LITMIR.BIZ

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pile, with its vast triple-storied marble galleries, its sculptured Naiads and dolphins, and on the summit, towering above park and lake and cascades, its three gigantic sea-horses and charioteers richly gilt, gleaming as if indeed of massive gold. Is there any more sumptuous fountain in the world? I doubt it. In spite of the gilded sea-horses and chariot, there is no tawdriness here; all is bold, splendid, and imposing. Below the vast terraced galleries and wide staircases, all of pure marble, flows in a broad sheet the crystal-clear water, home of myriads of gold fish. The entourage is worthy of so superb a construction. The fountain stands in the midst of a scrupulously-kept, tastefully laid-out, ever-verdant park or public pleasure-ground. In November all is fresh and blooming as in an English June. Palms, magnolias, bananas, oleanders, camellias, the pepper-tree, make up a rich, many-tinted foliage. Flowers in winter-time are supplanted by beds of brilliant leaved plants that do duty for blossoms. The purple, crimson, and sea-green leaves are arranged with great effect, and have a brilliant appearance. Here surrounded by gold green turf, are little lakes which may be sailed across in tiny pleasure skiffs. At the chief entrance, conspicuously placed, stands the fine equestrian monument to Prim, inaugurated with much civil and military pomp some years ago. It is a bold statue in red bronze. The general sits his horse, hat in hand, his fine, soldier-like face turned towards the city. On the sides of the pedestal are bas-reliefs recording episodes of his career, and on the front these words only, “Barcelona à Prim.” The work is that of a Spanish artist, and the monument as a whole reflects great credit alike to local art and public spirit.

      But a few minutes’ drive brings us within sight of a monument to one of the world’s heroes. I allude to the memorial column recently raised to Columbus by this same public-spirited and munificent city of Barcelona. Columbus, be it remembered, was received here by Ferdinand and Isabella after his discovery of America in 1493. Far and wide over hills and city, palm-girt harbor, and sea, as a lighthouse towers the tremendous obelisk, the figure of the great Genoese surmounting it, his feet placed on a golden sphere, his outstretched arm pointing triumphantly in the direction of his newly-discovered continent as much as to say, “It is there!”

      Never did undertaking reflect more credit upon a city than this stupendous work. The entire height of the monument is about two-thirds of the height of the Monument of London. The execution was entrusted to Barcelonese craftsmen and artists; the materials – bronze, stone, and marble – all being supplied in the neighborhood.

      On the upper tier of the pedestal are statues of the four noble Catalans who materially aided Columbus in his expedition – by name Fray Boyl, monk of Montserrat, Pedro Margarit, Jaime Ferrer, and Luis Sentangel. Below are allegorical figures representing, in the form of stately matrons, the four kingdoms of Catalonia, Castille, Aragon, and Leon. Bas-reliefs, illustrating scenes in the career of the discoverer, adorn the hexagonal sides, six magnificent winged lions of greystone keep jealous watch over the whole, and below these, softening the aspect of severity, is a belt of turf, the following inscription being perpetually written in flowers: “Barcelona à Colon.” The column is surmounted by a globe burnished with gold, and above rises the colossal figure of Columbus.

      No happier site could have been selected. The monument faces the sea, and is approached from the town by a palm-bordered walk and public garden. The first object to greet the mariner’s eye as he sights land is the figure of Columbus poised on his glittering ball; the last to fade from view is that beacon-like column towering so proudly above city and shore. A little excursion must be made by boat or steamer, in order to realize the striking effect of this monument from the sea.

      To obtain a bird’s-eye view of Barcelona itself, the stranger should go some distance inland. The Fort of Montjuich, commanding the town from the south, or Mont Tibidaho to the north, will equally answer his purpose. A pretty winding path leads from the shore to a pleasure-garden just below the fort, and here we see the entire city spread as in a map at our feet. The panorama is somewhat monotonous, the vast congeries of white walls and grey roofs only broken by gloomy old church towers and tall factory chimneys, but thus is realized for the first time the enormous extent of the Spanish Liverpool and Manchester in one. Thus, indeed, may Barcelona be styled. Looking seaward, the picture is animated and engaging – the wide harbor bristling with shipping, lateen-sailed fishing boats skimming the deep-blue sunny waves, noble vessels just discernible on the dim horizon.

