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Trace Of Doubt. Erica Orloff
Читать онлайн.Название Trace Of Doubt
Год выпуска 0
isbn 9781472092946
Автор произведения Erica Orloff
Жанр Зарубежные любовные романы
Серия Mills & Boon Silhouette
Издательство HarperCollins
A shock in the mail.
I opened my mail—several flyers advertising new texts on the science of DNA, genetic testing and crime-scene investigations…and one letter with no return address. I didn’t recognize the handwriting. “Ms. Billie McNamara Quinn.” How odd, I thought. I never used my middle name, which was actually my mother’s maiden name.
I opened the letter. Inside was a simple, typewritten piece of paper with the words:
I KNOW WHAT HAPPENED TO HER
Then my heart stopped as something fluttered to my desk. A tiny scrap of fabric, lavender roses on it.
A piece of the dress my mother was wearing when she disappeared.
Dear Reader,
Once again, I am revisiting the eccentric and brilliant team of criminalists and legal eagles in a Billie Quinn case. The stakes were high in Trace of Innocence, but now they’ve escalated considerably. Billie has to confront the origins of her very existence—her parentage—as well as her mother’s murder. In the meantime, the Justice Foundation seems to be falling apart, and Lewis LeBarge, her most trusted friend, may be lured away to Hollywood to host his own legal and criminal analysis show.
Like all Harlequin Bombshell novels, there’s plenty of intensity and action, intellectual as well as physical. And never has DNA been more a part of the headlines than now. I’ve always been interested in how cold cases are solved. The Billie Quinn books were born out of what I would want to read myself.
So I hope you enjoy. Please feel free to write me care of my Web site, www.ericaorloff.com—I love hearing from my fans. And look for the next Billie Quinn case soon!
Erica Orloff
Trace of Doubt
Erica Orloff
ERICA ORLOFF
is a native New Yorker who relocated to sunny south Florida after vowing to never again dig her car out of the snow. She loves playing poker—a Bombshell trait—and likes her martinis dry. Visit her Web site at www.ericaorloff.com.
To J.D.
Acknowledgment
As always, my sincere appreciation to Margaret Marbury, my editor and friend. Thank you also to Natashya Wilson, who steers the Bombshell line with real vision and enthusiasm.
My agent, Jay Poynor, has never failed to support all of my endeavors. And my greatest gratitude to my family for understanding the ups and downs and highs and lows of the writing life and deadlines. A special nod to Kathy Johnson, who always reads my books and never fails to cheer me on. As for the rest of my pals—Writers’ Cramp, Pammie and the usual suspects—thanks from the bottom of my heart.
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 1
You couldn’t really call it a playground.
I gingerly stepped over used condoms, empty beer cans and wine bottles—the cheap stuff—and cigarette butts. I saw syringes and tattered underwear and the trash of human existence—fast-food wrappers, old tires and broken glass. Eventually I made it onto the basketball court. There was no net—just a rim bent off to the right. I looked up at the projects that surrounded this little concrete court of human misery. Windows were broken, and the sounds of loud music and screaming and yelling in Spanish, English, Creole and Arabic drifted down. Smells wafted in the heat: Chinese food, the steamy air of the subways rising through grates, urine, gasoline.
“Charming,” Lewis LeBarge said, surveying the landscape. “Remind me again why we’re subjecting ourselves to this hellhole?”
We stood near the periphery of the court. A heated game was going on in full streetball fashion—hurled elbows and shoves that would have earned a foul in the NBA were just the way the game was played here. The shirts were playing the skins, with the skin team bare-chested, their tees wrapped around their heads to absorb the sweat from playing on an unseasonably hot June day.
“We’re checking out Marcus Hopkins’s story.”
Lewis wiped at his brow. He wore his trademark clothes—black Levi’s jeans, snakeskin boots that added an inch or so to his already lanky, six-foot, one-inch height, and a white oxford cloth shirt. I wore jeans and a fitted black T-shirt, with my long, black hair pulled into a high ponytail, and I was sweating, too.
“No pay, shit conditions, I swear we’re insane for doing this, Billie,” he said in his New Orleans drawl.
“Insane?” I snapped. “This from a man with a collection of human brains in formaldehyde,” I referred to my boss’s penchant for the macabre as head of the state crime lab in Bloomsbury, New Jersey.
The two of us were making this particular field trip for the Justice Foundation, a nonprofit group dedicated to freeing wrongfully imprisoned men, through the use of DNA testing. Ever since we’d solved the Suicide King murders, the publicity meant the foundation was inundated with requests that we investigate the cases of hundreds of prisoners.
Deciding which cases to take wasn’t easy. All of them said they were innocent. My guess is a fraction of them really were. We weeded through some of the ugliest crimes of humanity to try to discern which men were truly innocent, and we relied on DNA and old-fashioned detective work, interviewing and common sense to try to piece together reasonable doubt—or if we caught a break, proof of outright innocence. And all this we did on the side, in addition to our full-time jobs at the lab. What we had first signed on to do out of curiosity and Lewis’s crush on one of the foundation’s founders, we now did out of passion.
Marcus Hopkins was a baby-faced kid from the Bronx determined to get out of the projects. Unlike a lot of ghetto kids, he didn’t pin his hopes on the NBA, or a rap contract, but on academics. When a rape occurred on the basketball court of the projects, Marcus was named as the rapist by the victim. No DNA tied him to the victim, and he had an airtight alibi—he was at work two bus lines away, sweeping out the supply room of a burger joint.
The crime was completely out of character for Marcus, and his public defender