LITMIR.BIZ

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them. He was not expected home until next year at the earliest.

      A modern stable block and carriage house had been constructed in the early part of the century by Lord Carstairs’s grandfather on the eastern side of the castle. The buildings surrounded a courtyard – a line of loose boxes, all empty as his lordship’s horses were out at grass, on one side, a line of double doors concealing no doubt his lordship’s carriages on the other, while between them, on the south side, rose a small pedimented coach house surmounted by a clock tower. In this building all the windows had been barred. Mr Dunglass headed towards it now, groping in his sporran for a large iron key.

      ‘This way, Mistress Shelley.’ The man had ushered the others up the steps and through the door as Louisa lagged behind and now he was waiting for her, his eyes boldly on her face. How did he know her name? Standing below him in the cobbled yard she looked up and met his gaze. He did not lower his eyes; his expression was carefully blank but behind the facade there was something else. Insolence? Triumph? The moment passed and he looked away. ‘The others are inside, Mistress Shelley. If you would like to join them I’ll explain some of the items you can see in there.’ His tone was respectful. Even friendly. Surely she had imagined that momentary expression on his face?

      The room into which they had been led was large and dark. Standing still they waited while their guide opened the shutters allowing the bright sunlight to flood the room. As they stared round there was a moment’s stunned silence, then at last it was Venetia who spoke first. ‘My goodness.’ She gasped with a nervous laugh. ‘How amazing!’

      The items on display nearest to them, the bows and arrows, the huge beautiful feathered head-dress, the beaded jewellery, the bison skins, had been brought back so they were told by Lord Carstairs the previous year. ‘He went right across America,’ their informant told them, clearly awe-struck. ‘He lived with the various tribes he encountered. The Sioux; the Cheyenne. They made him welcome and he smoked the peace pipe with them.’ He indicated the large pipe decorated with coloured bands and feathers. ‘He has been studying their religion and their beliefs. He witnessed the Sun Dance.’ He paused, obviously expecting them to look impressed. ‘Beyond the American exhibits you will see those his lordship brought back from the Indian subcontinent in 1870. Beautiful silks and brocades as you will notice; items from Hindu temples and gifts he received from the maharajahs and British dignitaries with whom he stayed.’

      Louisa was not listening. She had wandered past the American items and the Indian, past a huge glass-fronted bookcase and display cabinets of every shape and size, to the back of the room. In the corner, standing upright in the shadows, was the unmistakable painted face and body of an Egyptian mummy case. She closed her eyes, steadying her breathing with an effort.

      ‘Ah, Mistress Shelley. You have discovered Lord Carstairs’s Egyptian collection.’ The voice beside her was soft and ingratiating.

      She gave a nervous smile. ‘He has a great many interesting items.’

      ‘Indeed.’ The factor glanced over his shoulder. The other three women were gathered around a glass case, staring down at a mass of beautiful shells. ‘Wampum,’ Venetia repeated, baffled, reading from a card inside the case.

      Louisa stepped away from him. His presence beside her made her feel uncomfortable. She walked over to a table nearby and stared down at the items displayed on it. One stood out from them all. A small carved statue of a coiled snake. Without thinking she picked it up and examined it. ‘Solid gold, Mistress Shelley.’ The factor was still there at her elbow.

      She stared down at the item in her hands, holding her breath. Almost she could hear Roger Carstairs’s voice in her head. ‘So, Mrs Shelley. You came to find me after all …’ The sound was so real she glanced up, shocked. But it was her imagination. Hastily she set the item back in its place and walked away. She glanced again with some distaste at the mummy, then moved on and stopped, staring at the wall. Framed in ebony with a deep terracotta mount she found herself looking at one of her own watercolours. A painting of the temple at Edfu.

      She gasped.

      The man beside her nodded. ‘You recognise it, of course.’

      She spun to face him. ‘Where did he get that?’

      ‘He bought it, Mistress Shelley. In London.’ He bowed. A minimal movement betrayed a touch of mockery beneath the respect. ‘He has attended all your exhibitions, Mistress Shelley.’

      Her stomach tightened with fear as she met his eyes. ‘Indeed, Mr Dunglass. I’m flattered at his interest.’ She managed to hold his gaze unwaveringly.

      He looked away first. ‘So, madam, have you seen the next exhibit?’ He smiled again. ‘An example of one of the most poisonous of Egyptian snakes –’ He broke off as her hand flew to her mouth. In the case in front of her on a bed of pale dry sand lay a coiled snake, its head with spread hood rising out of the dry skin, its tiny button eyes fixed balefully on some imagined desert distances.

      Louisa turned away with a cry of distress. It was so like the snake that had killed Hassan. The same shape, same length, same colour – its eyes were similar. Unblinking. Beady. Missing nothing.

      ‘It’s dead, Louisa.’ The hand on her arm was firm. Katherine was beside her. ‘Come away. Don’t look at it.’

      ‘Katherine –’

      ‘I know, my dear. They told me all about it. And the way he conjured a snake onto our dahabeeyah. Magic snakes. Evil magic.’ She glanced round the room. Nearby was a wooden statue of a child holding a snake in its hand. The inscription underneath said, ‘Horus of the Snakes’. She shuddered. ‘Dirty magic. All his efforts to make himself a so-called master of the occult, and what for? A small room in the back of beyond and a few boxes of stolen mementoes.’

      ‘I beg your pardon?’ Mr Dunglass had overheard her. He was bristling with indignation. ‘Nothing here has been stolen. Everything was bought or given freely.’

      ‘Really?’ Louisa looked at him bitterly.

      ‘Really!’ The man glared at her.

      Katherine shuddered. ‘Well, I don’t envy him this. I really don’t.’ She reached over and thumped the glass case with her folded parasol. The snake moved infinitesimally.

      Louisa swallowed. Clutching her shawl around her shoulders she moved away from the Egyptian corner of the room to stand in front of the American head-dress with its regal glossy feathers, concentrating on the exquisite workmanship, the detail, the tiny beads.

      Katherine moved on too, standing beside Sarah and Venetia, staring at some clay pots, laughing softly as Venetia, oblivious to the earlier exchange, pointed out some detail in the swirling decorations.

      The hiss was so quiet Louisa barely heard it. For a moment she didn’t react, then she spun round staring back at the case. From where she was standing she could see an almost invisible film of dust on the glass. Nothing moved. She clenched her fists. Stupid. It was her imagination. Her idiotic, feverish, over-active imagination.

      Behind her she heard Venetia’s voice. ‘And Lord Carstairs’s darling boys? Are they at home at the moment?’ and Dunglass’s grunt. ‘Aye. They are.’ He did not sound impressed.

      ‘We would so like to meet them, wouldn’t we, Sarah?’ Venetia clung to her hostess’s arm for a moment.

      Louisa saw the factor’s eyebrow rise almost to his hairline. ‘I have no idea where the boys are, Mistress. You’d have to be speaking to Mr Gordon, their tutor, about them.’ His tone implied that their whereabouts was something he for one would rather not look into too closely.

      ‘We’ll do that.’ Venetia simpered at him. ‘We know dear Lord Carstairs so well, I’m sure he would wish us to enquire after his sons. Are they not at Eton with your elder boy, Louisa?’ She turned and raised an eyebrow.

      ‘I don’t think so,’ Louisa returned sharply.

      Dunglass shook his head. ‘They’ve

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