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p>Chambers's Journal of Popular Literature, Science, and Art, No. 695 / April 21, 1877

      A MARVEL OF ARTISTIC GENIUS

      Coggeshall in Essex is a small market-town, which, in days past was of some slight importance as a busy little manufacturing place, but which of later years has been drained of population, like many another place, to supply material for the great 'centres.' It now has little to boast of but its fine church, one of the three finest in the county, and some most interesting ruins, well known to antiquaries; it takes, however, a great pride in owning the parentage of the subject of this notice.

      John Carter was the only son of a respectable labourer in Coggeshall, but was himself brought up to silk-weaving, that being the staple trade of the town. He was educated in the usual way at the national school; but at the age of thirteen was transferred to Sir R. Hitcham's grammar-school, where he continued about two years. During this period he was chiefly remarkable for his aptitude for getting into mischief; and the only sign given of the latent talent which was afterwards so strangely developed in him was in drawing horses and dogs of questionable beauty on his slates and copy-books; the walls of his cottage also were frequently put under requisition for the same purpose; a mark of talent which his mother in those days could have readily dispensed with, as not tending to improve the look of her humble apartment, which she always kept most scrupulously neat and clean. He was a bright intelligent boy, and this and his high spirits made him a general favourite, but proved also a great snare to him. He became acquainted with a set of wild young men, and soon, naturally enough, became the ringleader in all sorts of daring enterprise.

      When Carter was about twenty he married; but though his wife was a quiet and respectable young woman, his marriage does not appear to have steadied him. He and his wild companions used to meet at one of the public-houses and there talk over and arrange their operations. One of the projects which these choice spirits agreed upon was a rooking expedition, the young rooks being then in season. It was in the month of May 1836. The place agreed on was Holfield Grange, there being there a fine old avenue of elms, in which the rooks from time immemorial had comfortably settled. The avenue was disused; and as it was some little way from the house and away from the road and preserves, there was little chance of their being interrupted by watchmen or gamekeepers. They arranged to meet in a field outside the town with a given signal, by which they might know friend from foe; this was to avoid leaving the town in a body, which might have suggested suspicions of mischief, and induced a little watching. Midnight found them all at the rendezvous, and little more than half an hour's walking brought them to the chosen spot. Carter, foremost as usual, was the first to climb one of the tall trees, and was soon busy enough securing the young birds. The trees in the avenue are very old, and stand somewhat close together, their gnarled and massive boughs frequently interlacing, making it quite possible for an expert climber to pass from one tree to another. In attempting to perform this, Carter deceived either in the distance or strength of a bough, missed his hold and fell to the ground, a distance of about forty feet. He had fallen apparently on his head, for it was crushed forwards on to his chest. For a time he lay perfectly senseless, and the dismay of his wretched companions may be imagined. Their position was an unenviable one, to say the least. What were they to do? A mile and a half from the town, in the dead of night, in the midst of their depredations, which must now inevitably become known, and with one of their party dying or dead, they knew not which. After a time, Carter seems to have recovered consciousness partially, and made them understand, though his speech was so much affected as to be almost unintelligible, that he wanted them to 'pull him out!' This rough surgery they therefore tried, some taking his head and some his feet, and pulled till he could once more speak plainly; and having done that, seemed to think that there was nothing more they could do.

      Would one or two more judicious tugs have fitted the dislocated bones together again, or would they have broken the spinal marrow? Who can tell? In either case the world would have lost one striking case of latent talent developed by a misfortune which seemed indeed only one remove from death; so we will not complain.

      Finding that no further improvement took place in the poor fellow, and that he had lapsed into unconsciousness, his companions procured a hurdle, and laying him on it with all the skill and gentleness of which they were capable, retraced their steps to the town, and bore him to the home which he had left a few hours before in the full strength and health of early manhood. They laid him on his bed and then slunk away, glad to shut out from their sight the terrible result of their headlong folly, one only remaining to tell to the poor wife the sad story of the disaster. The doctor was sent for; and the result of his examination was the terrible verdict that Carter had not in all probability many days or even hours to live; in any case, whether he lived or not, he was paralysed without hope of recovery.

      He did not recover consciousness entirely till the following night; and we who have the full enjoyment of our limbs and health can hardly realise what that poor fellow must have suffered in learning that, even if life were granted to him at all, it was under such terrible conditions as at first to seem to him less a boon than a burden. He would never again be able to move hand or foot, the only power of movement remaining to him being in the neck, which just enabled him to raise or turn round his head; that was all– there was not even feeling in the rest of his body. What a dreary blank in the future! What wonder if the undisciplined soul cried out aloud with repining, like a wild bird beating against the bars of a cage; what wonder if in the bitterness of his heart he cried: 'Of what good is my life to me! Better that I had never been born, since all that makes life sweet is taken from me.'

      Anguish unknown, terrors too great for words, must that poor soul have met and overcome, ere he had learned the great lesson of sorrow, that life, true life, does not consist in mere physical capabilities and enjoyments, but that there is a far higher, nobler life, the life of the soul and mind, which is as infinitely above the other as heaven is above earth. His mind being now no longer overridden by his superabundant physical nature, began to work and put forth its powers and energies; but it was long ere he found any object on which to expend those powers; not till he had, through several long and heavy years of suffering, learned the great and most difficult lesson of patience – patience, without which he would never have accomplished the wonderful work which we will now proceed to describe.

      Having read one day of some young woman who, deprived of the use of her hands, had learned to draw little things with her mouth, he was seized with a desire to try the same thing, and was not content till he had made his first attempt. Deprived of the use of his hands, why not try his mouth! A butterfly that had fluttered into the cottage was caught and transfixed; a rough desk extemporised, and with such materials as a sixpenny box of paints afforded, he made a sketch of the insect. Delighted with his success, he determined to persevere. A light deal desk was made after his own directions, on which to fix his paper; the picture he was about to copy being fastened above, or if large, hung from the top of the bed by tapes; he always drew in bed, his head being slightly raised by pillows. A pencil about six inches long and bound round with thread was put in his mouth, and with this he sketched his subject. A saucer of Indian ink was prepared, and a fine camel-hair brush was dipped and placed in his mouth by the attendant; these brushes were sometimes not more than four inches long. In this way he produced the most exquisite drawings, equal to fine line engravings, which were sold for him by his friends and patrons, some of them finding their way into the highest quarters; and thus he was enabled to experience the delight of feeling that paralysed as he was, he was not a mere burden, but was able to contribute to his own support.

      Several of the most beautiful of his works are now in America, and we believe we are right in saying that as much as twenty-five and fifty pounds apiece have been given for them. Another very fine work, a copy of 'St John and the Angel,' about eighteen inches by twelve, is in the possession of Robert Hanbury, Esq., of Poles Ware, Hertfordshire, and is wonderful in its power and delicacy. In the copies from Rembrandt, Carter has so completely caught the peculiar touch and style of the great master, that even a connoisseur would have some difficulty in distinguishing them from the original.

      Carter tried various styles – water-colour, chalks, mezzotint, and line drawing; but it was the last in which he succeeded best, and which best displayed his great delicacy of touch. The chalks required too great pressure, and fatigued him so much that he was only able to finish two or three pictures in this style, a masterly

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