LITMIR.BIZ

       Preface

      Agatha Christie, the original Queen of Crime, still reigns supreme as the greatest and best known writer of the classical detective story. Her most famous novel, and very possibly the most famous of all detective stories, is The Murder of Roger Ackroyd (1926) in which she outraged the critics and, by doing so, established herself in the first rank of writers in the genre. That case was solved by Hercule Poirot, late of the Belgian Police Force, who appeared in 33 novels including Murder on the Orient Express (1930), The ABC Murders (1936), Five Little Pigs (1942), After the Funeral (1953), Hallowe’en Party (1969) and Curtain: Poirot’s Last Case (1975). Christie’s own favourite among her detectives was Miss Jane Marple, an elderly spinster who appeared in 12 novels, including The Murder at the Vicarage (1930), The Body in the Library (1942), A Pocket Full of Rye (1953), A Caribbean Mystery (1964) and its sequel Nemesis (1971), and finally in Sleeping Murder (1976), which like Curtain had been written during the Blitz nearly 30 years earlier. And among the 21 novels that do not feature any of Christie’s series detectives are And Then There Were None (1939), in which there is no detective at all, Crooked House (1949), Ordeal by Innocence (1959), and Endless Night (1967).

      In a career that lasted more than half a century, Christie wrote 66 novels, an autobiography, six ‘Mary Westmacott’ books, a memoir of her expedition to Syria, two books of poetry, another of poems and children’s stories, more than 20 stage and radio mysteries and around 150 short stories. This new collection brings together nine stories that, with a couple of exceptions, have not previously been reissued since their original publication (in some cases, 60 to 70 years ago). Poirot appears in two stories, ‘The Mystery of the Baghdad Chest’ and ‘Christmas Adventure’. These are Christie’s original versions of two novellas included in the collection The Adventure of the Christmas Pudding (1960). ‘The Edge’ is a tense psychological story and ‘The Actress’ involves a clever deception. The enigmatic ‘Within a Wall’ and ‘The Lonely God’ are romantic stories, dating from the earliest years of Christie’s career; and there is a spice of the supernatural in ‘The House of Dreams’ and ‘While the Light Lasts’. Finally, there is ‘Manx Gold’, a story whose form and concept was unique in its time but which has since become very popular all over the world.

      Nine stories that all display the inimitable style of Agatha Christie. A true banquet for connoisseurs!

      Tony Medawar

       London

       December 1996