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       Copyright

      William Collins

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.WilliamCollinsBooks.com

      This eBook first published in Great Britain by William Collins in 2017

      Copyright © Juliet Gardiner 2017

      Cover photograph by Dave Taylor

      Cover design by Jack Smyth

      Extract from ‘Having a Baby’ from Collected Poems by Allan Ahlberg (Puffin, 2008). Copyright © Allan Ahlberg, 2008. Reproduced by permission of Penguin Random House UK.

      ‘Diana’ Words and Music by Paul Anka © 1957, reproduced by permission from Pamco Music Inc/EMI Music Publishing Ltd, London W1F 9LD.

      Juliet Gardiner asserts the moral right to be identified as the author of this work

      A catalogue record for this book is available from the British Library

      While every effort has been made to trace owners of copyright material produced herein, the publishers will be glad to rectify any omissions in future editions.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780007489190

      Ebook Edition © August 2017 ISBN: 9780007489183

      Version: 2018-05-17

       Dedication

      For Rudi and Sammy

      Contents

       Cover

       Title Page

       Copyright

       Dedication

      

      

       Prologue

      

      

       1. A War Baby

       2. Second-Hand Baby

       3. An Education (of Sorts)

       4. Old Town Blues

       5. Expectations

       6. Spanland

       7. Making a Historian

       8. A Political Wife

       9. Putting Asunder

       10. A Working Woman

      

      

       Epilogue

       Acknowledgements

       Picture Section

      

      

       Also by Juliet Gardiner

       About the Author

       About the Publisher

       Prologue

      A young woman wearing a navy-blue duffel coat and bottle-green stockings stood shivering in the vaulted booking hall of Bristol Temple Meads station looking uncertainly around her. It was 1 January 1960 and the woman was me. I was sixteen years old, and, using the money I had earned from delivering letters for the Post Office during the holidays (£8 5s.) and writing ‘amusing’ anecdotes to the letters page of Woman’s Realm, plus a Christmas present of a £2 postal order, I had run away from home.

      It was the start of a decade that was to be momentous in changing Britain’s history, politically, economically, socially and culturally. Although of course I could not have foreseen that, nevertheless it seemed a suitably significant date on which to start a new life; to leave behind the pebble-dashed house in the home counties, turn my back on the minor girls’ public school and be a grown-up at last: independent, poised to achieve the freedom for which I had yearned for so long.

      It was not, predictably, that simple. Progress over the next few years would be bumpy, interrupted, contradictory, frustrating. Dependencies transferred rather than jettisoned. But the world changed around me, as it did for most women in Britain – and that is the story I want to tell. It is not only or entirely my story; not a straightforward chronological account of women’s history, nor a history, disquisition, celebration or critique of feminism. Rather it is a series of reflections or meditations on some of the expectations and experiences that I, like many other women in Britain, had, or could have had, during the middle years of the twentieth century.

      I am a historian, and I was there, and that is what this book is about. It has no claims to be comprehensive: some important aspects of the period will be left out, or touched on only briefly; others might seem peripheral or wilfully quirky, but to me they are emblematic of various aspects of women’s lives and the perception of these lives both by the women themselves and by society more

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