LITMIR.BIZ

      Heather buttered a roll. She used to be a drunk but now wrote poems about bartending, drinking binges, blackouts, and AA. Roberta was a filmmaker. She’d been making a documentary for the past nine years about corrupt black mayors of major American cities, filming them in jail, running for office again, taking walks with their aged mothers. Frederick taught the musical book, whatever that was, and had been the genius behind last year’s musical about Karl Rove. Ilana Zimmer had headlined an indie rock band, with one hit in the eighties, then had a ho-hum solo career, and now dabbled in kids’ music. She ran a songwriting workshop every year in Frederick’s class. Vicky had paintings in museums around the world that were violent, cartoonish, biting, dark, and funny, that dealt with war, religiosity, porn, rape, but also the cost of art education, women’s bodies, and people who lived in garbage dumps. And Tom McLaughlin had been a high school English teacher for forty years, then retired and wrote a rambling memoir of his childhood growing up over a pool hall in Alffia, Texas, population 71, with wrenching scenes about killing cattle and the death of the town; it became an instant classic, then a hit movie. He sat there like the most relaxed guy in the world, his face heavily lined, familiar in a way from posters of him around the conference—they were hard to miss, his head gleaming and speckled with age spots.

      The thing to do here was relax and not worry about where I ranked among them. I pushed my plate away and started drawing on the tablecloth. I drew the bay, a single steady line, wispy clouds in the distance, and walking along the shore I drew Batman, the Caped Crusader, looking a little haggard and overweight. Last year’s tablecloths had been made of a thick, toothy paper, with a spongy plastic coating underneath, but this was thin one-ply, and the ink bled like I was drawing on toilet paper. It was a waste of time, but I didn’t care. Batman was the first superhero I’d ever drawn. I hadn’t drawn him in thirty years. Why now? Drawing him middle-aged with a big keister seemed to answer something. He stood in the surf at low tide with a touristy camera around his neck and his tights stained dark from wading.

      One line led to another, the feeling of deadness went away, and this arrangement of markings became a scene with a little girl about Kaya’s age holding Batman’s hand. Was it a memory? Was it cathartic? Did it work? I didn’t care. I kept going, surprising my eyes with what my hand could do. In Batman’s other arm I drew a little boy in a swim diaper—my knees bouncing under the table—until, shading in the bay around their ankles, I pressed too hard and tore the tablecloth.

      Then I thought of home and felt my throat close up. I wondered how I’d protect my kids from hundreds of miles away. I worried that Kaya would ride her tricycle into the renovation pit from the construction next door. I worried that Beanie would suck the propeller out of my old tin clown whistle. Joey, the high school kid down the block, sometimes cut through the alley in his Subaru with his foot on the gas, even though a dozen kids under the age of ten jumped rope and played games there. A spasm of electric jolts shocked my heart, from the heady mixing of blood and guilt that brought on flashes of horror and feelings of dread and excitement, the fear that I would do something sexy and rotten and get away with it.

      Stewart Rinaldi pulled up a chair and said, “What did I miss?”

      “We’re talking about my book,” Dennis began, “Ring-a-Ding Ding.”

      No one could stop him from explaining that the movie killed the book. When he finished, no one spoke. Beside me, Charlene folded things into a sandwich.

      “Pass the salt.”

      We had nothing else to say, or didn’t want to try for fear of starting Dennis up again. We didn’t discuss the news of the day or the presidential campaign or politics in general, power, money, greed, or war. As members of the cultural elite, we didn’t believe in any of that. We’d been teaching together for years. We sat in circles, bragging about things that mattered only to us. We were artists. We believed in ourselves.

      And yet, things were happening out there. Obama had drawn a red line but Assad refused to back down, while hundreds of thousands fled, in what was looking like a massive refugee crisis. “Call Me Maybe” held steady at No. 1. Ernest Borgnine died. Kim Jong-un had been named Supreme Being of North Korea. The Republican primary had been brutal, awash in dark money, the first since the Supreme Court decided that mountains of secret cash in exchange for favors was totally fine. Romney emerged as the nominee, a hollow, arrogant flip-flopper. He’d spent the summer refusing to release his most recent tax returns, while his legal representatives explained away the Swiss bank account stuffed with tens or hundreds of his own millions. He was in London this week, having FedExed his wife’s half-million-dollar dressage horse over to compete in the Olympics.

      We didn’t care about that stuff. We cared about art. We cared about lunch. Finally Dennis stood, picked up his bag, and walked out of the tent, past the drinks cooler, toward the library.

      “Ring-a-ding ding,” Roberta said. “Does that ring any bells?”

      “Forget it,” Tom said.

      People liked Dennis as a teacher. Around the faculty, though, he lost control. He engendered pity, which must’ve bothered him. The interns were clearing off the buffet table behind us, watery bowls of lentil salad no one wanted. Roberta said Dennis’s wife had moved out, and Charlene shook her

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