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A Son of the Middle Border. Garland Hamlin
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Автор произведения Garland Hamlin
Жанр Биографии и Мемуары
Издательство Public Domain
A Son of the Middle Border
Dear Mrs. LeCron:
In the spring of 1898, after finishing my LIFE OF ULYSSES S. GRANT, I began to plan to go into the Klondike over the Telegraph Trail. One day in showing the maps of my route to William Dean Howells, I said, "I shall go in here and come out there," a trail of nearly twelve hundred miles through an almost unknown country. As I uttered this I suddenly realized that I was starting on a path holding many perils and that I might not come back.
With this in mind, I began to dictate the story of my career up to that time. It was put in the third person but it was my story and the story of my people, the Garlands and the McClintocks. This manuscript, crude and hasty as it was, became the basis of A SON OF THE MIDDLE BORDER. It was the beginning of a four-volume autobiography which it has taken me fifteen years to write. As a typical mid-west settler I felt that the history of my family would be, in a sense, the chronicle of the era of settlement lying between 1840 and 1914. I designedly kept it intimate and personal, the joys and sorrows of a group of migrating families. Of the four books, Volume One, THE TRAIL MAKERS, is based upon my memory of the talk around a pioneer fireside. The other three volumes are as true as my own memory can make them.
CHAPTER I
Home from the War
All of this universe known to me in the year 1864 was bounded by the wooded hills of a little Wisconsin coulee, and its center was the cottage in which my mother was living alone – my father was in the war. As I project myself back into that mystical age, half lights cover most of the valley. The road before our doorstone begins and ends in vague obscurity – and Granma Green's house at the fork of the trail stands on the very edge of the world in a sinister region peopled with bears and other menacing creatures. Beyond this point all is darkness and terror.
It is Sunday afternoon and my mother and her three children, Frank, Harriet and I (all in our best dresses) are visiting the Widow Green, our nearest neighbor, a plump, jolly woman whom we greatly love. The house swarms with stalwart men and buxom women and we are all sitting around the table heaped with the remains of a harvest feast. The women are "telling fortunes" by means of tea-grounds. Mrs. Green is the seeress. After shaking the cup with the grounds at the bottom, she turns it bottom side up in a saucer. Then whirling it three times to the right and three times to the left, she lifts it and silently studies the position of the leaves which cling to the sides of the cup, what time we all wait in breathless suspense for her first word.
"A soldier is coming to you!" she says to my mother. "See," and she points into the cup. We all crowd near, and I perceive a leaf with a stem sticking up from its body like a bayonet over a man's shoulder. "He is almost home," the widow goes on. Then with sudden dramatic turn she waves her hand toward the road, "Heavens and earth!" she cries. "There's Richard now!"
We all turn and look toward the road, and there, indeed, is a soldier with a musket on his back, wearily plodding his way up the low hill just north of the gate. He is too far away for mother to call, and besides I think she must have been a little uncertain, for he did not so much as turn his head toward the house. Trembling with excitement she hurries little Frank into his wagon and telling Hattie to bring me, sets off up the road as fast as she can draw the baby's cart. It all seems a dream to me and I move dumbly, almost stupidly like one in a mist…
We did not overtake the soldier, that is evident, for my next vision is that of a blue-coated figure leaning upon the fence, studying with intent gaze our empty cottage. I cannot, even now, precisely divine why he stood thus, sadly contemplating his silent home, – but so it was. His knapsack lay at his feet, his musket was propped against a post on whose top a cat was dreaming, unmindful of the warrior and his folded hands.
He did not hear us until we were close upon him, and even after he turned, my mother hesitated, so thin, so hollow-eyed, so changed was he. "Richard, is that you?" she quaveringly asked.
His worn face lighted up. His arms rose. "Yes, Belle! Here I am," he answered.
Nevertheless though he took my mother in his arms, I could not relate him to the father I had heard so much about. To me he was only a strange man with big eyes and care-worn face. I did not recognize in him anything I had ever known, but my sister, who was two years older than I, went to his bosom of her own motion. She knew him, whilst I submitted to his caresses rather for the reason that my mother urged me forward than because of any affection I felt for him. Frank, however, would not even permit a kiss. The gaunt and grizzled stranger terrified him.
"Come here, my little man," my father said. – "My little man!" Across the space of half-a-century I can still hear the sad reproach in his voice. "Won't you come and see your poor old father when he comes home from the war?"
"My little man!" How significant that phrase seems to me now! The war had in very truth come between this patriot and his sons. I had forgotten him – the baby had never known him.
Frank crept beneath the rail fence and stood there, well out of reach, like a cautious kitten warily surveying an alien dog. At last the soldier stooped and drawing from his knapsack a big red apple, held it toward the staring babe, confidently calling, "Now, I guess he'll come to his poor old pap home from the war."
The mother apologized. "He doesn't know you, Dick. How could he? He was only nine months old when you went away. He'll go to you by and by."
The babe crept slowly toward the shining lure. My father caught him despite his kicking, and hugged him close. "Now I've got you," he exulted.
Then we all went into the little front room and the soldier laid off his heavy army shoes. My mother brought a pillow to put under his head, and so at last he stretched out on the floor the better to rest his tired, aching bones, and there I joined him.
"Oh, Belle!" he said, in tones of utter content. "This is what I've dreamed about a million times."
Frank and I grew each moment more friendly and soon began to tumble over him while mother hastened to cook something for him to eat. He asked for "hot biscuits and honey and plenty of coffee."
That was a mystic hour – and yet how little I can recover of it! The afternoon glides into evening while the soldier talks, and at last we all go out to the barn to watch mother milk the cow. I hear him ask about the crops, the neighbors. – The sunlight passes. Mother leads the way back to the house. My father follows carrying little Frank in his arms.
He is a "strange man" no longer. Each moment his voice sinks deeper into my remembrance. He is my father – that I feel ringing through the dim halls of my consciousness. Harriet clings to his hand in perfect knowledge and confidence. We eat our bread and milk, the trundle-bed is pulled out, we children clamber in, and I go to sleep to the music of his resonant voice recounting the story of the battles he had seen, and the marches he had made.
The emergence of an individual consciousness from the void is, after all, the most amazing fact of human life and I should like to spend much of this first chapter in groping about in the luminous shadow of my infant world because, deeply considered, childish impressions are the fundamentals upon which an author's fictional out-put is based; but to linger might weary my reader at the outset, although I count myself most fortunate in the fact that my boyhood was spent in the midst of a charming landscape and during a certain heroic era of western settlement.
The men and women of that far time loom large in my thinking for they possessed not only the spirit of adventurers but the courage of warriors. Aside from the natural distortion of a boy's imagination I am quite sure that the pioneers of 1860 still retained something broad and fine in their action, something a boy might honorably imitate.
The earliest dim scene in my memory is that of a soft warm evening. I am cradled in the lap of my sister Harriet who is sitting on the door-step beneath a low roof. It is mid-summer and at our feet lies a mat of dark-green grass from which a frog is croaking. The stars are out, and above the high hills to the east a mysterious glow is glorifying the sky. The cry of the small animal at last conveys to my sister's mind a notion of distress, and rising she peers closely along the path. Starting back with a cry of alarm, she calls and my mother hurries out. She, too, examines