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      If Nobody Speaks of Remarkable Things

      Jon McGregor

       Copyright

      4th Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.4thEstate.co.uk

      First published by Bloomsbury in 2002

      This eBook published by 4th Estate in 2017

      Copyright © 2002 by Jon McGregor

      Cover image © Shutterstock

      Jon McGregor asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

      Source ISBN: 9780008218690

      Ebook Edition © January 2017 ISBN: 9780008218706

      Version: 2016-12-07

      To Alice

      Contents

       Cover

       Title Page

      Copyright

      Dedication

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       Chapter 22

       Chapter 23

       Chapter 24

       Chapter 25

       Chapter 26

       Chapter 27

       Chapter 28

       Chapter 29

       Chapter 30

      Chapter 31

       Acknowledgements

      Read an exclusive extract from Jon McGregor’s new novel, Reservoir 13

      By the Same Author

       A Note on the Author

      About the Publisher

      If you listen, you can hear it.

      The city, it sings.

      If you stand quietly, at the foot of a garden, in the middle of a street, on the roof of a house.

      It’s clearest at night, when the sound cuts more sharply across the surface of things, when the song reaches out to a place inside you.

      It’s a wordless song, for the most, but it’s a song all the same, and nobody hearing it could doubt what it sings. And the song sings the loudest when you pick out each note.

      The low soothing hum of air-conditioners, fanning out the heat and the smells of shops and cafes and offices across the city, winding up and winding down, long breaths layered upon each other, a lullaby hum for tired streets.

      The rush of traffic still cutting across flyovers, even in the dark hours a constant crush of sound, tyres rolling across tarmac and engines rumbling, loose drains and manhole covers clack-clacking like cast-iron castanets.

      Road-menders mending, choosing the hours of least interruption, rupturing the cold night air with drills and jack-hammers and pneumatic pumps, hard-sweating beneath the fizzing hiss of floodlights,

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