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       COPYRIGHT

      HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      First published by HarperCollinsPublishers 2018

      FIRST EDITION

      © Grace Timothy 2018

      Cover layout design © HarperCollinsPublishers Ltd 2018

      Cover photographs © Andrew Brown/Shutterstock.com

      A catalogue record of this book is available from the British Library

      Grace Timothy asserts the moral right to be identified as the author of this work

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Find out about HarperCollins and the environment at

       www.harpercollins.co.uk/green

      Source ISBN: 9780008271008

      Ebook Edition © February 2018 ISBN: 9780008271015

      Version: 2018-02-09

       DEDICATION

      This book is dedicated to my girl, of course. Kid, you made me as much as I made you, and the world is so much better with you in it. I love you. Thanks for your patience, your joyousness and your helpful notes. You’re already wise and funny beyond your years. I’m excited about you, bubs – go get it.

      CONTENTS

       Cover

       Title Page

       Copyright

       Dedication

       PROLOGUE

       PART I: THE THREAT

       1. THE FIRST TRIMESTER/SHOCK

       2. THE SECOND TRIMESTER/DENIAL

       PART II: THE STRUGGLE

       4. BIRTH

       5. 0–3 MONTHS

       6. 3–6 MONTHS

       7. 6–12 MONTHS

       PART III: THE CRISIS

       8. CRISIS TALKS

       9. RECOVERY

       10. THE WORST NEWS

       11. RELAPSE

       12. A NICE FOOT RUB

       13. I EVENTUALLY SELF-SOOTHE, I THINK

       THE AFTERBIRTH

       ACKNOWLEDGEMENTS

       About the Author

       About the Publisher

       PROLOGUE

      I attempt to sit still, to look as relaxed and open as possible, but I’m on one of those chairs that leans back on a bendy frame. You know the ones? That kind of plastic-looking blonde wood with a creamy-coloured leather cushion. I looked it up online after our session – it’s from IKEA (obviously) and it’s called ‘Poang’, which is Swedish for ‘point’. As in, what’s the point? I think people buy them as nursing chairs, too.

      Well, I would have lost a nipple if I’d tried to breastfeed in this chair, let me tell you. My stomach muscles were shot to hell once I’d given birth and I’d have been about as steady on a rocking chair as a drunken eel. Plus, my vagina was so mashed up, the idea of grinding it back and forth on a beech veneer would have broken me for good. I definitely rocked in those early days, but it was more of the rocking-in-a-dark-corner type of move, deprived of sleep and a functioning pelvic floor. The sort you can do on completely immobile furniture or even the floor.

      You have to be so cocky to make one of these chairs rock gently and comfortingly, and not throw you off like a spooked horse. I am not cocky or relaxed in this scenario, and have to slam my feet down suddenly to steady myself. I’m aware it’s made me look uneasy. One false move and you look like you can’t handle it. This chair is basically a metaphor for motherhood and the predicament I find myself in now.

      I am sitting here in a stranger’s living room with no shoes or socks on. Bit weird. It’s OK, I’m actually here for a nice bit of reflexology, with a birthday voucher from my mum and I’m finally getting round to using it six months later, on the day it expires. ‘You deserve a bit of a treat, darling,’ she’d told me at the time, ‘You look a bit knackered.’ Weird way to kick me when I’m down, I think, smiling through clenched

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