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message was clear: the pleasures of the inorganic have become second nature, producing a deeper intimacy with technological artefacts. And the contradictions surrounding the female bodies were at the heart of this very first exhibition on the posthuman.

      Fast forward to 2013. During her ‘Mrs. Carter Show World Tour’, American singer Beyoncé flashed the word ‘Feminist’ in shining letters across the stage and sang her feminist anthem ‘Flawless’ from the hit album Lemonade. Throughout this performance, Beyoncé repeated, like a mantra, the following definition, taken from the work of Chimamanda Ngozi Adichie: ‘Feminist: a person who believes in the social, political and economic equality of the sexes.’ Simple and to the point, who could quarrel with that?

      Well, some actually did. Celebated black feminist bell hooks, for instance, voiced critcism of celebrity media culture and of the explicitly sexualized nature of Beyoncé’s performances (hooks, 2016). This stirred quite a controversy (Gay, 2014c; Plate, 2019). But what is striking is that a mega-star like Beyoncé is actually entering the feminist debate at all. She is defending the equality-minded feminist agenda and interrogating her own politics of locations as a black woman, a sexed female and a passionate professional. And she is not alone. Media mogul Oprah Winfrey is also up there while other feminist celebrities today include Hillary Clinton, Emma Watson, Michelle Obama, Ellen de Generis, Caitlyn Jenner, Laverne Cox, Lady Gaga and many more (Hamad and Taylor, 2015). There is no aspect of contemporary popular culture where feminists, emancipation-minded, anti-racist and LGBTQ+ people have not made their mark. What was blasphemy thirty years ago is banality today, livestreaming from our home screens.

      Feminism is by now an established social movement, greatly diversified across multiple constituencies and locations. It is therefore not easy to give a comprehensive definition, other than pointing to a broad range of feminist positions. The spectrum includes the quest for equality between men and women, the recognition of multiple genders, the abolition of gender identities altogether, the intersectional connections across gender, race and class, and more. Feminism is the struggle to empower those who live along multiple axes of inequality. It involves empowering the dispossessed and impoverished, not only women, but also LGBTQ+ people, people of colour, Black and Indigenous peoples. In that sense, feminism is not just an egalitarian movement for the mainstream, but also a transformative decolonial and radical struggle to affirm positively the differences among marginalized people(s). These differences of material location express different life experiences and also multiple ways of knowing. The radical spark of the feminist project for me lies in its subversive politics. It means creating the alternative visions of ‘the human’ generated by people who were historically excluded from, or only partially included into, that category. It means creating other possible worlds. This transformative edge assumes that no emancipatory process, however partial, is ever completely subsumed or incorporated into the dominant socio-economic life conditions, to which it is attached by critical opposition. Margins of intervention remain available, albeit as virtual potential. The trick is how to activate them.

      The COVID-19 pandemic that is raging as I am writing is emblematic of the posthuman convergence. It is a human-made disaster aggravated by undue interference in the ecological balance and the lives of multiple species. The pandemic foregrounds the importance of human/non-human interaction and its destructive, as well as generative, potential. Paradoxically, the contagion has resulted in an increased use of technology and digital mediation, as well as enhanced hopes for vaccines and bio-medical solutions. It has thus intensified the humans’ reliance on the very high-tech economy of cognitive capitalism that caused the problems in the first place.

      Living with these internally contradictory developments is part of our historical deal. Thinking adequately about them is an urgent task for feminist thought, all the more so because the posthuman turn is marked by fundamental disruptions of received understandings of what it means to be human. The blatant inequalities exposed by the COVID-19 pandemic such as the disproportionate loss of lives among women, LGBTQ+ and ethnic minorities and socially underprivileged people, brings home a reality that feminist, postcolonial and race thinkers had already voiced: that the ‘human’ is neither universal nor neutral but shot through with power relations organizing access to privileges and entitlements (Hammonds, 2020).

      A pandemic on the scale of COVID-19 brings home to the Western world an ancient truth, carried by Indigenous philosophies and cosmologies: that ‘we’ are all in this planetary condition together whether we are humans or others. It is high time for this heterogeneous and collective ‘we’ to move beyond the Eurocentric as well as humanistic habits that have formatted it, and to dislodge the philosophical anthropocentrism they entail and enforce.

      This shift of perspective underscores the need for posthuman feminist theory. In this book I will address questions such as: how do emancipatory political movements position themselves within the posthuman convergence? How do these already complex intersections between advanced technology and accelerating environmental crisis affect the feminist agenda for intersectional social justice, transnational environmental justice, and women’s and LGBTQ+ people’s rights?

      In a concomitance of events that marks the extraordinary period we are going through, the voices, experiences and perspectives of multiple others are bursting all around us. The power of viral formations has become manifest in the pandemic, stressing the agency of non-human forces and the overall importance of Gaia as a living, symbiotic planet (Lovelock and Margulis, 1974). At the same time

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