      The once celebrated promenade of the Murallo del Mar, eulogized by Ford and other writers, no longer exists, but the stranger will keep the sea-line in search of the new cemetery. A very bad road leads thither, on All Saints’ and All Souls’ days followed by an unbroken string of vehicles, omnibuses, covered carts, hackney carriages, and private broughams; their occupants, for the most part, dressed in black. The women, wearing black Cashmere mantillas, are hardly visible, being hidden by enormous wreaths, crosses, and bouquets of natural and also of artificial flowers. The new cemetery is well placed, being several miles from the city, on high ground between the open country and the sea. It is tastefully laid out in terraces – the trees and shrubs testifying to the care bestowed on them. Here are many costly monuments – mausoleums, we should rather say – of opulent Barcelonese, each family possessing its tiny chapel and burial-place.

      It is to be hoped that so progressive a city as Barcelona will ere long adopt the system of cremation. Nothing can be less hygienic, one would think, than the present mode of burial in Spain. To die there is literally – not figuratively – to be laid on the shelf. The terrace-like sides of the cemetery ground have been hollowed out into pigeon-holes, and into these are thrust the coffins, the marble slab closing the aperture bearing a memorial inscription. Ivy and other creepers are trained around the various divisions, and wreaths of fresh flowers and immortelles adorn them; the whole presenting the appearance of a huge chest of drawers divided into mathematically exact segments. To us there is something uncanny – nay, revolting – in such a form of burial; which, to say the least of it, cannot be warranted on æsthetic, much less scientific, principles. It is satisfactory to find that at last Protestants and Jews have their own burial-place here, shut off from the rest, it is true by a wall at least twenty feet high, but a resting-place for all that. It was not so very long ago that Malaga was the only Spanish town according Protestants this privilege, the concession being wrung from the authorities by the late much-esteemed British consul, Mr. Mark.

      For some days preceding the festival of All Saints the cemetery presents a busy scene. Charwomen, gardeners, masons, and painters then take possession of the place. Marble is scoured, lettering is repainted, shrubs clipped, turf cut – all is made spick and span, in time for the great festival of the dead. It must be borne in mind that All Saints’ Day in Spain has no analogy with the same date in our own calendar. Brilliant sunshine, air soft and balmy as of July, characterize the month of November here. These visits to the cemetery are, therefore, less depressing than they would be performed amid English fog and drizzle. We Northerners, moreover, cannot cast off gloomy thoughts and sad retrospection as easily as the more elastic, more joyous Southern temperament. Mass over, the pilgrimage to the cemetery paid, all is relaxation and gaiety. All Saints’ and All Souls’ days are indeed periods of unmitigated enjoyment and relaxation. Public offices, museums, schools, shops, are closed. Holiday folk pour in from the country. The city is as animated as Paris on the 14th of July.

      In the forenoon it is difficult to elbow one’s way through the crowded thoroughfares. Every street is thronged, men flocking to mass as zealously as devotees of the other sex. In these early hours most of the ladies wear black; their mourning garb later in the day to be exchanged for fashionable toilettes of all colors. The children are decked out gaily, as for a fancy fair. Service is being held in every church, and from all parts may be heard the sonorous Cathedral bells. Its vast, somber interior, now blazing with wax-lights, is a sight to remember. Crowds in rapt devotion are kneeling on the bare stones, the ladies heedless of their silks; here and there the men kneeling on a glove or pocket-handkerchief, in order to protect their Sunday pantaloons. Rows of poor men – beggars, it would seem, tidied up for the occasion – sit in rows along the aisle, holding lighted tapers. The choir is filled with choristers, men and boys intoning the service so skilfully that they almost seem to sing. Soon the crowds fall back, and a procession passes from choir to high altar – priests and dignitaries in their gorgeous robes, some of black, embroidered with crosses in gold, others of white and purple or yellow, the bishop coming last, his long violet train borne by a priest;

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