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Born in England in 1881, Sir P(elham) G(renville) Wodehouse delighted generations of readers with his whimsical tales of the deliciously dim aristocrat Bertie Wooster and Jeeves, his brainy, imperturbable manservant. Many are unaware, however, that Bertie had a prototype — Reggie Pepper — who stumbled into the same worrying situations involving old school chums with romantic troubles, irate female relatives, threatening suitors, and other troublemakers.This is the only collection to contain the first eight Jeeves short stories as well as the complete Reggie Pepper series. Included are such delightful tales as «Extricating Young Gussie,» «The Aunt and the Sluggard,» Leave It to Jeeves," «Jeeves and the Hard-Boiled Egg,» "Absent Treatment, «Rallying Round Clarence,» «Concealed Art,» and more.Awash in an eternal glow of old-boy camaraderie, these stories offer hours of delightfully diverting entertainment sure to recaptivate Wodehouse fans of old as well as tickling the fancy of new readers, who will soon find themselves caught up in the splendidly superficial antics of Messrs. Wooster, Jeeves, Pepper, et al.

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Wilhelm Busch (1832-1908), endowed with an equipotent facility with sketch-pad and rhyming dictionary, created some of the most arresting sketches and drollest verses the world has yet seen.In addition to the title piece, this book reprints “Ker and Plunk” (Plisch und Plum), “The Egghead and the Two Cut-ups of Corinth” (Diogenes and die bösen Buben von Korinth), “The Raven-robbin’ Rascals” (Das Rabennest), “Deceitful Henry” (Der hinterlistige Heinrich), “The Boy and the Popgun” (Das Pusterrohr), “Ice-Peter” (Der Eispeter), “The Boy and the Pipe” (Krischan mit der Piepe), “Firm Faith” (Fester Glauben), “The Two Ducks and the Frog” (Die beiden Enten und der Frosch), and “Cat and Mouse” (Katze und Maus).By turns malevolent, jovial, sardonic, diabolical, and bloodthirsty, these verses tellingly castigate hypocrisy, stodginess, stupidity, egotism, drunkenness, and other human foibles. The English translations, printed opposite the original German, are ingenious and faithful, with spice and sense both intact.

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Charlotte is afraid of love and of life.<br><br>Her confidantes are a rubber duck and a diary she calls Rajah. She tiptoes on the edge of the love cliff, but to her an imaginary love life is safer than taking the plunge with a real one. She dreams about men who remind her of her long lost love, Mason, yet when she bumps into him she panics and runs away.<br><br>Her heart crushed by a long-ago betrayal, Charlotte cannot find happiness unless she confronts the ghosts of her past and deals with the realities of the present.<br><br>This touching love story wends its way through the ups and downs of Charlotte&#39;s life as she tries to deal with her emotional problems and find a way to heal her broken heart.<br>

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Goodbye Mrs. Robinson is an Irish, very black comedy about a brother and sister who find themselves in a very complex plot to claim money from their foster mother&#39;s insurance. Set in Galway, West Ireland this novella is about two orphaned children Aoife and Conor trying to break free from their contrary foster mother, Helen Robinson.<br><br>If you liked In Bruges and The Guard you&#39;ll enjoy this latest book from Fiona O&#39;Malley.<br>Half of the money raised from book sales will go to one of Fiona&#39;s favourite charities – GOAL.

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Stephen Leacock Collection<br><br>Arcadian Adventures With the Idle Rich <br>The Dawn of Canadian History: A Chronicle of Aboriginal Canada <br>Frenzied Fiction <br>Further Foolishness <br>The Hohenzollerns in America <br>Literary Lapses <br>The Mariner of St Malo <br>Moonbeams From the Larger Lunacy <br>Sunshine Sketches of a Little Town <br>Winsome Winnie and other New Nonsense Novels

