, grey-blue, or black hollows laced across and across with streaks of shivering foam; or rubbing herself caressingly along the flank of some bigger water-hill. It was as if she said: "You wouldn't hurt me, surely? I'm only the little 'We're Here'." Then she would slide away chuckling softly to herself till she was brought up by some fresh obstacle. The dullest of folk cannot see this kind of thing hour after hour through long days without noticing it; and Harvey, being anything but dull, began to comprehend and enjoy the dry chorus of wave-tops turning over with a sound of incessant tearing; the hurry of the winds working across open spaces and herding the purple-blue cloud-shadows; the splendid upheaval of the red sunrise; the folding and packing away of the morning mists, wall after wall withdrawn across the white floors; the salty glare and blaze of noon; the

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