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woman, real, alive, wearing her soul in her eyes, should stand there, and summer riot ’round her.

      An extraordinary clearness of vision was his all day, and towards sunset an empty whisky-bottle.

      But this evening he was conscious for the first time of two feelings, one physical, one mental, altogether strange to him: the first an impression that he had drunk as much as was good for him, the second a sort of echo in his mind of those tortures he had undergone in the autumn, when he had been tossed aside by the girl, to whom he had given his soul, like a soiled glove.

      Neither was at all acutely felt, but both were present to him.

      The evening altogether belied the brilliance of the day, and about six o’clock thick clouds had driven up over the sky, and the clear heat of summer had given place to a heat no less intense, but full of the menace of storm. A few big hot drops, too, of rain warned him further, and he pulled his easel into shelter, and gave orders that he would dine indoors. As was usual with him when he was at work, he shunned the distracting influence of any companionship, and he dined alone. Dinner finished, he went into his sitting-room prepared to enjoy his solitary evening. His servant had brought him in the tray, and till he went to bed he would be undisturbed. Outside the storm was moving nearer, the reverberation of the thunder, though not yet close, kept up a continual growl: any moment it might move up and burst above in riot of fire and sound.

      Dick read a book for a while, but his thoughts wandered. The poignancy of his trouble last autumn, which he thought had passed away from him for ever, grew suddenly and strangely more acute, also his head was heavy, perhaps with the storm, but possibly with what he had drunk. So, intending to go to bed and sleep off his disquietude, he closed his book, and went across to the window to close that also. But, half-way towards it, he stopped. There on the sofa below it sat a large grey cat with yellow gleaming eyes. In its mouth it held a young thrush, still alive.

      Then horror woke in him: his feeling of sick-faintness was there, and he loathed and was terrified at this dreadful feline glee in the torture of its prey, a glee so great that it preferred the postponement of its meal to a shortening of the other. More than all, the resemblance of the eyes of this cat to those of his portrait suddenly struck him as something hellish. For one moment this all held him bound, as if with paralysis, the next his physical shuddering could be withstood no longer, and he threw the glass he carried at the cat, missing it. For one second the animal paused there glaring at him with an intense and dreadful hostility, then it made one spring of it out of the open window. Dick shut it with a bang that startled himself, and then searched on the sofa and the floor for the bird which he thought the cat had dropped. Once or twice he thought he heard it feebly fluttering, but this must have been an illusion, for he could not find it.

      All this was rather shaky business, so before going to bed he steadied himself, as his unspoken phrase ran, with a final drink. Outside the thunder had ceased, but the rain beat hissing on to the grass. Then another sound mingled with it the mewing of a cat, not the long-drawn screeches and cries that are usual, but the plaintive calls of the beast that wants to be admitted into its own home. The blind was down, but after a while he could not resist peeping out. There on the window-sill was seated the large grey cat. Though it was raining heavily its fur seemed dry, for it was standing stiffly away from its body. But when it saw him it spat at him, scratching angrily at the glass, and vanished.

      Lady Madingley…heavens, how he had loved her! And, infernally as she had treated him, how passionately he wanted her now! Was all his trouble, then, to begin over again? Had that nightmare dawned anew on him? It was the cat’s fault: the eyes of the cat had done it. Yet just now all his desire was blurred by this dullness of brain that was as unaccountable as the re-awakening of his desire. For months now he had drunk far more than he had drunk today, yet evening had seen him clear-headed, acute, master of himself, and revelling in the liberty that had come to him, and in the cool joy of creative vision. But tonight he stumbled and groped across the room.

      The neutral-coloured light of dawn awoke him, and he got up at once, feeling still very drowsy, but in answer to some silent imperative call. The storm had altogether passed away, and a jewel of a morning star hung in a pale heaven. His room looked strangely unfamiliar to him, his own sensations were unfamiliar, there was a vagueness about things, a barrier between him and the world. One desire alone possessed him, to finish the portrait. All else, so he felt, he left to chance, or whatever laws regulate the world, those laws which choose that a certain thrush shall be caught by a certain cat, and choose one scapegoat out of a thousand, and let the rest go free.

      Two hours later his servant called him, and found him gone from his room. So as the morning was so fair, he went out to lay breakfast in the shelter. The portrait was there, it had been dragged back into position by the clematis, but it was covered with strange scratches, as if the claws of some enraged animal or the nails perhaps of a man had furiously attacked it. Dick Alingham was there, too, lying very still in front of the disfigured canvas. Claws, also, or nails had attacked him, his throat was horribly mangled by them. But his hands were covered with paint, the nails of his fingers too were choked with it.

      The Bus-Conductor

       Table of Contents

      My friend, Hugh Grainger, and I had just returned from a two days’ visit in the country, where we had been staying in a house of sinister repute which was supposed to be haunted by ghosts of a peculiarly fearsome and truculent sort. The house itself was all that such a house should be, Jacobean and oak-panelled, with long dark passages and high vaulted rooms. It stood, also, very remote, and was encompassed by a wood of sombre pines that muttered and whispered in the dark, and all the time that we were there a southwesterly gale with torrents of scolding rain had prevailed, so that by day and night weird voices moaned and fluted in the chimneys, a company of uneasy spirits held colloquy among the trees, and sudden tattoos and tappings beckoned from the window-panes. But in spite of these surroundings, which were sufficient in themselves, one would almost say, to spontaneously generate occult phenomena, nothing of any description had occurred. I am bound to add, also, that my own state of mind was peculiarly well adapted to receive or even to invent the sights and sounds we had gone to seek, for I was, I confess, during the whole time that we were there, in a state of abject apprehension, and lay awake both nights through hours of terrified unrest, afraid of the dark, yet more afraid of what a lighted candle might show me.

      Hugh Grainger, on the evening after our return to town, had dined with me, and after dinner our conversation, as was natural, soon came back to these entrancing topics.

      “But why you go ghost-seeking I cannot imagine,” he said, “because your teeth were chattering and your eyes starting out of your head all the rime you were there, from sheer fright.”

      “Or do you like being frightened?”

      Hugh, though generally intelligent, is dense in certain ways; this is one of them.

      “Why, of course, I like being frightened,” I said. “I want to be made to creep and creep and creep. Fear is the most absorbing and luxurious of emotions. One forgets all else if one is afraid.”

      “Well, the fact that neither of us saw anything,” he said, “confirms what I have always believed.”

      “And what have you always believed?”

      “That these phenomena are purely objective, not subjective, and that one’s state of mind has nothing to do with the perception that perceives them, nor have circumstances or surroundings anything to do with them either. Look at Osburton. It has had the reputation of being a haunted house for years, and it certainly has all the accessories of one. Look at yourself, too, with all your nerves on edge, afraid to look ’round or light a candle for fear of seeing something! Surely there was the right man in the right place then, if ghosts are subjective.”

      He got up and lit a cigarette, and looking at him—Hugh is about six feet high, and as broad as he is long—I felt a retort on my lips, for I could not help my mind going back to a certain period in his life, when, from some cause which, as

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