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Winner of the 2010 Leapfrog Fiction Contest. «Excellent and lively. A sharp wit, the apt metaphor, the turn of phrase that pleases and surprises.»&#8212;Marge Piercy, contest judge «Bright, brassy, spunky, intelligent. Ingenious writing. . . . Quirky and filled with metaphoric twists that often startle.»&#8212;Michael Mirolla, contest judge «Smart, funny, biting, and, above all, touching. A collection to savor over and over.»&#8212;Michael White, author of Beautiful Assassin Praise for Joan Connor's previous collections: «Brilliantly quirky wit and wordplay.»&#8212;Syndey Lea, author of A Little Wilderness «A deeply talented writer.»&#8212;Alyce Miller, author of Water «Candor, bracing wit, and skewering insight that could kill if she let it.»&#8212;Rosellen Brown, author of Half a Heart Joan Connor's collection investigates love and loss, sex, family, and the ways they echo back through memory, sometimes to comfort and sometimes to bite. Some comic, some dark, the stories range from lyrical to laugh-out-loud funny. The title story is a mock self-help manual on how to fall out of love. «Men in Brown» is a rollicking account of a woman infatuated with her UPS man. «Aground» is a dark account of male lust and violence on a lonely island in Maine. Joan Connor is a professor at Ohio University and at Fairfield University's low residency MFA program. She received the AWP award for her collection History Lessons, and the River Teeth Literary Nonfiction Prize for The World Before Mirrors. Her two earlier collections are We Who Live Apart and Here on Old Route 7.

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The volunteer would complain, of course. I suppose he couldn’t help it. He felt angry or self-righteous or betrayed. He said this was not what he’d signed up for, this was breaking a promise, breaking the rules, this was not the way the good guys conducted themselves. He might say this was a violation of his human rights, a war crime, a crime anyway. And I’d say, “You’re probably right,” and then continued with the process. Joe’s got a lot to think about, and time on his hands to do it, since divorcing his wife and quitting his job training volunteers for a shadowy government agency. The otherwise nondescript house he’s just moved into boasts one key feature: a circular path in an overgrown backyard, on which Joe plans to walk twenty-five miles a day for a thousand days. Joe figures that walking the circumference of the Earth―safely on his own patch of territory ―might just be the thing he needs to move on with his life. But curious neighbors keep sharing their troubles and preoccupations, looping Joe into mundane intrigues, and unwittingly triggering Joe to use the unique problem-solving skills he learned on his old job. With the help of an aspiring bartender, who tests her experimental cocktail recipes as he walks, and philosophical advice from his mailman, Joe stays on pace despite the distractions. But it doesn’t matter how quickly he walks, the past is catching up to Joe, and for the first time, he must prepare himself (and not others) for the worst. A brilliant novel by a master storyteller, The Miranda is at turns a biting satire about the secrets we keep from our neighbors, and about the invisible and unceasing state of war in which most Westerners unconsciously live.

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Here is the follow-up to the much talked about and read, Megabelt. Five years ago, Nick May wrote about his growing up in what is known as the Bible Belt. The story of Gil, Cal, Everyman, Grey and more resonated with people who also lived in this section of the United States, and allowed those who did not, to look through the knothole in the fence. Stories included dinner on the grounds, gospel singing, summer camp and ice cream socials. We laughed and cried and asked for more. Nick May has answered our request with a new Foreward and a new chapter. The book is now approximately 140 pages.

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Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action &mdash; to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

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Edited by Maxim D. Shrayer, a leading specialist in Russia’s Jewish culture, this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people’s history. A living record of the rich and vibrant legacy of Russia’s Jews, this reader-friendly and comprehensive anthology features original English translations. In its selection and presentation, the anthology tilts in favor of human interest and readability. It is organized both chronologically and topically (e.g. “Seething Times: 1860s-1880s”; “Revolution and Emigration: 1920s-1930s”; “Late Soviet Empire and Collapse: 1960s-1990s”). A comprehensive headnote introduces each section. Individual selections have short essays containing information about the authors and the works that are relevant to the topic. The editor’s opening essay introduces the topic and relevant contexts at the beginning of the volume; the overview by the leading historian of Russian Jewry John D. Klier appears the end of the volume. Over 500,000 Russian-speaking Jews presently live in America and about 1 million in Israel, while only about 170,000 Jews remain in Russia. The great outflux of Jews from the former USSR and the post-Soviet states has changed the cultural habitat of world Jewry. A formidable force and a new Jewish Diaspora, Russian Jews are transforming the texture of daily life in the US and Canada, and Israel. A living memory, a space of survival and a record of success, Voice of Jewish-Russian Literature ensures the preservation and accessibility of the rich legacy of Russian-speaking Jews.<br>

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